Tag Archives: usa

Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Double-Five

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Double-Five
“Double-Five” — Stenciled numbers on a weathered wall next to a roll-up door.

Weathered, decaying subjects and subjects with strong patterns attract me, and this one works on both counts. I photographed it a few years ago while wandering around in San Francisco and poking my camera into odd little corners and alleys. This is in a shoreline area that was once a location of true maritime industry, but which is today much like the rest of San Francisco — in other words a place for small offices, start-ups, restaurants and similar enterprises.

The stenciled numbers did catch my attention when I first saw this little scene. Initially I think that their weathered character may have been responsible. But more recently I have wondered about them. Do they still mean something or are they now remnants divorced from an earlier context? Is the message “5” or is it “55?” And what, if anything, is the relationship between the two different fonts used?

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Green River Canyon

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Green River Canyon
A hazy evening overlooking the Green River Canyon as sunset.

Green River Canyon. © Copyright 2012 G Dan Mitchell – all rights reserved.

A hazy evening overlooking the Green River Canyon at sunset.

The story of this photograph — and this version of the image — is a bit involved for the usual two-paragraph post, but here goes. The first part concerns the fact that this is not a new photograph, but that I created and shared in the past. However, as I looked at it during my pandemic project of reviewing old files, I began to feel that it could benefit from a bit of reinterpretation. The result is not radically different, but I like it a bit more. A slightly modified crop and a few other bits of post-processing revision provide a stronger sense of what I recall experiencing when I made the photograph.

And speaking of making the photograph, this is where I get to — yet again! — tell a story on myself. I made the photograph on the first day of my first-ever visit to this Utah national park and, as is my frequently practice, I entered this park having done essentially no prior research. My idea, at least most of the time, is that I don’t want to go to such places with too many preconceptions, preferring to go with my own personal response to the place. (Funny story: We passed a turn-off at one point to “Mesa Arch,” one of this things that every photographer must “capture” in this park. I had no idea it was there… and we kept driving.) So, we entered the park and drove up to the “island in the sky” mesa area and began poking around. Eventually we “discovered” a location with a spectacular panoramic view down into and across the magnificent canyon of the Green River. I later came to understand that perhaps I wasn’t the first person to visit this spot… to put in mildly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Industrial Buildings, Night

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Industrial Buildings, Night
Industrial buildings illuminated by secutiry lighting, Mare Island Naval Ship Yard.

Industrial Buildings, Night. © Copyright 2012 G Dan Mitchell – all rights reserved.

Industrial buildings illuminated by secutiry lighting, Mare Island Naval Ship Yard.

This photograph comes from a very old San Francisco Bay shipyard — its history goes way back into the 1800s when it was the first naval ship yard on the west coast of the United States. It continued to be used for its original purpose into the late 20th century, when it was decommissioned not long before the new millennium. Much of it was initially abandoned, though more recently the surrounding area has been revitalized with new construction, new tenants in old buildings, and even some ship yard projects.

I have photographed here for close to two decades — in fact this was the place where I did my first serious night photography. These old facilities (there are many all over the US) are fascinating time capsules, full of construction that is decades old and suggestive of a very different time. At night they provide a fascination combination of quiet, stillness, and mystery.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Towers, Windows, Mountains

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Towers, Windows, Mountains
Arches National Park towers and windows, backed by distant mountains in morning haze.

Towers, Windows, Mountains. © Copyright 2012 G Dan Mitchell – all rights reserved.

Arches National Park towers and windows, backed by distant mountains in morning haze.

The first time I visited Arches National Park, I was intentionally almost completely ignorant of the place. I had sort of connected it with Edward Abbey’s “Desert Solitaire,” but only as a sort of vague background to the larger points of that book. I knew that so-called Delicate Arch was located in this par. But that was pretty much it. So the first time we drove into the place late one afternoon I was almost completely unprepared for the otherworldly quality of the impossible formation in the park.

I made this photograph a few days later, on a morning of oddly hazy atmosphere that muted the details for the landscape, simplifying it and bringing attention to the larger forms. While this is red rock country, that is barely visible in this light. The solitary pinnacle is silhouetted against a panorama of other-worldly towers and windows backed by the barely visible outline of the La Sal Mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.