Tag Archives: tufa

Mono Shoreline, Dawn

Mono  Shoreline, Dawn
“Mono Shoreline, Dawn” — Dawn at Mono Lake near Black Point.

At some point on virtually every visit to the Eastern Sierra I end up photographing at Mono Lake… again. I’ve photographed the place for decades, but I still find new ways to see it on almost every visit. This time I headed to the northwest ‘corner” of the lake to watch the sun rise, and I got lucky with the beautiful sky colors and their reflection on the water.

I like photographing this subject early in the day when, with few exceptions, it is quiet and the air is often still. Sunrise light here is often special. Because the Mono Basin is vast and open to the east, there’s plenty of atmosphere (and haze!) to pick up the sunrise colors, and the sky can be very impressive. On top of that, these colors reflect on the surface of the lake. Because the large-scale scenic elements are backlit and so far away, details are usually muted, and the landscape can easily lean towards a kind abstraction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mono Lake, Evening

Black Point, Mono Lake, Evening
“Black Point, Mono Lake, Evening” — Evening clouds above Mono Lake and Black Point.

I made this photograph on an autumn evening after incoming clouds had ended my aspen photography for the day. I decided to make a quick run down to the shoreline of Mono Lake to see if there might be any interesting dusk light. The conditions were a bit subtle, but I think that they are actually representative of what we’re likely to see at Mono in the evening when clouds over the Great Basin dissipate and the lake is in shadow.

This particular bit of shoreline has long intrigued me. (I’m not the only one!) In many places along its edge we look straight out at the immensity of this lake, but in this spot we instead have a view along the shoreline, past bays and Black Point, toward volcanic islands and then desert mountains in the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Trona Pinnacles

Trona Pinnacles
“Trona Pinnacles” — Trona Pinnacles in early morning light.

Every time I visit Death Valley I pass close enough to these formations to see them standing in the distance, a striking sight in this otherwise flat valley where there was once a large lake. (They are tufa towers, formed when the area was submerged.) From time to time I detour to photograph them, but they have been a tough subject. I made this photograph on another of those detours, stopping between Ridgecrest and Death Valley before sunrise. The light proved to be challenging, but I had a few moments of lovely side-light shortly after sunrise.

The photograph is a liberal interpretation of the scene. Obviously, the subject is not really monochromatic, but I chose that route because it seems more dramatic. By the use of filters (here in software, but the effect is the same as we got in the old days with glass filters) I have accentuated the contrast in the sky to produce the effect that I had in mind when I photographed here.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Ridges and Light

Ridges and Light
Morning light on curved ridges, Death Valley National Park.

Ridges and Light. © Copyright 2022.G Dan Mitchell.

Morning light on curved ridges, Death Valley National Park.

There are many ways to tell the story of a landscape. One approach is to go for the whole thing, the epic landscape, the big view, and to put everything in the frame. This can work, and it may produce impressive and powerful images of great scale. And, to be sure, Death Valley National Park’s landscape lends itself to this with its expansive vistas, immense mountains ranges, and other striking features.

Another way to say something about a landscape is to go in the opposite direction and let small “excerpts” from the larger scene present aspects of it. The more I photograph a place the more I trend in this direction. You’ll still find me looking at those big views, but more and more I look for small bits and pieces. The texture of these rounded ridges is found all over Death Valley and is usually eroded into some combination of gullies and small, smooth hills. Here the warm-colored early morning light is sweeping across these hills, contrasting with the cooler tones of the shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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