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Granite Ridge and Trees, Afternoon Light

Granite Ridge and Trees, Afternoon Light
Granite Ridge and Trees, Afternoon Light

Granite Ridge and Trees, Afternoon Light. Yosemite National Park, California. September 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Afternoon light back-lights a glaciated granite ridge partially covered with trees, Yosemite National Park.

Late in the afternoon – almost more like early evening, actually, the atmosphere at this spot along the Tuolumne River valley in the Yosemite back-country was “complex” – both challenging to shoot and full of interesting and varied potential. You might be able to see in the upper right portion of the image that a good part of the sky was obscured by a thin gray layer of high clouds, and by looking at the very faint a low contrast view of the more distant mountains at the upper left it is clear that the atmosphere was quite hazy, especially when back-lit. Yet, there is sunlight slanting across the expanse of granite and trees on the foreground ridge, and this light picks off some of these trees.

This was the kind of lighting that requires some patience. And fortunately I had gotten myself to a beautiful spot on top of a granite “whaleback” (a low and long dome-like structure) above a small side valley beyond which this ridge was arranged with the more distant ridge in the background. Most of the time the light was what I’ve heard one of my friends simply describe as “blah.” The atmosphere was a bit hazy, most of the light was obscured by the high clouds (and the haze), and even in this quite beautiful spot most of the time nothing much stood out as a photograph.

Such scenes require – and can teach – patience. It helps to find yourself alone on a granite ridge without much else to occupy your time and with no other particular task at hand. It also helps if you have learned that there is nothing at all wrong with sitting quietly in one spot for a couple of hours and simply observing. And, if you have done these things before and have observed these scenes, you know that there is a possibility that even in light and landscape that might seem a bit “blah,” there is the potential for a momentary bit of light to create something worth photographing. This was a perfect afternoon for that sort of shooting.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees, Granite, and Afternoon Haze

Trees, Granite, and Afternoon Haze
Trees, Granite, and Afternoon Haze

Trees, Granite, and Afternoon Haze. Yosemite National Park, California. September 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Late afternoon sun back-lights haze around trees growing on granite domes along the Tuolumne River, Yosemite National Park.

I’m a big fan of shooting almost straight into the sun, especially when haze is involved and even more so when backlit trees can be the subject. This photograph was made in essentially these very backlit conditions, with the direct sun just a bit above and to the side of the scene. I liked the way that the near tree’s branches had more presence in front of the haze-faded low contrast background of the nearby ridge with trees and the further ridge fading into the bright haze.

I posted a slightly different version of this scene last week – one in which I had placed the tree almost directly in the center of the frame. Although some will cite some “rule of composition” to disallow that sort of composition, I think that the rules don’t make a lot of sense if your way of applying them is to simply follow them slavishly. I consider them to be more like “observations about composition” than rules of composition. It isn’t that placing a subject in the center of the frame is wrong, it is just that doing so can have a very different effect than putting it along an edge, one-third of the way in from a corner, at the bottom or top of the frame, and so forth. It is more important to get a sense – either intuitive or analytical – of the effects might be of these different placement options. In any case, I liked the centered composition of the other version – centered compositions can have a certain kind of calm strength, and the centering perhaps focused a bit more attention on the tree and a bit less on the background.

At the same time, I like this more “tradition” composition that places the tree a bit off-center to the right side of the frame. In a way, this opens up the frame a bit and I think it gives the middle ridge and its trees a bit more presence. I think it also allows the viewer to see the subtle light on those middle distance trees a bit better. And speaking of that part of the scene… I made a mistake at the time of exposure. With the sun almost in the field of view of the lens, I had to shield the front of the lens from the sun – but in this image I apparently missed a bit since I found a fairly obvious reddish flare in part of the frame. I’m glad to say that by a combination of color balance correction, some control over saturation, and a bit of work with a curve…. I think that I have managed to make the flare go away!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree and Stained Granite

Tree and Stained Granite
Tree and Stained Granite

Tree and Stained Granite. Yosemite National Park, California. September 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A small tree grows from a crack in red-stained granite slabs, Yosemite National Park.

Back in mid-September of this year I joined a group of five other photographers for a bit more than a week of photography in the High Sierra back-country of Yosemite National Park, going out along the Tuolumne River and spending some significant time in two locations and having several days to photograph at each of them. The first few days were spent along the Tuolumne in a place where a short hike led to a beautiful bowl of smooth granite slabs interrupted by some trees and stained by seepage from a band of reddish rocks above. In some ways this might have seemed like a tricky spot to photograph since it is in the bottom of a canyon and the light is blocked to the east and somewhat blocked to the west. But I like the indirect light found in shaded areas after dawn and before sunset, so I went back to this area on at least three days to photograph in this diffused, soft light.

The rocks are part of a large area of granite slabs that this non-geologist assumes were carved and smoothed by glaciers traveling down from the peaks above the Tuolumne area. In this spot the formations include large areas of smooth and curved granite surfaces, areas that have been pock-marked by erosion and water, cracks of various sizes ranging from incipient to gigantic, and trees and other plants growing anywhere they can find footing: tiny cracks, larger cracks like this one, collections of sand and debris in low spots, and so on. I came back to this tree and some of its neighbors several times and came to think of it as the “bonsai tree.”

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Granite Cliffs

Trees and Granite Cliffs
Trees and Granite Cliffs

Trees and Granite Cliffs. Yosemite National Park, California. September 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Trees ascend rocky slopes to the base of steep granite cliffs, Tuolumne River Canyon, Yosemite National Park.

There are still a few more photographs to be found among those I made during my weeklong mid-September backpack into the Yosemite back-country. I spent several days photographing in the Glen Aulin area and this is one more of the photographs from that area. In the evening the sun sets down canyon from Glen Aulin, and we had travelled to a spot where we could see down into the upper reaches of the canyon as the sun set. While I was photographing some closer subjects, I looked up and saw the light from the west back- and side-lighting trees at the upper edge of the forest before it gives way to steep granite cliffs.

One of the great pleasures of this trip was having the opportunity to spend a number of days in each location. We spent three days in this area at the start of the trip and I had the better part of two additional days on the way back to my car. In many cases, I might initially wonder how I could possibly spend that many days shooting one small area within walking distance of my camp. But many days later I had discovered more and more potential subjects… and I almost felt like I was running out of necessary time!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.