Tag Archives: tule

Levee Road, Tree, and Fog

This unassuming photograph of a rural levee road, tree, and fog in California’s Central Valley encapsulates the feeling of winter in this place for me. If you know the area or one like it, perhaps you can fill in the sound of bird calls, feel the cool and damp air, remember the unhurried feeling of moving along such a road early in the morning. I go here to photograph birds, but always end up focusing on the landscape, too.

As lovely as this light is, it can be challenging to photograph. A motto for me when I work on prints is, “more light!” However, here I have to suppress that urge a bit since the fog diminishes the brightness. (Though the high clouds are so bright they are hard to look at.) Color can also be challenging, with a tricky balance between the inherent blue of the foggy light and the warmer colors of plants and (sometimes) the sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetlands, Dawn Fog

Have I mentioned how much I like photographing fog? Why, yes, I have! Fog can make almost any subject mysterious and moody. Even a banal urban or natural scene can become magical under its influence. This is especially true in places like this, an agricultural landscape that otherwise includes utilitarian elements — cattle barns, power lines, buildings with lights, roads. But fog mutes those distractions and leaves us with just atmosphere, light, color, and bits of solid reality. The landscape becomes less literal, and we fill in our own stories.

It was initially too foggy (and too dark!) to photograph here, so I just headed out to potential locations and watched to see what would happen. Tule fog is often shallow, and I could see high clouds as the sunrise colors suffused the fog as it began to thin. The density of fog adds up across distance, and here makes it impossible to tell where the land and water end and the sky begins.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetlands, Dawn Light and Fog

Wetlands, Dawn Light and Fog
Shallow fog diffuses the morning light in Central Valley wetlands.

Happy New Year’s Day 2024! When this post appears on January 1, I’ll be in the field to greet the literal dawn of the new year with friends, fellow photographers, and few thousand migratory birds. With luck, it may be a morning like the one in the photograph, with beautiful soft light, a bit of fog, sunrise colors, and lots of wildlife all around. I hope that your new year begins as well!

This photograph comes from dawn on a December morning when I visited wetlands. My main goal was to photograph birds, but somehow I almost always end up photographing landscapes in such places. I arrived to some of my favorite conditions: the glow of pre-dawn light, thick fog, chilly air, and the sound of thousands of birds all around me.

Note: I’m starting the new year with a few changes at my website, including the new, simplified format for posted photographs and streamlined text. Since this is something of an experiment, don’t be surprised if I continue to make changes for a while.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Tree and Pond

Winter Tree and Pond
A winter-barren tree at the edge of a foggy pond.

Winter Tree and Pond. © Copyright 2023 G Dan Mitchell.

A barren winter tree at the edge of a foggy pond.

This scene was an unexpected opportunity on my Central Valley visit during the first week of March. When I arrived in the predawn light, the sky was completely clear — so clear that the sunrise photography was actually a bit disappointing. But I try to make the best of what I have to work with, so I did some photography in the first dawn light and then moved on. Then, perhaps an hour later and to my complete surprise, tule fog began to develop, and before long the visibility was down to, well, what you see in this photograph.

I headed back to this spot, which I had passed without bothering to pause in that earlier light, and now the fog turned this bare tree and pond into quite an atmospheric scene. The fog often transforms rather unremarkable scenes into something much more interesting, mostly by muting the visibility of distracting elements and leaving the main features and forms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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