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A Photograph Exposed: Photography and Luck

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

I have never been shy about admitting the role that luck plays in producing effective photographs, especially photographs of the natural world. Vision and knowledge and experience and planning and all the rest are important, but we kid ourselves if we imagine that we are in control of our subjects to any great degree. The topic came up in a recent discussion, so I thought I’d share an edited version of my response here.

I can tell you with certainty that luck plays at least some role in many, if not the majority, of my landscape photographs. It is not the only thing, and preparation of all sorts is critical, but in the end almost every photograph depends on conditions and circumstances that are largely beyond my control. I’ve written quite often at my blog about the sudden unanticipated appearance of magical light or atmosphere, snap decisions to be here instead of there, showing up in a place to find the key element that I could not have predicted, and random decisions that led (or not!) to special photographs.

The following photograph is one of my favorite illustrations, though I could use scores of others to make the same point.

Fisherman, Winter Surf - Big Sur fisherman casts into the roiling winter Pacific Ocean surf.
Fisherman, Winter Surf

(To make the story even wilder, I ended up with three images of this scene, and I still have a hard time selecting a favorite.)

So, how did this photograph come about? It sure looks like it must have taken some planning to get that individual fisherman posed in front of the stupendous winter surf, right? Or else some serious Photoshop trickery ? No, on both counts.

One morning I decided to photograph at Point Lobos along the Central California coast – a bit less than an hour and a half from where I live. Why Point Lobos on that day? It is hard to say for sure since even though I knew that high surf was possible, I could have gone to many other coastal locations to find it. It is a place I photograph often, but so are at least a score of other locations within the same radius of my home. So, for no clear reason that I can articulate, other than it is one of the places I like to shoot, I headed that direction.

I got there  too early, and the park was still closed. I pulled up to the entrance, joining the short line of cars waiting for the gate to open, and figured I’d wait. As I sat there, I realized that I might as well drive around and see what else I could find while waiting. So I started the car, made a u-turn, and returned to highway 1, the Pacific Coast Highway. Should I go left (north) or right (south)? No idea. Oh, what the heck, I guess I’ll go south. (Less traffic to worry about when turning right onto the highway…)

Continue reading A Photograph Exposed: Photography and Luck

Pelican Flock

Pelican Flock - A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve
A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve

Pelican Flock. Point Lobos State Reserve, California. July 16, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve.

I photograph birds sometimes – more these days than at some times in the past – but they are generally not my main passion in photography, with a few exceptions. The first of those, however, is photographing pelicans along the Pacific Ocean coast of California where these big, magnificent birds seem to stand apart from the other birds of the area. They are bigger, they often coast rather than flapping wings quickly, when seen they are most often simply passing by on their way to and from some unknown other place, and they overall seem to me to have an almost prehistoric aspect.

Most often when I photograph them I go to some place where I think they will pass and I wait. Places where a rocky peninsula extends a bit into the ocean can be likely spots, as are the top edges of certain bluffs above cliffs, where they seem to float past on updrafts from onshore winds. Often as I wait and watch for them I see other birds and I may photograph them, but I’m always watching in the further distance for the groups of pelicans, usually strung out in lines of a few birds to, sometimes, many – and as soon as I spot them the other birds are forgotten as I watch the pelicans approach. I understand that this year the California pelicans are stressed by some sort of environmental change and many have died and others seem undernourished. This may partly explain why I saw so few on this July visit to Point Lobos, mostly only stray groups of two or three that were separated widely from one another. But late in the day a huge flock came from the south and, surprisingly, rather than floating past quickly they moved slightly inland, where I think they found a thermal, and spent several minutes coasting in circles as they rose higher.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Seaweed and Sandstone, Weston Beach

Seaweed and Sandstone, Weston Beach - A twisted piece of seaweed tossed onto sandstone rocks at Weston Beach, Point Lobos State Reserve.
A twisted piece of seaweed tossed onto sandstone rocks at Weston Beach, Point Lobos State Reserve.

Seaweed and Sandstone, Weston Beach. Point Lobos State Reserve, California. July 16, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A twisted piece of seaweed tossed onto sandstone rocks at Weston Beach, Point Lobos State Reserve.

Bits of sea life-like this illustrate one of the great reasons to walk slowly and carefully along the shoreline with eyes wide open. I photographed this section of dried seaweed just as I found it, lying on this stratified bit of sandstone on Weston Beach at Point Lobos. It is hard to imagine how a plant that, I presume, might have been fairly straight underwater, ended up in such a wonderfully twisted shape and to sit on this bit of rock with its own shallow curve.

I was a bit surprised to find this and some similar nearby examples on this beach. I’m used to coming here in the high-wave months of winter, when storm surf can cast all sorts of interesting things far up on the beaches and beyond the usual high-water line. But at this time of year the surf is often a lot calmer, as it was on this day, and I don’t expect to see nearly as much “stuff” washed up.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Beach and Rocks, Whalers Cove

Beach and Rocks, Whalers Cove - Large rocks and a sandy beach below the bluffs at Whalers Cover, Point Lobos State Reserve.
Large rocks and a sandy beach below the bluffs at Whalers Cover, Point Lobos State Reserve.

Beach and Rocks, Whalers Cove. Point Lobos State Reserve, California. March 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Large rocks and a sandy beach below the bluffs at Whalers Cover, Point Lobos State Reserve.

For some reason this little vignette caught my attention when I visited Point Lobos one morning in late March. The spot is a section of the curving beach at the inside of Whalers Cove, where a bluff sits above short cliffs at the edge of the sand. This is another of those spots that I have visited for literally decades, yet never photographed. Although I have photographed nearby I don’t think I have any photographs of this little beach area at all, but I’ve been eyeing it during my last few visits.

The cove itself is an appealing spot, somewhat different from many other parts of Point Lobos. Those tend to feature quite rugged seashore, often with cliffs and rocks that run right down into the surging water of the Pacific Ocean. But this cove is doubly protected from the ocean, by being a cove and by having an entrance that does not face straight out toward the ocean. It is filled with kelp beds and is a good place to look for sea lions very close to the shore. (Several were hanging out, wrapped in kelp and lounging around, not more than a few feet from the shore.)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.