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Evening Sky and Haze, Death Valley

Death Valley National Park is a huge place — not just as measured by its total area but also by the immense spaces we view there. In many places we look across dozens of miles toward objects so far away that they are obscured by the atmosphere even on clear days. We might look at a “nearby” destination and think, “I’ll walk there.” If we try, hours later our intended destination will still be in the distance.

This photograph, made at sunset in the central part of the great valley, is an example. If I had gotten in my car and started driving, it would have taken me an hour and a half or longer to reach the base of those mountains in the distance. In this scene the valley has already fallen into the shadows of the Panamint range and a final bit of soft side-light glances across the large wash in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sunrise Clouds, Searles Valley

This photograph was a bit of an accident, an example of switching gears to take advantage of an unexpected opportunity. I had stayed in Ridgecrest, California the night before, with a plan to leave very early and photograph the Trona Pinnacles at sunrise. I’ve been there many times, but I have never quite gotten the light I was hoping for, and I thought this might be my chance. But I arrived to find clouds, lots of clouds! It was apparent that I wasn’t going to get the sunrise light on the pinnacles that I hoped for. However, interesting things were happening in the distance.

The highest peaks of the Panamint Range are visible to the north, including Telescope Peak. This mountain is the highest in the Death Valley area with a summit at over 11,000 feet. Lenticular clouds were forming above the ridge and soon colorful sunrise light began to reach them, producing a striking contrast with the dark mountains and more distant clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tulip After Rain

Patty and I had a plan to visit a Bay Area garden where she often photographs spring flowers. According to the calendar, it was time for the tulips and other flowers to be at peak bloom. But as the day approached, it was clear that there was a chance of rain which, to say the least, can make this sort of photography challenging. We headed there early in the morning anyway, and it rained on us during the drive. The clouds were still thick when we arrived. Things were looking a bit uncertain.

But what had looked like deal-breaker weather actually turned out to be nearly perfect. The rain stopped, and we had intermittent sunshine and clouds — all kinds of interesting light. And while the rain ended, there was water everywhere, including on these colorful tulip blooms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dawn Clouds, Lake Manly

I was not surprised to see quite a few people when I visited Death Vally earlier this month. Not only is this the peak season in any year, but the temporary reappearance of Lake Manly has been all over the media. In fact, that’s one of the big reasons I chose to go at this particular point. Over the years I have learned that it is often possible to escape the hordes just by going to a slightly different location than the most obvious ones. So I bypassed the “usual places” when I went out to photograph the lake on this morning — and I went very early, while most people were still sleeping!

There was not really enough light to photograph yet when I arrived here. My first intended target was the early light on the peaks of the Panamint Mountains along the opposite side of the valley. But before the light reached those summits it began to illuminate beautiful clouds forming above the terrain. I like that the absence of detail in the mountains and their reflection accentuates their abstract forms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.