Tag Archives: two

Pedestrian With Bucket

Pedestrian With Bucket
Two men walking, one with safety vest and bucket

Pedestrian With Bucket. © Copyright 2018 G Dan Mitchell – all rights reserved.

Two men walking, one with safety vest and bucket

I share this in my ongoing effort to perplex those who like my landscape photography… but aren’t so sure about the other stuff! Don’t worry, my intentions are entirely positive. I’ll remain a bit circumspect, but not entirely so. I like photographing urban scenes for a bunch of reasons, ranging from aesthetic to practical. On the practical side, they are often much more accessible — I can literally step out my front door and make photographs or perhaps find them at the end of a one-hour train ridge. They also challenge me to see in ways that are not in my native comfort zone, and they hone my ability to see quickly… which is a good thing. On the aesthetic side, if you know much about the history of photography and photographers, it is obvious that good work can be done in these places.

As to what is going on in this photograph, you shouldn’t view it though the lens of landscape photography. Well, OK, perhaps you could do that. This is a kind of landscape. It even includes some native “wildlife.” When you look at photographs of natural landscape, you probably look beyond the pure “beauty” of place and subject to consider the abstractions of from and color and implied motion and so forth. It might be worth trying the same thing with other subjects!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Two White-Faced Ibises

Two White-Faced Ibises
Two white-faced ibises interacting in a San Joaquin Valley wetland pond

Two White-Faced Ibises. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two white-faced ibises interacting in a San Joaquin Valley wetland pond

The white-faced ibises have intrigued me since before I knew what they were — in fact, I suppose I could say that I photographed them before I realized that they existed. Some years back, on my very first more or less accidental exposure to bird photography, I found myself “out there” on an early morning, with no more clue about what was going on than “someone told me I should go here and see the birds.”(That someone was a colleague where I taught.) I barely knew a goose from a swan, at least when they were flying quickly overhead, but I was amazed by the number and variety of birds that morning. I photographed like a madman, not really knowing at all what I was photographing. Later on, back home and looking at files, I recall finding a series of photographs of a line of birds overhead that had oddly long and curving beaks. I wondered what they were. It turns out they were ibises.

Ibises are not always the most common specimens. In addition to their unusual beaks, they have another particular visual characteristic. In many situations you would regard them as dark and fairly drab-looking birds. Photographing them in flight is often difficult, partly because they frequently just end up looking black against any lighter background. But catch them in the right light and the texture, patterns, and colors of their feathers begin to appear. On this morning I happened upon a group of ibises, perhaps a couple dozen, in shallow water. I stopped and watched quietly and was able to photograph a variety of behaviors, including this interaction between two of the birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Two Geese Landing

Two Geese Landing
Two geese descend to land in a wetland pond

Two Geese Landing. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two geese descend to land in a wetland pond

Since we’re well into my “bird season,” focused on migratory and other birds, I’ll stick with that theme a bit longer. I photographed this pair of geese (I’m pretty sure they are Ross’s geese) back at the beginning of December. Near the end of the day I moved to where the light would come in from the right, highlighting light and shadow and the textures of the birds features. Not too long before sunset, geese began to arrive and land in the pond, and I was able to photograph their descent.

I often marvel at the contortions of these birds during the final instants of their flights. In the air they are often graceful, but the landings vacillate between that grace and nearly-out-of-control clumsiness as they transform from creatures of the to earthbound animals. They glide in, instinctively facing into the breeze, and can sometimes then seem to almost drop right out of the sky. Wings go upwards, feet extend down, and necks stretch forward, and quickly they are on the ground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Hockney Observed

Hockney Observed
Two museum visitors observe a David Hockney Painting

Hockney Observed. New York City. December 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two museum visitors observe a David Hockney Painting

We have been in New York City during the past week or so, on one of our frequent trips to visit sons and daughters-in-law there… and of course to also simply be in New York. (And, did I also mention “eat in New York?”) It has been cold — something like 10-15 degrees below normal during our visit — and among the practical cold weather activities here are museum visits. We already knew we wanted to see this David Hockney exhibit — we had seen the big Hockney exhibit in San Francisco a few years ago, and we just saw a SF Opera production of “Turandot” that used a Hockney-designed set.

So we joined the throngs on a very cold day at the Metropolitan Museum and went inside to see this exhibit. (Having not done our research ahead of time, we were unaware of the Michelangelo show also taking place, but we managed to visit that, too.) The exhibit was, not surprisingly, very popular and crowded, with a variety of work from across Hockney’s career — lots of the usual stuff, including two of his Grand Canyon landscape paintings. I made this photograph as two people stopped to view one of them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.