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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Ellery Lake

March 21, 2011 G Dan Mitchell Leave a comment

Early season morning light on Ellery Lake near Tioga Pass.

I made this photograph on the same early-season morning on which I made the vertical format photograph of the same scene that I recently posted. Ellery Lake is alongside highway 120, the “Tioga Pass Road,” just beyond the eastern boundary of the park and the Sierra crest. To be completely forthcoming, I made this photograph from the side of the road! (The many individuals who know this area well, and who have probably stopped to look at the same scene, already knew that…)

To briefly recap, the road here curves around the upper end of the lake above this small bay. Looking across the bay, the rocky edges of the lake are visible along with the steep talus slopes ascending to the peaks around Mt. Dana beyond. The spot has a natural beauty in terms of the forms of the landscape, but I think it is difficult to photograph as a whole – the light is the tricky thing. The earliest morning light is block by high peaks to the east and the late afternoon light goes quickly from sun to shade as the sun drops below ridges behind the camera position, and this light can be fairly flat since it comes from directly behind. This photograph was made in the morning, but not close to sunrise at all – it was two or three hours later. Even here the scene isn’t without technical challenges, especially from the dynamic range that spans from the shadows behind backlit rocks and trees to the very bright snow fields at upper right.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Morning, Ellery Lake

March 17, 2011 G Dan Mitchell Leave a comment

Morning light on Ellery Lake and surrounding mountains near Tioga Pass.

Yosemite National Park visitors who enter or leave the park via the Tioga Pass Road route are familiar with the sub-alpine lakes just east of the pass including Tioga Lake, Ellery Lake, and many smaller ponds. Ellery Lake – which is made a bit higher by a dam on its outlet stream – is the last lake before the drop-off into Lee Vining Canyon, and a place that people often stop during the summer months. Even during the very early and late season it is a popular place – in the early season right after the road opens you can often see back-country skiers on the steep slopes above the lake.

I rarely pass this particular cove near the upper end of the lake without stopping. However, I have also found it a tricky photographic subject! Very early light is blocked by the very tall ridge whose lower slopes are seen in the distance in this photograph. It is often quite windy. Late in the day the color of the light can be special, but it also tends to be almost directly behind the photographer and to leave some deep foreground shadows. There are other places like this – they seem like they should be photographic “slam dunks,” but they turn out to be more difficult than they appear. Or maybe it is just me! :-)

In any case, on this late June morning I had earlier finished photographing in the Mono Lake area and was heading back up towards Tuolumne Meadows. And, as always, as I drove around the curve above this cove I caught a view of the lake out of the corner of my eye and couldn’t resist stopping.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Motorcycle Parking, Night

March 7, 2011 G Dan Mitchell Leave a comment

Night photograph of a covered area for motorcycle parking at the front of a clinic, Mare Island Naval Ship Yard.

This should be the final image in the recent run of night photography from Mare Island Naval Ship Yard, near Vallejo, California. To recap, near the end of February I joined my fellow night photographers from The Nocturnes for a “Mare Island Alumni” meetup and shoot. I’ve shot this location – virtually always at night – for something like five years now, and I still find new things to shoot on each visit.

Early on I mostly focused on what some call the “historic core” of the place – an area of dry docks, giant cranes, and old shops and factory buildings. Later I began to investigate areas around the periphery of this location and to poke my lens into odd little alleys and corners that I didn’t see at first. More recently I have begun to look at smaller and less obvious features of the place and I continue to expand the boundaries of the areas that I know and shoot. This shot and the companion shot I posted just before it are a bit of a departure from my usual Mare Island work in that the scene is a more modern sort of urban landscape illuminated by modern lighting that doesn’t have the warm glow of the security lights and other forms of illumination found elsewhere.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Metal Walled Building With Door, Tree and Lawn, Night

March 6, 2011 G Dan Mitchell Leave a comment

Night photograph of a metal walled building with a door, sidewalk, lawn, and tree – Mare Island Naval Ship Yard.

This is a bit of a different sort of night photograph compared to the others I have posted in this recent series. (Most of those were shot at some distance from my subjects – generally old, historic buildings – and in very saturated and colorful light.) Near the end of my evening shoot at Mare Island in late February I was walking back from a dark and lonely corner of the place when I passed a more modern facility, an out-patient clinic of some sort. This facility is something of a stark contrast to the surrounding area. The building is relatively new and the walls are not the usual brick and/or corrugated metal, but instead are a more modern-looking sort of metal paneling. There is landscaping, including small patches of lawn and small trees. And the light is completely different. Elsewhere in the darker areas of Mare Island the lighting tends toward yellow, coming from sodium vapor lamps, though it also includes green and occasionally other hues. But here the light is fairly neutral and actually looks almost white. I wasn’t quite sure what to do! :-)

But then it seemed to me that it might be interesting to see what I could do with this modern (though not flawless) structure and its surrounding landscaping. Here a small door, partly blocked by some sort of signs, leads into a very small section of a building and is lit a bit mysteriously from above. Sidewalks lead away from the door and a small, forlorn patch of lawn sits near the corner of the building, with a single leafless tree supported by stakes. When I saw this spot and when I look at the photograph now I get this feeling that there should be some story behind all of this… but I have no idea what it might be.

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