Tag Archives: sunrise

Photographer, Long Valley, Dawn

Photographer, Long Valley, Dawn
Photographer Patricia Emerson Mitchell working the dawn light near a small lake in Long Valley

Photographer, Long Valley, Dawn. East of the Sierra, California. October 10 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Photographer Patricia Emerson Mitchell working the dawn light near a small lake in Long Valley

On about my third week of aspen photography this fall I was accompanied back to the Sierra by my wife and fellow photographer, Patricia Emerson Mitchell. There are all sorts of advantages for me when she comes along — motel (instead of tent or back of car), real food (instead of things heated over a camp stove), and more… ;-) By this point in the aspen season I was ready for something that wasn’t aspen, so on this morning we headed east rather than west into the Sierra, traveling out across Long Valley with a plan of going even further east toward the White Mountains near the town of Benton.

We started in near darkness and arrived at a familiar spot out in the Valley before the sun rose. We parked and headed out to our destination, arriving a few minutes before the light, at which point we went to work rapidly — the photographic opportunities evolve rapidly as the first light arrives. Here she sets up close to the shoreline of the lack, photographing across the water toward mountains to our north as the first light rakes across sagebrush and the nearby hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Eastern Escarpment

Eastern Escarpment
The eastern escarpment of the Sierra Nevada rises from desert hills to rugged aretes lit by dawn sun

Eastern Escarpment. Sierra Nevada, California. October 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The eastern escarpment of the Sierra Nevada rises from desert hills to rugged aretes lit by dawn sun

Depending on how you approach the range, the Sierra Nevada presents two quite different aspects to the visitor. For many decades, as a long time resident of the San Francisco Bay Area, I was only familiar with one of them. I always came to the range from the west, on long drives over coastal mountains and then across the Great Central Valley. As I approached the east side of the Valley I would encounter the low hills, at first almost imperceptible, that humbly mark the beginning of this might range. Because it tilts upward from the west, the western slopes are overall very gradual. Rising through these first low hills, the grass and oak covered landscape raises over a distance of many miles, and it is quite a while before the range starts to feel like “the mountains,” and many hours before the visitor arrives in the high alpine zone of rugged granite peaks. Even here, to the west of the crest there are plenty of gentle valleys and meadows.

The east side is a radically different world, as I finally began to understand two or three decades ago. The eastern base of the range is an arid near-desert place, made more so by Los Angeles’ historic draining of east side waters that once irrigated now-dry places and once filled today’s dusty playas with shallow lakes. The Sierra rises abruptly from this lower landscape, and in places you can look up nearly 10,000′ to the highest summits — you stand in desert and look at alpine peaks, and you see every zone in between. I made this photograph at dawn from one such valley location where the landscape that of sagebrush and playa and alkali lakes. From this spot I looked across low hills with the first coniferous trees toward the abrupt rise of the eastern foothills, backed by jagged and rugged slopes leading upward to high peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Eastern Sierra Sunrise, Autumn

Eastern Sierra Sunrise, Autumn
First light on rugged, snow-dusted ridges above aspen-covered Parker Bench

Eastern Sierra Sunrise, Autumn. Eastern Sierra Nevada, California. October 11, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

First light on rugged, snow-dusted ridges above aspen-covered Parker Bench

This is a special place, high along the eastern escarpment of the Sierra Nevada and open to the first dawn light from the east. It is also just far enough off the beaten track and difficult enough to access that it is usually not very crowded. (Don’t worry if you can’t get to it, there are thousands of other places where you can have a similar experience in the eastern Sierra.) We recently got up early enough to drive here and arrive well before sun rise. To this day, despite seeing many sunrises, I still often am surprised at how quickly the light comes and how silently. Living in a culture in which every spectacular thing, or thing that we are supposed to regard as being spectacular, is pumped up with loud music and lots of action, the sunrise comes often comes in complete silence and with little warning — you look up and notice that the light has already struck some small element of the scene, and soon you discover it moving across the landscape and quietly lighting more and more bits and pieces. I made this photograph when this first light had hit the rugged upper slopes above this aspen-covered bench, but before it had worked its way down to the trees.

This photograph also illustrates something I finally figured out about this strange eastern Sierra fall of 2015. This year the season began oddly, with very early first color in many places. In addition, many groves simply did not have leaves — either they lost them so early that I never saw them or perhaps they did not put out leaves this year. In other groves the leaves went almost straight “from green to gone,” with little or not brilliant color phase. Where this happened, I think it was the result of the four-year drought creating tremendous stress on the trees. At the same time, other climate factors thought by some to be associated with the drought also had the effect of delaying the color change of trees that were not as stressed by the shortage of water. Instead, these trees are changing later, likely due to overall warming temperatures. So far, this has been a season not quite like any other I’ve experienced. In this photograph you can spot examples of almost all of these conditions — completely bare groves, groves that have turned and already dropped leaves, some that are going straight from green to having no leaves, and even some trees that are still very green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dawn, Eastern Sierra, Mono Lake

Dawn, Eastern Sierra, Mono Lake
Dawn light comes to the eastern escarpment of the Sierra Nevada and Mono Lake.

Dawn, Eastern Sierra, Mono Lake. Sierra Nevada, California. July 3, 2007.© Copyright 2007 G Dan Mitchell – all rights reserved.

Dawn light comes to the eastern escarpment of the Sierra Nevada and Mono Lake.

Some years back I visited Mono Lake very early one morning with my brother, Richard, who is also a dedicated landscape photographer. My recollection is that we had arrived separately in the eastern Sierra and somehow ended up meeting here near the town of Lee Vining and heading out to this familiar spot before dawn to make photographs.

I never know exactly what will turn up here. Yes, I can always photograph those tufa towers, but I’m usually often interested in special atmospheric effects: haze, clouds, broken dawn light, the glow on the peaks of the eastern Sierra, reflections in the morning-smooth water. We began by photographing fairly conventional photographs of the tufa towers before the light arrived. It was a cloudy morning, though the deck of clouds was broken, allowing some light to make it through the gaps and a momentary band of light to strike the mountains as the sun came up beneath the far edge of the clouds in the east. I must have made this photograph fairly close to that moment. Most of the scene is in shadow, but bands of light appear on the peaks, and a bit of softer light illuminates the foreground tufa.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell or others where indicated. Any use requires advance permission from G Dan Mitchell.