Tag Archives: summit

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Eastern Sierra Aspens

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Eastern Sierra Aspens
Late-season Eastern-Sierra aspens in green, yellow, and orange.

Eastern Sierra Aspens. © Copyright 2022 G Dan Mitchell.

Late-season Eastern-Sierra aspens in green, yellow, and orange

With this post I interrupt the recent stream of New England fall color photographs to bring you fall color from California’s Eastern Sierra. Our productive trip to photograph the beautiful fall color in (mostly) New Hampshire cut into the time I would usually spend in the Sierra during the aspen color season, but I wasn’t about to miss it entirely. So I managed a four-day trip to the “East Side” last week, visiting several promising aspen color locations. As a result, I’ll eventually have a bit more to say about two subjects: a comparison between the East and West Coast experiences, and the prospects of finding Sierra color after the middle of October.

As I post this year’s Sierra aspen photographs, you’ll probably notice that I made many of them in soft light: near dawn or dusk, in the shadow of nearby mountains, or under some degree of cloudiness. Despite my love of backlit trees, this is my favorite kind o light for photographing the fall colors. To me the colors seem richer, and I can maintain more shadow detail than I typically get in the harsher direct sunlight. I made this photograph late in the day on the east side of the range, shortly after the sun had dropped behind the Sierra crest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dune Summit

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Dune Summit
“Dune Summit” — Sand slopes leading to the summit of tall sand dunes.

After sharing a lot of color photographs from Death Valley (along with one or two in monochrome), this one seemed to work best in black and white. It might seem counterintuitive to those who associate black and white with old-school “realism,” but monochrome often allows and even demands greater levels of “manipulation” than color and is even further removed from that illusive concept of realism. (Hint: The world is not monochromatic!)

Working in monochrome allowed me to produce a high key version of the subject, a layering of dune lines and curves leading toward the highest peak. Overall the image is rather light, but I was able to emphasize some of the darker textures, too. (Because the image is light, gray can almost imply black.)

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Color, Aspens and Brush

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Autumn Color, Aspens and Brush
Backlight on a high country brush and a small copse of aspens with fall colors.

Autumn Color, Aspens and Brush. © Copyright 2021 G Dan Mitchell – all rights reserved.

Backlight on a high country brush and a small copse of aspens with fall colors.

There is a good chance that I’m approaching the end of this season’s fall color photographs — though there are still at least a couple in the pipeline. Given that in prior years have managed to hunt down a few remaining examples of autumn leaves in early January, well, there could are more! Here on the West Coast, by starting high in the Sierra in September and continuing into the lowlands as fall ends and winter begins, it is possible to experience a “fall” color season that lasts up to four months!

This scene comes from a location where the color transition begins near the beginning of this period. It is in the Eastern Sierra Nevada, at close to 8000′ elevation, where the semi-arid high desert terrain rises to meet the eastern escarpment of the range. Years ago I did not pay much attention to this zone, preferring instead to head straight to the high country. More recently, at least in part as a result of my fall color photography, I have become fascinated by this region. It is a complex zone, and the boundaries are affected by water, exposure, elevation, and soil conditions. The foreground brush is more typical of the high desert, while we usually tend to think of aspens as belonging to the near-alpine high country.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Desert Meets Forest, Autumn

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Desert Meets Forest, Autumn
An autumn conjunction of sagebrush, rabbitbrush, conifers, and aspens in the Eastern Sierra.

Desert Meets Forest, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

An autumn conjunction of sagebrush, rabbitbrush, conifers, and aspens in the Eastern Sierra.

This is another autumn photograph from that wonderful Eastern Sierra transition zone, where the high desert country of sagebrush meets the mountain country of conifers and aspens. Many years ago I regarded the two environments as being completely exclusive, but eventually it sank into my thick skull that this perception did not align with reality. In particular I recall one autumn visit to a very dry region east of the Sierra where I saw some of the most colorful aspens growing in a small desert valley.

A photograph like this one presents some technical challenges to the photographer. I think it looks pretty simple, but it wasn’t. The first issue was the the scene was lit by fairly intense backlight. I love backlight, but it creates some extremely bright highlights — and underexposing the shot is necessary to protect them from blowing out. In addition, because the sun was low and almost directly in front of the camera there was a great potential for flare. To make this photograph I actually stood in front of the camera and carefully used my hand to cast a shadow on the lens. Finally, with all of these elements of very bright light and the need to underexpose a bit, some of the shaded areas ended up darker than they seemed “in the flesh,” necessitating some post-production work with curves to bring back some of those shadow details.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.