Tag Archives: usa

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Headlands, Surf, Natural Bridge

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Headlands. Surf, Natural Bridge
Storm surf raises spray among rocky headlands along the Big Sur coast

Headlands, Surf, Natural Bridge. © Copyright 2018 G Dan Mitchell – all rights reserved.

Storm surf raises spray among rocky headlands along the Big Sur coast

This is a scene that is very familiar to me at this point, though it is never exactly the same twice. Even when I try to resist the urge to rephotograph the familiar scene, I almost always end up stopping at least briefly. One reason is that I recall fondly the serendipitous story of the first time I photographed there. I had gone somewhere else initially, but it was too early for that location so I decided to go somewhere else before returning. I made a more or less random decision to head south — I think that a right turn was easier than a left — and headed down the coast to discover, to my surprise, that the surf was raising a cloud of spray along the shoreline. I happened to stop at this spot and I happened to have a new lens, without which the particular photograph would not have been possible.

Above, a mentioned that this location is never the same twice. I’ve been there in every season, during storms and fog and clearly, sunlit days. On the occasion when I made the photograph seen here it was rather nice weather, but the sea was angry, with swells of up to forty feet rolling onto the rocks and headlands, raising fog of ocean spray that was backlit by the low angle, late-autumn sun. I timed this exposure to be just after a big set of waves, and while the surf had calmed a bit the spray still filled the air.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Ship Yard Crane Structure, Night

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Ship Yard Crane Structure, Night
“Ship Yard Crane Structure, Night” — A huge, rail-mounted ship yard crane at night, Mare Island Naval Ship Yard.

The historic Mare Island Naval Ship Yard, on an island across the narrow bay from Vallejo, California, is a remarkable place. It has a long history, going back to the first half of the 1800s, when it was the first such ship yard on the west coast of the United States. It continued to serve in that capacity until the 1990s, when it was finally decommissioned. At first, much of the facility languished, gradually falling into disrepair. More recently, it has become the site of redevelopment, new construction… and efforts to arrest the decay and preserve some of the historic area.

Mare Island has also been a Mecca for Bay Area night photographers for a couple of decades. Ask almost any area night photographer if they’ve been there, and the answer will be “yes.” I got my start doing night photography at Mare Island about fifteen years ago, when I happened to end up at an introductory session run by the original “The Nocturnes” group, put on as part of the Pacific Flyway Festival. The subject of this photograph is one of the gigantic shipyard crane structures found along the waterfront, designed to facilitate moving huge ship components at the dry-docks. This crane sits on carriages that run on a short section of curving track, allowing it to move over a short distance.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Slot Canyon

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Slot Canyon
The narrow confines of a Utah slot canyon

Slot Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

The narrow confines of a Utah slot canyon.

Utah’s red rock and canyon country is not my native landscape, though I could see how it could be in another life. I somehow managed to live through decades of my life mostly unaware of its magic. (I have explained previously that this may be partially the result of long childhood road trips from California to the Midwest — they nearly always passed through far less scenic parts of Utah.) I had seen photographs, and eventually I started listening more carefully to the stories my friends told. Finally, less than a decade ago, I made my first visit, a long trip on which we visited Cedar Breaks, Zion, Bryce, Capitol Reef, and Arches. I was completely taken by this landscape and spent many weeks there over the next few years. (I haven’t been back recently, in protest against the state’s promotion of and surrender to the administration’s attack on our American public lands in the state.)

This photograph came from one of those later visits. This time, about four years ago, I had several weeks of time to travel around the state and explore. Part of that exploration was done entirely alone, but later I joined up with some other photographer friends… and I concluded the trip by meeting up with family at Zion. The photograph comes from that early, solo portion. I had heard the names of some places that weren’t far from where I was staying, so I decided to investigate. I frequently — and intentionally — don’t over-research locations, since I prefer to discover them on my own. So I figured out the minimal information about which gravel road to take, and I drove there and headed out. Before long I came to a turn-out at a spot that provided access to a beautiful wash, so I stopped and started hiking. Soon the canyon narrowed and before long I was in this beautiful slot canyon, still wet from recent rain. This spot was special — a place where the transition from open wash to narrow slot canyon was very apparent.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Flight, Photographs: Nature, Photographs: Wildlife

White Pelicans, Autumn Sky

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White Pelicans, Autumn Sky
A small flock of white pelicans flies against a late autumn morning sky

White Pelicans, Autumn Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

A small flock of white pelicans flies against a late autumn morning sky

For a long time I thought that all California pelicans were the brown pelicans, familiar to anyone who spends time along the coast. Those magnificent birds (with what seems to me to be an almost prehistoric aspect) glide up and down the California coast, floating past headlands, and sometimes alighting on beaches or rocks. I had seen photographs of other pelicans and wondered that they often were while, even though every pelican I had encountered was not.

It turns out that I was simply ignorant of birds that were close by the whole time. In the past few years I have learned that white pelicans are all over California — in inland areas, in lakes, close to the ocean. They are beautiful birds, especially when in flight. I often see them in groups of perhaps a dozen or two, flying in almost straight lines with slowly moving wings. In my (probably atypical) experience, I either see them on the ground near or in water, and off in the distance, or I get quick glimpses as they fly past me. The latter was the case here. I was not far away when I saw a group take off and head towards a spot not far from my position. I quickly moved there and managed to photograph them as they passed overhead with a larger group of geese in flight against the autumn sky in the distance.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.