This spot and this view have long intrigued me. The lines and curves lead from the shoreline forest at left, past that talus-covered slope on the right, across the water to another peninsula, and finally to the massive face rising beyond. The personality of this view can change remarkably — I’ve photographed during storms, under the full moon, in direct sunlight.
Continue reading Soft Light, Ellery Lake
Sometimes when I visit the Sierra I cover surprising distances to get from location to location. But I devoted the entirety of my mid-September visit to the Yosemite high country to locations between Tuolumne Meadows and Tioga Pass. I made this photograph from as far east as I went, right at the pass, where small tarns dot a landscape of meadows and small trees.
This can be a green and even lush place early in the season, but by the end of summer the meadows dry out and turn “California golden.” I made the photographer relatively early in the morning, when clouds were just beginning to build above Mammoth Peak and the Kuna Crest.
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
I have driven past this lake for years — decades actually — but I’ve only stopped a few times and hardly ever tried to photograph it. Until this year. Earlier this summer I was there on a morning after rain, and the little basin was full of luminous fog. On this mid-September visit the weather was wet, foo, and I had to stop and photograph when I saw more fog.
There is a sort of classic view of this feature, and I did make some photographs from that perspective. But then I decided to wander along the side of the pond, reaching its end and then walking back through forest. From that perspective, the view through the trees caught my attention, so I positioned myself behind a few backlit shoreline trees to make this photograph.
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This ridge lies a bit east of the actual Sierra Nevada Crest, just outside of Yosemite National Park’s eastern boundary. The peaks along the park boundary are magnificent examples of the rugged, rocky landscape that characterizes the highest parts of the range. But the ridge in this photograph is different. Despite being over 11,000′ high, on its western side it looks like… a really big hill, with little of the rocky, rugged alpine quality that we expect from these high mountains.
After my early backcountry dinner (as usual, eaten from the bag into which I had poured the cup of boiling water), I headed out for my evening photography. As the last sunlight left the lake where we camped I looked to distant high points where that warm light still shone. Here I lined up the peak with its reflection in a small pond only steps from my campsite.
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.