Tag Archives: united

Corridor and Columns

Corridor and Columns
“Corridor and Columns” — A walkway lined with stone columns and topped with stone arches, University of Glasgow.

I have previously shared a few other photographs of almost this exact spot — a walkway beneath a wing of Glasgow University that separates two inner courtyards. These enormous columns support several stories of building above, and these porticos are filled with light and give the courtyards are greater sense of space.

These aren’t easy to photograph, largely due to some light challenges, though composition can also be tricky. Fortunately, because the light comes from the courtyards it is softer and more diffused than it might otherwise be and it fills in the shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Borough Market Entrance

Borough Market Entrance
“Borough Market Entrance” — People at one of the entrances to London’s Borough Market.

On many mornings London’s Borough Market can be a happening place. There are lots of visitors — people looking for a coffee or a quick bite, tourists wandering through just to see the place or pick up a souvenir, locals who actually shop for products from the vendors. We were there to grab a cup of coffee and maybe a pastry — though in the end we settled for just the coffee before moving on.

The physical layout of the place is fascinating — maybe almost the antithesis of a neatly laid-out market like the one in Porto, where the vendor stalls are arranged in straight aisles on a grid. Because odd angles intersect at Borough Market — where things align with small streets, major avenues, approaches to bridges, and odd spaces between buildings — the layout feels rather haphazard. Not that this is a problem, especially if you are happy to simply wander a bit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Mural, Caution Tape

Mural, Caution Tape
Caution tape and a few cones witha giant street mural on the side of a brick building, Manhattan.

Mural, Caution Tape. © Copyright 2022 G Dan Mitchell.

Caution tape and a few cones witha giant street mural on the side of a brick building, Manhattan.

I’m not sure how others see and react to murals like this one in Manhattan, but I respond in several different ways. Sometimes I just see them as what they are — essentially large paintings (or equivalents of painting) displayed outdoors — and I think of them as, essentially, not part of their surroundings but as things that stand alone. At other times I do see them in the context of their surroundings, and when I do the result can be carrying. This one feels more like the latter case to me.

The mural, by Emmanuel Jarus, is near the UN Building in midtown Manhattan. I think it is supposed to produce a sort of uplifting response in viewers, and I’m certainly fine with that. But I saw it more as an element in a complex scene of shapes and colors that includes the intrusion of the sunlit balconies at the right and the odd color and context juxtaposition with the “emergency colors” of the pylons in front of the two benches.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Summer Twilight, River Thames

Summer Twilight, River Thames
“Summer Twilight, River Thames” — The twilight sky above the River Thames on a summer evening in London.

This photograph comes from the end of a memorable day in London back in 2013. Believe it or not, this was our first visit to that city. We made the best of it, staying there for about a week before departing for other destinations. Various relatives from the US and Europe also showed up while we were there, and it was on this day, if my memory is correct, that the whole gang had finally arrived and met up. We had just had dinner together and were now along the Thames watching the day come to an end.

This photograph brings up the subject of how to interpret scenes photographed in very low light. It was the beginning of summer twilight on this July evening — there was still light and color in the sky, but artificial light was becoming more visible as in became darker. My tendency is to interpret light in ways that bring more of it to the subject, but with night and near-night photography it is easy to go so far that you lose the sense of a dark environment. In this photograph I decided to keep things relatively dark, at least compared to what I could have done, in the hope that the effect would be close to how we would perceive the scene in person.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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