“Shoreline Forest” — Trees grow along the shoreline of a Yosemite high country lake.
When I plan to spend a morning photographing in an area like this in Yosemite, I figure I have perhaps 3-4 hours of interesting light for morning photography. I typically start with a subject that works well in predawn light, move to one that focuses on the actual sunrise, then move around to find other subjects when their best morning light arrives. A subject like this one typically comes later and is often the final one of the morning.
I made the photograph in full sunlight, though it was slightly muted by some thin haze. I was interested in the interplay between the shapes of the trees and their shadows. In order to create this composition I had to photograph essentially directly into the morning sun light, though I positioned myself so that the shadow of one of the trees blocked the direct light.
Two trees and their reflections along the rocky shoreline of a Sierra Nevada lake.
Last week I spent a few days in the Yosemite high country around Tuolumne Meadows. I had a few things in mind. Visiting one of my favorite places in the Sierra was, of course, one of them, as was making photographs in this location. I also had a more practical goal in mind — spending a bit of time adapting to elevation for an upcoming trip that has me “going high” on the first day. With that last goal in mind, each day I picked a hike that covered some miles, that climbed, and that had me over 10,000.
I had been planning to camp outside the park to the east of Tioga Pass, but much to my surprise there was still “space available” at Tuolumne Meadows when I passed through, so I changed plans and got a campsite there. This meant that when I wasn’t otherwise occupied, I could easily get to some of the well-known locations along this roadway. That’s just what I did for this photograph, getting up early and arriving here well before the day’s crowds… at an early enough hour that the place actually provided some solitude.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Morning mists and light above a subalpine lake, Yosemite National Park.
There is no hiding the fact that this is a popular and sometimes crowded location in Yosemite National Park’s high country. Since this lake is along the Tioga Pass Road route though the park between Tuolumne Meadows (and interesting points farther east) and Yosemite Valley (and most of California!), on busy August days it can be almost oppressively crowded. However, even then, if you go at the right times you can avoid most of the crowds and busy-ness,” and there’s a special bonus: the most beautiful times of the day are often the least crowded!
I’m usually out and about before dawn since I don’t want to miss the beautiful early light or the peace and quiet of the early hours. I had already been up and photographing for some time when I stopped on my way back toward camp to make this photograph. But even as I was wrapping up my morning’s work, most of the people who would show up here later were still sleeping in, having a big breakfast, or perhaps still driving from distant locations. Consequently, I experienced this lovely morning light and atmosphere in near solitude and peaceful quiet.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Soft evening light on Mount Conness, in the distance beyond Tenaya Lake
I’ve been (mostly) off the grid since early this past week while spending four days in the high country in and around Yosemite’s Tuolumne Meadows. (Tuolumne Meadows used to have poor cell service. It now seems to have none at all, which is a mixed blessing.) This being July, there was a lot of interesting stuff to see in the Sierra — there is still plenty of flowing water (at least for this low-precipitation year), most meadows are still lushly green, and the wildflowers are spectacular. While there are plenty of people up there — and, it seems, more every year — the August crush of high country tourists hasn’t yet arrived. Evidence? I was able to walk up to the kiosk and get a campsite in the middle of the day.
Weather was sometimes a challenge. Clouds are both a blessing and a curse when photographing the high country. Most often they are plus, given that the Sierra can be “afflicted” by successive days of boring blue skies at times. On the other hand, it is certainly possible to have too much of a good thing, and at times the welcome “interesting” weather evolved into somewhat “blah” light. However, it is common for moments of special light to appear out of the blah conditions, and I was treated to several such instances on this trip. (One of them may soon be the genesis of an article on knowing when to stay and wait and when to move on.) On this evening I suspected that late light might cut through the haze and create some dramatic effects on the distant Mount Conness from this familiar location, so I headed straight there late in the day.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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