Tag Archives: tioga

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Blue Hour: Lake and Fog

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Blue Hour: Lake and Fog
“Blue Hour: Lake and Fog” — Dusk fog rises from the surface of a subalpine lake reflecting a Sierra crest peak.

I had thought that I was done photographing for the evening when I passed this little lake and saw the fog rising in dusk light. The light was fading fast, so I quickly got out my tripod and set up for some relatively long exposures — this one was 15 seconds. The conditions arose after an afternoon and evening of rain ended and the skies began to clear, allowing fog to appear here and at every other similar body of water.

Photographs in these conditions — essentially twilight — test our understanding of what it means for a photograph to be “realistic.” The truth is that our eyes don’t see like this in extremely low light — so what you get here is a sort of “what the camera saw” image. (The eyes also do not interpolate drifting fog over a 15 second period!)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Pond, Forest, and Fog

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Pond, Forest, and Fog
“Pond, Forest, and Fog” — Fog rising from a subalpine pond drifts through pine forest, Yosemite.

This is one of several photographs I made in this area on the morning after a significant storm moved through the Yosemite high country. It rained for hours and made photography virtually impossible. But it also primed conditions for beautiful morning fog the next day, so I was up very early and out looking for it before sunrise.

Before long I passed a small lake that I’ve known about for decades but rarely photographed. This time the scene was sublime — fog was rising from the surface of the little lake and slowly drifting into the forest. The early morning light (from the now-clear sky) illuminated the scene, but there was no direct sun to overwhelm it. I began photographing, walking slowly along the shoreline and into the forest, eventually tearing myself away in order to seek out some other subjects.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Shoreline Forest

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Shoreline Forest
“Shoreline Forest” — Trees grow along the shoreline of a Yosemite high country lake.

When I plan to spend a morning photographing in an area like this in Yosemite, I figure I have perhaps 3-4 hours of interesting light for morning photography. I typically start with a subject that works well in predawn light, move to one that focuses on the actual sunrise, then move around to find other subjects when their best morning light arrives. A subject like this one typically comes later and is often the final one of the morning.

I made the photograph in full sunlight, though it was slightly muted by some thin haze. I was interested in the interplay between the shapes of the trees and their shadows. In order to create this composition I had to photograph essentially directly into the morning sun light, though I positioned myself so that the shadow of one of the trees blocked the direct light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Fog at Forest’s Edge

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Fog at Forest Edge
“Fog at Forest’s Edge” — Morning fog drifts among forest trees after rain, Yosemite National Park.

There is enough of a story behind this photograph that I will eventually post an article about it in my “A Photograph Exposed” series. It involved an afternoon and evening of heavy rain, a subsequent morning of fog and mist, moisture-enhanced colors, and a subject that I have almost intentionally chosen not to photograph much at all for decades. It is, obviously, a scene where a forest meets a wet meadow, photographed on a morning when fog drifted from that meadow and through the trees.

I was up early — likely around 4:00AM — since I suspected that there might be fog and mist on this morning after heavy rain. As I drove over a pass to get here there were piles of hail everywhere from the previous evening’s storm. Soon I came to a familiar small lake — the one that I almost never photograph — and I saw fog rising from the lake and drifting into the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)