Tag Archives: trees

Photographs: Nature, Photographs: New England

New Hampshire Forest

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New Hampshire Forest
“New Hampshire Forest” — Dense foliage in a southern New Hampshire forest.

We had never visited New Hampshire, or anyplace else in New England for that matter, until two years ago — when we went twice! The first visit was for a late-summer extended-family get-together at a place we rented just north of Wilmington. (The other trip was that October, when we went back for the fall colors.) I found this landscape both intriguing and sometimes frustratingly different from the Western landscapes I’m used to. This is a land of very dense deciduous forests. They are lovely, but not conducive to the sort of big landscape images that I often look for. But there are a lot of trees to photograph!

Eventually I decided to just head out on foot and explore some of the gravel roads that surrounded our lodgings. At first it was difficult to see much through the mass of very green vegetation, but eventually I started to see compositions. And I remembered that forest photography often benefits from softer light, at the edges of the day or under cloud cover. There was a high, thin overcast when I made this photograph, and it softened the light and allowed shadow detail to emerge.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Coastal Redwood Forest

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Coastal Redwood Forest
“Coastal Redwood Forest” — A young coastal redwood forest, Pheiffer Big Sur State Park.

Photographing California’s coastal redwood forests can be a (fun) challenge. There is often an overwhelming amount of “stuff” in the scene — trunks, branches, undergrowth, all growing densely. Part of the challenge is finding a workable composition among all of the details. Light can also be tricky. On sunny days light beams fill the scene and pose nearly unsolvable dynamic range issues — shadows go completely black and highlights threaten to blow out. I made this photograph on a cloudy morning when the overcast was thinning a bit, producing some very soft light.

The location is Pfeiffer Big Sur State Park. Oddly, as a lifelong Californian who has passed by here often, I have barely explored this park. In fact, I can recall only one previous brief visit. Perhaps this is because I’m typically in the area to photograph coastal subjects rather than forests, and perhaps also because there are other redwood parks closer to where I live. This little scene is a obscure one near the main campgrounds and a nature trail.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspens in Green and Yellow

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Aspens in Green and Yellow
“Aspens in Green and Yellow — A grove of tall aspen trees in transition from summer green to autumn gold, Eastern Sierra Nevada.

Recently I wrote that I have not been able to visit the Eastern Sierra this season (as of this writing) while I work through a health issue. It is disappointing to miss the aspen color season this year, but I’m fortunate to have a huge archive of photographs from previous autumns. Recently I dug back into that archive and found some older photographs that I never worked up for public presentation. This is one of them.

Sometimes the trick with aspen photography, and fall color photography in general, is finding ways to make some kind of compositional sense out of wild colors and abundant details. I often stop and stare at forests like this one, trying to find the section in which some sense of order may emerge. It is usually there, but it can take a while to find it. Here I think that the combination of the large gesture of yellow leaves and the underlying patters of vertical trunks makes it work.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Nature, Photographs: Sierra Nevada

Two Peaks, Clearing Storm

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Two Peaks, Clearing Storm
“Two Peaks, Clearing Storm” — Clouds from a summer storm begin to clear above two fog-bound Sierra Nevada Peaks.

Rainy weather in the Sierra Nevada often produces post-storm treats, and many of them involve light and clouds and fog. The storms, often brief afternoon or early evening affairs, increase the humidity and drop the temperatures. So once they begin to dissipate it is common to see clouds floating among the peaks, and if you are in the right spot you might even be wrapped in fog. I photographed these two peaks and the clearing sky after one such storm.

The skies are usually clear on most Sierra Nevada summer days. In fact, sometimes they are clear for so long that photographers start to lament the constant blue sky and sun! But every so often moister air floats up the range and afternoon storms ensue. There are no guarantees, but many of them are gone by sunset. The storm that produced these clearing clouds was an exception, a full day of rain that largely kept us tent-bound until this evening.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.