Tag Archives: two

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Juniper Trees and Granite Slab, Morning

August 4, 2011 G Dan Mitchell 4 Comments

Two juniper trees in morning light at the base of Pywiack Dome, Yosemite National Park.

This strong and straight juniper and the smaller twin hiding behind it grow at the top of the rocky debris field at the base of this dome not far from Tenaya Lake in the Yosemite National Park high country. A bit later than the “golden hour” time, the morning light begins to spill around the side of the dome and illuminate these trees from behind, creating a glow in their branches and the branches of trees and brush around them.

Last night someone asked me if I choose when to go to the Sierra to photograph based on the weather conditions. I wish I had that luxury! To some extent I make general decisions about where and what to shoot based on the season – The Valley around the end the start of November, the east side in early October, etc. – but for the most part I go where I can go when I can go there. However, I do alter the focus of my shooting based on the current conditions. This late-July trip is a good example.

I associate certain types of light with different seasons, and I tend to look for clear and crisp light in late July along, accented by snow fields and lots of new growth. I was a bit surprised by the amount of haze in the atmosphere. In fact, in some ways it almost reminded me of very late summer and early fall when Sierra wildfires often create a smokey haze over the range. With this in mind, I figured out that crystal clear photographs of mountain peaks against sky were not going to be in the cards. Instead I focused more on closer subjects, and when I shot more distant subjects I thought a lot about how to use the haze, embracing its effect rather than regretting that I had to deal with it. This photograph is perhaps an example of both of those approaches. The main subject here, the central pair of trees, cannot be more than a couple hundred feet away, if that. Behind the trees and the slab are more distant granite domes and cliffs and forest winding up the mountainside. Shooting almost straight into the sun accentuated the hazy quality of the more distant elements of the scene and enhanced the sense of front to back distance, and separated the foreground trees from the background it a way that would not have been possible in “better” lighting conditions.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast, Photographs: Wildlife

Two Gulls, Ocean and Horizon

July 20, 2011 G Dan Mitchell Leave a comment

Two sea gulls glide along the top of coastal bluffs above the Pacific Ocean north of Santa Cruz, California.

Since I’ve related the basic story previously – more than once – I’ll keep it short this time. Since I live within an hour or less of the California coast, I head over that way frequently to photograph. Among my favorite subjects are the pelicans that travel up and down (but mostly, for some inexplicable reason up) the coast, riding the updrafts along the tops of coastal bluffs. I had some free time on this day, so I headed over with photographing the birds as one of my possible goals.

When I got to this familiar spot, there were no pelicans. (Eventually a few did fly past, but this was not a good day for pelicans.) Before moving on to other subjects I thought I’d at least stay here a while and practice the skills involved in photographing these birds in flight since even though there were no pelicans, there were plenty of other obliging birds. Most of the time it is difficult to get two gulls in the frame once they get close and start to fly past, but these two hung close enough together to be in the same frame, and their low trajectory placed them right in front of the deep blue water, with the fog-softened horizon near the top of the frame.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Two Trees, Morning Light, Pywiack Dome

June 26, 2011 G Dan Mitchell Leave a comment

Morning sun illuminates two gnarled trees at the base of Pywiack Dome, Yosemite National Park

I should begin by acknowledging that I sort of think of these as being “Charlie’s Trees,” since I first saw them in a marvelous photograph by Charles Cramer during a visit to the Ansel Adams Gallery in Yosemite Valley. The photograph was tucked away in an inconspicuous place up high above a doorway, but it caught my eye immediately. I knew right away from the composition and the quality of the light that it was Charlie’s work.

On the morning of the day after Tioga Pass opened this year, I had gone early in the morning to a spot just below this location, planning to photograph the high water of Tenaya Creek near where the creek from Cathedral Lakes joins and where the combined flow was flooding the meadow below Pywiack Dome. Finishing with that subject, I decided to head back up toward Tuolumne. Almost immediately as I passed by the base of Pywiack Dome, I could see that the morning sun was beginning to come around the shoulder of the dome and strike these trees and that the background of thicker forest and snow was softened a bit by haze and backlight. Very conscious of not wanting to recreate another photographer’s composition, I decided to use a long lens and let these two old and weathered trees fill the left half of the frame.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Two Oaks, Morning Sun

May 7, 2011 G Dan Mitchell 1 Comment

The springtime morning sun shines through a pair of oak trees in the Calero Hills south of San Jose, California.

On the final day of April and for the first time this season, I found to go for a hike at my favorite local park, a place where I have walked just about every available trail (and invented a few routes of my own) and photographed for a number of years. The park would not seem like anything all that special by comparison to some of the other places I visit, but it is close and I’ve gotten to know it in a way that makes it more special. The place is called the Calero County Park, part of the Santa Clara County Parks system.

The entrance to the park is in a broad valley that is largely occupied by stables. (Or, used to be – it looks like the stables must have closed since last season.) Rising from this valley are the typical grass-covered hills of central and northern California, with oaks and other trees scattered around and, in places, thicker trees and brush. At this time of year, the hills turn what I call “impossibly green” – and if you have seen them on a late-winter or early spring morning you know what I mean.

I started this hike a bit after dawn, so the golden hour light was more or less gone. I had a general idea of photographing some wildflowers (which didn’t happen – it was too windy) and some oak trees that grow alone or in small groups on the grass-covered hills. I passed a small lake – where a single egret often hangs out, but not on this morning – and topped a rise and descended into a small valley from which I have made quite a few photographs of oaks. It didn’t look too promising at first, but at the far end of this area I noticed that a pair of trees were still obscuring the sun and that I might be able to shoot straight into the sun with the trees blocking its disk, and get a photograph including the tree shadows on the hillside grasses.

This turned out to be another of those all-too-common ephemeral photographs in that the sun was starting to rise above the top branches of the tree and would soon be “out in the open,” making it much too bright for what I had in mind. So I worked quickly to set up tripod and camera and select a lens, then frame a composition, focus, and make a series of exposures that might be needed to deal with the huge dynamic range between direct sun and backlit tree trunks. By the time I had everything set up and was ready to shoot the sun had already risen above the upper branches, so I ended up looking for a slightly better shadow and putting the tripod down very low – and this gave me must enough time to make the series of exposures I figured I would need.

In the end, I got lucky. One single shot somehow managed to not blow the sun out too badly yet hold enough detail in the grass that a bit of work in post could bring it back. With all of the potential for lens flare – which I had to some extent in every shot – this one only had two small bits of it, and they were easily dealt with.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.