Tag Archives: travel

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Chrysler Building and Street Lamp

August 20, 2011 G Dan Mitchell 3 Comments

Black and white photograph of the Chrysler Building and a lamp post in New York City.

Yes, we are in New York City. Needless to say, this is a “target rich environment” for street, urban, and architectural photography. This familiar building is the first post from this trip. It is a black and white photograph for a couple of reasons. First, this turns out to be one of those photograph where I like both the color and black and white interpretations. Second, and more practical, I am working from an uncalibrated monitor and can’t be certain what the colors will look like. With that in mind, it seemed like a good idea to post the BW images first!

The Chrysler Building is an easily recognized Manhattan landmark… especially if you saw “Ghostbusters.” We were out for a “first morning in New York walk” on our first full day here, and the area around this nearby building seemed like a decent objective.

(On a practical note: As with the color calibration issue, I’m not in my usual workflow environment while on the road, so don’t be surprised if some things don’t look exactly like they normally do.)

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects

Breakwater, San Francisco Bay

August 19, 2011 G Dan Mitchell Leave a comment

Anchored ship and ship yard cranes of the port of Oakland beyond a breakwater, San Francisco Bay.

I made this photograph on one of my summertime San Francisco visits on which I head up there on the train very early in the morning, and then I walk wherever my nose leads me, making photographs. On this visit I left the train station and ended up crossing a bridge to the inlet behind AT&T park, sometimes called “McCovey Cove.” From along the far side of this inlet I could see across the San Francisco Bay to the towering cranes at the port of Oakland. They were backed by a fog bank that completely obscured the city of Oakland and all but the very tops of the East Bay Hills.

This morning light coming across the Bay can be very special. As it often shines through the moisture laden air over the water and sometimes through clearing fog, it can take on a luminous glow and can even be almost too bright to look at. This was that sort of morning, so I let the sky exposure go as close to white as I could and still retain some sense of the thick air. The dark object at the left is a concrete breakwater outside the entrance to South Beach Harbor.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Eastern Sierra Nevada Near June Lake

August 16, 2011 G Dan Mitchell Leave a comment

Trees ascend sage-covered hills toward the Sierra Nevada crest near June Lake, California.

Near highway 395 in Mono County, the main north-south route east of the Sierra crest, these open stands of large conifers ascend from the high desert sagebrush country towards the peaks of the Sierra crest, which rise much more abruptly on this side of the range than on the gentle west side. The tall ridge is above the June Lakes resort area between Mammoth Lakes and Lee Vining.

While my primary goal on this trip was to photograph in the Yosemite high country along Tioga Pass Road, smoke from a wildfire near Glacier Point in the park was drifting over the Tuolumne area and creating a lot of very non-photogenic haze. I had a hunch that by dropped over to the east side of the range I might be able to get away from the smoke or at least find areas where it wasn’t so thick. The smoke was still affecting the light near Lee Vining, but I didn’t have to drive too far south to get out of its path, though even here there is a bit of haze increasing the effect of atmospheric recession.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Sunset and Moonrise, Kuna Crest

August 15, 2011 G Dan Mitchell Leave a comment

The nearly- full moon rises above the sunset light on Kuna Crest, Yosemite National Park.

Kuna Crest runs up Lyell Canyon between the Lyell and Dana forks of the Tuolumne River with the Sierra crest at one end and Mammoth Peak at the other. (Mammoth Peak is the large peak straight in front of you as you top Tioga Pass entering Yosemite National Park.) This ridge can catch great sunset light during the summer, and as I came down from the pass, heading back toward my camp at Porcupine Flat, and saw the almost full moon appearing over the shoulder of the ridge I decided to quickly stop and make a few exposures as the last light was about to leave the forest and soon after the peaks.

If you have tried photographing a scene that includes the moon in the early evening you know that the exposure is a tricky thing. The moon is lit by daylight, so it isn’t too surprising that the “correct” exposure for the moon is close to a normal daytime exposure. But that is not the right exposure for the rest of the scene, which turns out to be quite a bit darker than daylight at this time of day. In this scene things were even more complicates as the very saturated red colors on the ridge were quite “hot,” while the foreground meadow and forest was in shade and both darker and cooler in color. Basically, the dynamic range between the moon and the foreground was too large for a single exposure… so I made several.

At the time of exposure I thought that I might need as many as three component images in the final photograph – they would be one exposed for the bright ridge and sky, one exposed for the rather dark and shadowed foreground, and possibly a third that correctly exposed the moon. To be on the safe side I bracketed four exposures. When I began to work on the image I figured out that in this case I could construct a final “believable” image from two exposures if I was careful and could make some additional adjustments during post.

This is an example of a shot in which the use of a graduated neutral density filter could have been problematic, but where exposure blending could work very well. (“Exposure blending” is one term for the process of manually combining two component exposures using masked layers in Photoshop. No, it is not the same thing as HDR photography.) One of the things that would have been quite tricking using graduated neutral density filters is that the division between the brighter upper half and the darker lower half is not linear. Instead, the roughly follows the curved boundary between the lower meadow and dark trees and the still sunlit trees and the peak and sky.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.