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Seated at the Louvre

Seated at the Louvre
A boy and two girls seated on benches at the Louvre, Paris.

Seated at the Louvre. © Copyright 2022 G Dan Mitchell.

A boy and two girls seated on benches at the Louvre, Paris.

Among the members of my family, I have a problematic reputation as a museum visitor. Apparently I spend way too much time in such places and traverse them way too slowly. A ritual has developed where eventually everyone else heads off to somewhere fun, leaving me behind to wander and. ponder, and later I catch up and join the party. What can I say? I like museums.

Not only do I like them for the things they present, but I also like to photograph in and around them. The buildings usually have fascinating design and architecture and often also very interesting light. There are lots of people, individually or in groups, who populate these interesting spaces. Here I photographed outside the Louvre, in the immense central courtyard, making a photograph of two girls in enthusiastic conversation and one very small-looking boy sitting alone against the monumental scale of the building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Hallway, The Louvre

Hallway, The Louvre
Light filtiering through windows into a hallway, the Louvre, Paris.

Hallway, The Louvre. © Copyright 2022 G Dan Mitchell.

Light filtiering through windows into a hallway, the Louvre, Paris.

One of my little secrets is that when I visit museums, the collections are not the only reason I’m there. Among other reasons, I like to photograph them. They are compelling spaces in so many ways. Although not evident in this photograph, they are great places to observe people individually and in groups, and the buildings themselves are often visually interesting. That’s no surprise since they are created from a perspective that gives great importance to visual effect and to light.

I’m betting that this is far, far from the most photographed thing at The Louvre! It is just a section of hallway near, if my memory is correct, an escalator. But the light coming through these windows was lovely, so I made a photograph. Here’s a secret: I shared a much different interpretation of of this scene previously. That version is in black and white and in it I took greater liberties with the qualities of the light and shadow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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At the Shoreline

At the Shoreline
A peninsula of fractured and worn rocks next to the tidal zone.

At the Shoreline. © Copyright 2022 G Dan Mitchell.

A peninsula of fractured and worn rocks next to the tidal zone.

As I wrote in another recent post, what I thought would be a quick visit to this cove turned into a rather longer one. As I started my visit I wasn’t sure that I would photograph here, but once I started looking around I found plenty of interesting subjects. After well over an hour I finally tore myself away to go photograph something else!

The location encompasses a shallow cove lined with rocks, some of which are flat and gradually head under the water, and others that are part of a small peninsula blocking the area from the open ocean. The intertidal zone is full of fascinating things — living creatures, pebbles left behind by the surf, and a pavement of upended strata. In this photograph I backed off some distance and put a long lens on the camera so that I could include the foreground boulders along with a small portion of the flat area and the rocky wall of the peninsula beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Oculus

The Oculus
The central skylight of the Oculus, World Trade Center, New York City.

The Oculus. © Copyright 2021 G Dan Mitchell – all rights reserved.

The central skylight of the Oculus, World Trade Center, New York City.

Almost exactly two years ago we were in New York City for a week spent visiting relatives, making photographs, eating out, and generally wandering about as we pleased. Yes, this was before the Great Transition that came in March of 2020. (We recently visiting New York City again in the post-transition world, and it isn’t the same experience at all. I’m looking forward to a time when it is once again.) To be precise, we were there for most of the period between about Christmas and New Year’s Eve.

At some point — perhaps while on a long walk or possible at the termination of a subway ride — we ended up in Lower Manhattan in the vicinity of the World Trade Center, where this fascinating Oculus structure is located. It is a combination of shopping area and transit terminal, but it is also an arresting architectural presence. Its organic, rib-like structure contrasts with the cubic forms of most of the surrounding buildings. Inside, especially if you lift your eyes above the lower floor shopping area, it is a remarkable interior space that, in many ways, suggest some sort of light-filled cathedral.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.