Brick walls and windows along a London street, late afternoon
There is probably not a whole lot to write about this photograph. As we walked some London streets that were not quite as filled with tourists, I looked up this side street and saw the beautiful series of brick walls, with all sorts of interesting interruptions of the basic form: windows, an indented darker area housing windows, conduit and a lamp, etc. Between the darker bricks further along the wall and the shadow near the camera position, there was a brighter band of sunlit bricks.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A painted and weathered brick wall beneath a London overpass
I have only a general recollection of where I made this photograph. I think it was on the south side of the Thames, probably somewhere beyond the Millennium Bridge and in an area of older narrow streets where we walked both to kill some time before an appointment and to wander and see what we could see.
There is, obviously, nothing all that exotic about this wall. In fact, I’ve likely photographed similar subjects in the SF Bay Area. I think several things caused me to stop and shoot it. First, to be honest, I was in a shooting mode – in other words I was shooting quickly and shooting a lot of frames. But beyond that, I was intrigued by the lights, muted by the narrow street and the fact – again, if I recall correctly – that this was shot near the edge of an underpass of some sort. Bricks often intrigue me, but here the layers of paint applied to the bricks, which really shouldn’t be painted, probably covers something that we are not supposed to see. The larger underlying area of black paint contrasts with the Halloween orange that must have been added later. But now new stuff has already been added to the wall on top of the old cover-up job.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Shiny blue and black paint on a wall and a handrail on the Tower Bridge, London
I made this photograph in quite the jet-lagged state – though I had recovered a bit from my initial bout that left me unable to do anything but sleep for an hour or two right after we arrived at our hotel in Kensington. I had a laugh-worthy plan to minimize jet lag – and like most such plans it failed miserably. I figured I would just move my wake up time an hour earlier every day as the trip to approached, and I was actually getting up very early in the morning right before we left. (I can report that it is very quiet and peaceful at 2:00 a.m… ;-) What I failed to consider was that I was also reducing the length of every day by one full hour for the better part of a week before travel… and almost entirely by losing sleep. Obviously, I had a big sleep deficit going by the time we left. On top of that, I was basically completely unable to sleep on the flight over – which is odd, since I can usually sleep on planes.
We arrived in London, took the underground to Kensington, got a bit lost, finally found our hotel, checked in… and I was so jet-lagged that I was incapable of doing anything at all useful. I slept for an hour or two and managed to achieve a state of modest consciousness. If nothing else, I was so tired at this point that I had little problem sleeping that night. So we got on the underground and took the train to the station by the Tower Bridge and walked across it. I was so out of it that I didn’t realize until a few days later than I had completely switched north and south directions! Somewhere I probably have some photographs of the whole bridge, but being the sort of photographer I am, I spent a bit of my time pointing that camera at odd things like this pattern of shiny blue paint, stone, and a black railing.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
We had walked across to the south side of the Thames River earlier on this afternoon – I think it was the day that we visited the Tate Museum, which is located near the south end of the Millennium Bridge. We had been in this area earlier on the trip when we saw “A Midsummer Nights Dream” at the Old Globe Theater, and I had wanted to come back in the evening and try to time it so that I could be along the river during the golden hour and perhaps into the early evening. Sure enough, when we were ready to start out walk back across the bridge to where we would catch the Underground back to our hotel the light was just starting to get interesting. In this case, “interesting” included not only the normal golden hour light show but also the somewhat thick and humid atmosphere found here.
My main thoughts were to photograph the skyline to the north and south of the bridge, and to continue shooting as the evening lights began to come on. But when I saw this sun in the hazy sky I put on a long lens that did what I would do in the Sierra Nevada back home – I made a sunset photograph! However, the landscape in this image is distinctly British and distinctly London, with the most obvious feature being the BT Tower at the left.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
