Tag Archives: thick

Wildfire Smoke, Early Morning

Wildfire Smoke, Early Morning
layers of thick wildfire smoke obscure the morning light

Wildfire Smoke, Early Morning. Along US 395, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

layers of thick wildfire smoke obscure the morning light

This was the culmination of more than twelve hours of observation of a developing wildfire located east of the Sierra Nevada, roughly between Lee Vining and Mammoth Lakes. The previous evening I finished a hike into the Sierra backcountry not far from Tioga Pass, returning to my car well after sunset. As I drove back down Lee Vining Canyon in the near-darkness I saw a big tower of smoke to the southeast and the tell-tale glow of fire on the bottom of the cloud. The next morning I woke up and headed straight back toward Mono Lake, from which I figured I could photograph conditions related to the fire.

I began photographing Mono Lake itself, where the lake was still mostly visible with only a few thin smoke clouds floating over it. But very soon this changed as winds brought the smoke right over Mono Lake, casting a pall over the scene all the way up to Conway Summit. My goal was to head south along the eastern escarpment, but as I did so the smoke only became thicker. I made this photograph at a point closer to the fire, where the smoke was very, very thick, enough so to take away most of the sunlight and add a post-apocalyptic quality to the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wetlands Island, Fog

Wetlands Island, Fog
Thick tule fog obscures the view of a San Joaquin Valley wetlands island

Wetlands Island, Fog. San Joaquin Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thick tule fog obscures the view of a San Joaquin Valley wetlands island

I can’t think of nicer weather for California’s Great Central Valley! (Well, unless you really need to get somewhere by car, in which case this kind of pea soup fog will slow you down, drive you nuts, and make you worry about those drivers who insist on traveling through it at high speeds.) I had a pretty good idea that it was going to be “this kind of day” as I approached this favorite bird photography location. Most of the drive had been clear, but a few miles away the fog suddenly thickened and soon I was creeping along narrow back roads at low speeds.

Our photography begin in fog so thick that we really could not see any of the birds that we heard, even though they were obviously not that far away. Finally it began to thin enough that we could see a few birds, dimly, though the mist. We photographed them for a while, and then I decided to make another circuit of the spot before the fog dissipated. Partway along the fog became less thick and it began to glow from above. I stopped, switched gears from bird photographer to landscape photographer, and made several photographs of these mostly obscured islands and trees and bushes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands, Winter Fog

Wetlands, Winter Fog
Wetlands, Winter Fog

Wetlands, Winter Fog. San Joaquin Valley, California. January 16, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Wetlands with thick early morning tule fog, San Joaquin Valley, California

The initial draw of this area of the San Joaquin Valley, with its wetlands and winter tule fog, was birds — the many thousands of seasonal migratory birds including geese, sandhill cranes, and ibises along with egrets, herons, pelicans, owls, hawks, an occasional eagle, and more. During winter, this agricultural area is given over almost completely to the is wildlife — something that I did not know for many years, despite living in California almost my entire life. However, the more I’ve photographed out here, the more my interest has evolved beyond just the birds to include the landscape itself, and especially the foggy landscape.

It is hard to describe the experience of being here in winter to a person who doesn’t share the experience. Frankly, the terrain is easily dismissed as the sort of thing you would drive through or past on your way to some place more interesting. That was certainly my notion, as I passed though here for years on my way to and from the Sierra. But out here on a cold, foggy and still winter morning, when your world closes down to perhaps a radius of a few hundred feet at best, and the sounds of birds come through the fog from all directions, this becomes a very special kind of place unlike any other that I know in this state.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Redwood Forest, Muir Woods

Redwood Forest, Muir Woods
Redwood Forest, Muir Woods

Redwood Forest, Muir Woods. Muir Woods National Monument, California. March 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A tall, thin bay tree reaches for the light in front of a row of coast redwood trees, Muir Woods National Monument

This cathedral of redwood trees still brings me to a stop every time I walk up the main valley at Muir Woods National Monument. Typically I arrive very early in the morning, often before the park opens, when I can have the trail almost to myself. (I’m happy to share “my” park with the small number of other early morning visitors, who are usually very quiet.) This row of big trees is in a spot near where several trails meet up, and the light can range from deep shade to filtered sun.

The light is the tricky thing when photographing here. People are often surprised by just how little light may make it down through the canopy of the redwood forest. On this morning there was a layer of high clouds that muted the light, with only occasional breaks allowing more direct light. As a result, this was a 13 second exposure! The idea here was to find a “wall of trees” composition, with some depth from additional trees perhaps visible in the gaps among the main foreground group. I liked the visual dissonance of the single slender bay tree trunk curving across the scene to the left.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.