Tag Archives: tule

Winter Dawn, Central Valley

One of the pleasures — yes, I wrote “pleasures” — of starting a long California drive before sunrise is the chance to see the Sierra Nevada profiled against the pre-dawn sky. Living in the San Francisco Bay Area, I often see variations on this view as I crest the western California hills and descend into the Central Valley. This is a variation on that view, not from the western edge of the Valley but out in its center.

For frequently obscures this long view when I am out in the Valley photographing winter birds. Even when the fog lifts, the atmosphere is often opaque. But from time to time in clears to reveal this striking view of ridges and peaks. This photograph was a “happy accident.” I had arrived at my planned destination only to find that access was blocked temporarily. Rather than wait, I decided to drive and see what I could find. It wasn’t long before I found this view across the agricultural landscape, draped in low tule fog, and extending toward the distant peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sunrise Trees

There are birds in this photograph, but it is really (mostly) about these sunrise trees. I went to this spot early this winter morning because it has been a reliable place to find sandhill cranes as they fly out in the morning. There were cranes, though not that many. But as I waited for them the nearby fog began to thin, and the light of the rising sun turning eastern clouds blood-red illuminated the trees with intensely colorful light.

This photograph is in a category that I sometimes think of as “unreal light” images. We all understand that photographs are not objectively accurate “recordings” of the real world. They are subjective, personal views of how the photographer sees things. An aspect of this is that we “work” the colors in photographs in pleasing ways… and sometimes they get worked to excess, producing unbelievable results. Against that background, when nature produces such intense and saturated light, it is easy to chalk it up to something the photographer did. Sometimes that’s the case — but not here!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Sunrise, From the Valley to the Sierra

There is a lot going on in this photograph. Of course, the most obvious first impression is likely to be the wild light. It was a cloudy dawn, and in the gap between the edge of a weather front and the distant Sierra Nevada the sky colors were very intense. And, yes, those mountains are the crest of the Sierra Nevada as viewed from the farmlands of the Central Valley.

It was also hazy, and that made the atmosphere between me and the mountains glow orange For a moment as the sky lit up. Closer, out there among the trees dotting the landscape, tule fog hugged the ground and drifted, occasionally rising over obstructions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Wetlands, Clearing Fog

This “quiet photograph” of winter wetlands, clearing fog, and bits of sparse vegetation is as evocative of the experience of such places as those featuring flocks of birds and winter sunrises and sunsets. The latter are remarkable and compelling features of this landscape largely because they are exceptional. Most of the time these places are quiet and still, and never more so than on a foggy morning.

Fascinating transitions of light occur as tule fog clears. The day begins in muted, gray, even oppressive darkness, with visibility measured in feet. Because tule fog is shallow it often becomes luminous as the sun begins to rise. Then, here and there, it begins to thin and break up, and soft directional light appears. Then the blue sky becomes more clearly visible, more distant features being to appear, and remnant clouds float above the landscape, and soon it is day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.