Tag Archives: tree

Aspens, Ferns, And Boulders

Aspens, Ferns, And Boulders
Early autumn aspen color with ferns and granite boulders

Aspens, Ferns, And Boulders. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early autumn aspen color with ferns and granite boulders.

My arrival at this well-known Eastern Sierra location was perhaps a few days too early, and the color would not really peak until three or four days later. However, even when there are still a lot of green trees it is possible to find a few that are changing colors — and in some ways the striking fall leaf colors may even seem a bit more so when there are still some green leaves in the scene.

This photograph probably looks fairly static… but it was a very windy day! In fact, moments earlier I had given up photographing in a more exposed location because the winds were so strong! This grove was a bit more sheltered, being at the bottom of a steep, narrow bit of valley. Even so, the aspen leaves are easily moved in slight breezes and I had to wait for just the right moment to find a time when the motion was minimized. There is more going on in this scene than may be immediately visible. In a sense there are four primary components: the vertical lines of the light-colored trunks, the patterns of green and yellow leaves, the golden brown of the ferns, and hiding in the background the darker tones of rocks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Tree, Lake, Granite Bench

Tree, Lake, Granite Bench
A solitary tree grows along the shoreline of an alpine lake below Sierra Nevada granite benches

Tree, Lake, Granite Bench. © Copyright 2019 G Dan Mitchell – all rights reserved.

A solitary tree grows along the shoreline of an alpine lake below Sierra Nevada granite benches.

This is another “quiet light” photograph, made during the “edge of the day” times when the light is muted and soft, when the glow of light on nearby rocks gently enters the scene. During these hours, especially in the morning, the air is still and cool, the reflective surface of water is unbroken, and the world is a quiet place.

I made this photograph very near to our weeklong backcountry base camp, in a high, rocky spot nestled in the curving shore of an 11,000′ lake in a valley full of meadows, boulders, and running water. The high valley was surrounded by even higher peaks, and every morning before the sun rose above those ridges we have and hour of more of this light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Peninsula, Lake, Morning Light

Peninsula, Lake, Morning Light
Morning light on a rocky peninsula, reflected in the deep green waters of an alpine lake

Peninsula, Lake, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning light on a rocky peninsula, reflected in the deep green waters of an alpine lake.

My morning visit to this lake above our basecamp was fortuitously timed. I’d love to take credit for great planning, but I must admit that luck played a big role. I had a plan — it involved heading up that way quite early and then taking the time to ascend a low ridge and walk to the far side of the lake. But none of that happened. While I did get a reasonably early start, I was soon distracted by other subjects along the route to the lake, and I ultimately arrived there later than I had planned. However, my inability to stick to my schedule played to my advantage.

I arrived at the lake’s outlet, a long and narrow channel of still water, to find that the “quiet light” (thanks, Keith Walklet) was still there, so I paused to photograph that scene in soft shadows. Soon I decided to move on and head up and over that low ridge… but I immediately saw another scene that I had to photograph, some lichen-covered rocks along the shoreline. Finishing with this distraction, I now realized that I really had to get moving and climb that ridge. But by now the sunlight was on that ridge, and its reflection was casting lovely soft light back on a rocky peninsula and the boulder-strewn shoreline. So — again! — I stopped to make photographs of this scene. But this one took longer, as the light continued to develop and increase, until sunlight began to illuminate the water itself, building abstractions of light and color and reflections in front of the peninsula. (In the end I never did cross that ridge or go to the other side of the lake!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Peninsula, First LIght

Peninsula, First LIght
The first morning light strikes a tree on a rocky peninsula reflected in the still water of an alpine Sierra Nevada lake.

Peninsula, First LIght. © Copyright 2019 G Dan Mitchell – all rights reserved.

The first morning light strikes a tree on a rocky peninsula reflected in the still water of an alpine Sierra Nevada lake.

Our group’s method is generally to pack in to a base camp location, and to then remain in that single location for a week or so. Many years ago, when my primary orientation was that of a backpacker, I recall being almost terrified of staying in one spot so long — I imagined that I would be bored. But the opposite turns out the be the case. I gradually push my boundaries out from the camp, learning the variables of light and conditions, and get to the know the area much more intimately. I may initially visit a spot in light that is just “OK,” but then make plans to return when it is likely to be perfect. (And when I blow it I can come back and try again!)

This lake was only a ten or fifteen minute walk away from our camp. I had visited it some years back on a pack trip, but only briefly. This time I was able to wander up there quite a few times, in both morning and evening hours. On my first visit of this trip I missed the timing on the light, arriving just after interesting light had left some picturesque snags. But on the visit when I made this photograph everything worked out just right. I arrived very early before the sunlight had made it down to lake level, and I spent time photographing in this quiet light. Then I decided to move to a feature that I had scouted on the previous visit, and that also provided the light I was looking for. Finishing that, I decided to climb a higher ridge and traverse around the side of the lake, but as I did so I looked back and saw this scene illuminated by the reflected glow of rocks that were now in sunlight. I stopped and made a series of photographs of this little peninsula, the dark and reflective lake surface, and the jumbled rocks along the shoreline.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.