Cottonwood trees in full autumn color line a gulch as it passes between sandstone hills
I came upon this beautiful cottonwood-filled valley on a short drive I took out of Boulder, Utah while waiting for my late-afternoon check-in on my first day in a motel after a week of camping. As you can imagine, I was looking forward to this change in accommodations and the chance to get a shower and sleep in a real bed!
My drive took me a short distance out on the Burr Trail, which ends in Boulder. I’ve been over a good portion of this route (which is a road, despite the “trail” in its name) a few times in the past, using it to get to Boulder from a somewhat isolated area of Capitol Reef National Park. My goal on this little drive was a long, narrow sandstone canyon that is just a few miles out of town, but it turned out that the canyon was less interesting in the light I had to work with than this stretch of cottonwoods was. I came upon this site in a spot where the road descends through a sharp set of hairpin turns as it drops toward the valley. Along this section there are turnouts that provide open views into the valley and along its course as it winds into the distance. From this spot the valley was filled with more cottonwoods than I usually see around such a creek — typically they line up along its banks, but here the filled the valley between the red rocks from side to side.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Filtered light inside an eastern Sierra Nevada aspen grove with fall colors
This photograph reminds me that I like to encourage people to find their own special places when they go out looking for photographs or just to look. It is easy — and we all do it — to focus too much on the famous “places you must see,” even though there are places that may be just as beautiful and with which you can create personal relationship that is yours alone. After years of traveling in the Sierra, I have collected many such places — a rock I like to sit on here, a particular little peninsula next to a lake there, a nondescript aspen grove somewhere, a particular view.
This spot could be one of the newest on my list. It is just an aspen grove which, like quite a few in the eastern foothills of the Sierra, grows along the length of a stream dropping down from the mountains and into the eastern foothills. Several times I had looked up that way and noticed several thin lines of color in the fall and wondered what I might find, and this time I spent a little time exploring and found this grove. I’m quite serious when I say that it isn’t any more special in a general way than any other similar grove, but it is now one of “my” groves! Along the spectrum of Sierra Nevada aspens, these trees lean toward being a lot taller and straighter than the average, and the foliage beneath the canopy of aspen leaves is thick and overgrown. At first I thought that I would walk right into the grove, but when I tried I found it heavy going and I settled for a photograph made just inside its perimeter.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Colorful autumn foliage along a Utah stream at the base of sandstone cliffs
This photograph includes several things that attract me. For one thing, the subject is visually very complex — and I enjoy the challenge of trying to create a coherent composition from such subjects. For another, it includes several visual elements that I like a lot. One is the juxtaposition of foliage and red rock, which is found so frequently in the Southwest. Another is the state of the fall color transition here — it is at the interesting point where there are still quite a few green leaves, but where the transition is unmistakable. On top of that, the varied foliage includes a wide range of original colors, from bright green (and the autumn hello) of the main trees to the blue-green and dusty colors of the smaller plants at the bottom of the frame.
This little vignette is found along the Virgin River in Zion Canyon, where the river provides water along its course to support a lot of rich vegetation. More specifically, here the river makes a curve at the base of a very tall section of sandstone cliff, a bit of which is seen beyond the trees. The cliff is so high and the canyon so deep that little direct sunlight makes it down to this spot, and instead there tends to be a lot of beautiful soft light.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
This is another multi-photograph post — in this one I share four photographs from the Grand Staircase-Escalante National Monument that feature trees in various back-country landscapes ranging from the canyons and rock formations to one otherwise perhaps un-notable stop near a campsite where I stayed.
Colorful autumn foliage on a cottonwood tree next to a creek at the bottom of a deep sandstone canyon
This stout cottonwood tree grows in the wash at the bottom of this deep canyon, at the base of huge sandstone walls that tower above and wrap around curves in the canyon’s path. I had stopped here to photograph a different tree — it is among those shared in this group — and after finishing with that tree I looked over here to see this one standing against the worn and curving rock shapes at the base of the canyon walls.
Fractured and sandstone canyon walls arch above a cottonwood tree with fall foliage
This is one of two photographs of this tree that I like. (The other is a in portrait orientation, and may give a better sense of the trees size and the relative scale of the huge sandstone canyon wall.) The tree grows in the bottom of the wash and right up against the canyon walls, with several arch shapes in the sandstone creating a sort of frame for it.
A solitary oak tree grows from a crack in Utah sandstone
This photograph comes with a bit of a personal story. In the morning we (a group of six photographers) had departed our camp on foot to hike down a nearby wash and drop into a deeper canyon. Although the morning began well, with a pleasant walk down the wash, followed by some exploration as we tried to find a good way to drop into the deeper canyon, I suddenly developed a knee problem — I decided to remain behind as the group went on. I walked back to camp, making photographs along the way, and then drove to some other places along our gravel road looking for other subjects. In the late afternoon I returned to camp, though no one else had yet returned. So I decided to do a bit of exploring near camp, and I ended up at the base of a sandstone face as the sun dipped behind mountains to the west — and I photographed this tree in the low light before heading back to camp.
On our first night together as a group in a back-country area of Utah we set up camp and then headed out to photograph something as the evening approached. We drove, ending up at a spot where large sandstone formations are backed by an even larger area of smooth sandstone surfaces, interrupted by potholes and other features. At one point we were in one of those locations where the number of obvious photographic subjects was limited — basically, there was a beautiful pothole with a true and there was this old snag. With six photographers, interesting questions arise. Do we all shoot the same subject? If one person shoots it first, is it OK for the next to photograph from the same angle? How could we each take this common subject and do something different with it? I initially resolved to not shoot this snag, but a bit later I came back and gave in to temptation! ;-)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
