Tag Archives: sunrise

Photographs: Nature, Photographs: Southern California

Green HIlls, Morning Mist

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Green HIlls, Morning Mist
Morning fog and mist above green spring hills

Green HIlls, Morning Mist. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning fog and mist above green California spring hills.

Many people who visit California for the first time are surprised by how dry much of the state is for most of the year. In many places — most of Southern California, the deserts, the Central Valley, coastal hills, even along portions of the coast — the predominant colors from late spring through autumn are golden and brown. What they don’t know, but may learn over repeated visits, is that much of the state passes through a miraculously green interval every year during late winter and early spring. During this time that dry, brown terrain becomes “impossibly green” for a short period.

This week I visited one of those places that seems desert-like during most of the year. Following recent rains there was mud everywhere, and even the driest of hills was sprouting new green growth. I camped up in a valley above a large plain, and when I arose in pre-dawn light I swore that this arid valley appeared to be full of fog. I broke camp in near-darkness, and as I drove down I entered the fog bank, which soon began to drift and thin in early sunlight, revealing this landscape of overlapping slopes, edges marked by the low-angle light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature

Autumn Sky

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Autumn Sky
Early morning clouds before the sunrise, Central Valley

Autumn Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

Early morning clouds before the sunrise, Central Valley.

Autumn is my favorite California season. (My least favorite? Summer.) This transitional period begins here with a feeling that is mostly indistinguishable from summer, except that there is a sense of change in the air. By the end of autumn the conditions change to the point that it really feels mostly like winter, with cold — for California — conditions, Pacific weather fronts passing by, and snow in the mountains.

This is also the season when my attention turns away from the more typical summer subjects of the high Sierra and toward other California subjects: the coast (with its rising autumn and winter surf), the great valleys, and the foothills. On this late autumn morning I was out in the valleys before dawn, and the clouds from an incoming weather system streaked the colorful sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Wildlife

Geese, Pond, Dawn Sky

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Geese, Pond, Dawn Sky
Ross’s geese in a wetland pond on a foggy morning beneath dawn sky

Geese, Pond, Dawn Sky. © Copyright 2019 G Dan Mitchell – all rights reserved.

Ross’s geese in a wetland pond on a foggy morning beneath dawn sky.

There is often a particular esthetic around bird photography that concentrates on close photographs of individual birds. I’ve often thought that the reasons for this particular approach are several. For some bird photographers – though not so much for me — this work is an outgrowth of “birding,” and in that endeavor being able to view individuals close up is a goal. There’s also an element of the technical challenge. It isn’t easy to get in position to fill the frame with one bird, and it is even more difficult when the bird is in flight. On top of that, we must acknowledge that for at least a subset of bird photographers, the acquisition and use of really big and really expensive lenses has its attractions.

I’m not immune to those things, but I often find myself approaching birds in a somewhat different way. Few of my photographs feature a single bird filling the frame. (I can do that, and I have, just not that often.) More typically, the photographs include a group of birds — a couple of them together or perhaps thousands — and place them in the landscape. The latter is quite likely linked to my long interest in the landscape as a subject. This photograph clearly fits that lineage — it is what I think of as a “birdscape,” a photograph including birds in the landscape they occupy. I made this photograph in a water-filled place on a foggy morning when soft and colorful dawn light briefly lit the sky.

David Hoffman and I have an exhibit of “birdscapes” opening very soon at Stellar Gallery in Oakhurst, California, near the southern entrance to Yosemite National Park. If you’ll be in the neighborhood — going to see the Yosemite Valley snow or to photograph Horsetail Fall? — stop by and take a look at our photographs!

February 16th-March12th. Reception February 16 5-8:00PM. Stellar Gallery, Oakhurst, California

Birdscapes — David Hoffman and G Dan Mitchell
Birdscapes — David Hoffman and G Dan Mitchell

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

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Dawn Clouds, Reflection

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Dawn Clouds, Reflection
Dawn light on clouds, reflected in a wetland pond

Dawn Clouds, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dawn light on clouds, reflected in a wetland pond

Sometimes the morning world surprises you. This was one of those times. I went to this place hoping that I might be ahead of an incoming weather front that was approaching from the northwest, but as the first light began to glow it was clear that I was going to be under the clouds. They covered almost the entire sky and promised to produce pretty gray conditions.

However, I did notice a very thin opening far to the east, between a mountain range and the far edge of the cloud shield. This is a condition which can, somewhat ironically, produce a brief burst of spectacular color right at sunrise (or sunset, if the break is in the west) that can be truly stunning. Basically, against a backdrop of largely dark conditions, the light will briefly shine upwards onto the clouds just as the sun reaches the horizon, sometimes producing some of the most intense light you’ll see — though the effect typically lasts only a few minutes and then the “lights go out” again quite quickly. On this morning I was next to a shallow body of water, so the show was twice as good — the colorful sky was reflected on the surface of that post.

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Facebook | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.