Tag Archives: usa

East Side, Morning

East Side, Morning
Early morning light on the hills and peaks of the eastern Sierra Nevada near June Lake

East Side, Morning. Along US 395 near June Lake, California. September 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Early morning light on the hills and peaks of the eastern Sierra Nevada near June Lake

I’ve occasionally written about my “discovery” of the Sierra Nevada east side perhaps two decades ago. Like so many from Northern California, my orientation to the range came from arriving by driving east across the Great Central Valley and then making the long, gradual ascent from the Valley to the summit of the range, a summit whose peaks are often not even visible from that Valley. (But when they are, what a sight!) I thought of the Sierra as being a place of mostly forested mountains, rising gradually, and only topped by the rugged granite peaks at is furthest point. Then a friend, whose orientation was from Southern California and who had approached the range from the South, got me (finally!) to visit the east side of the range.

What a difference! Here the mountains begin in semi-arid high desert sage brush country. They mostly rise abruptly along the eastern escarpment, with rocky ridges and summits exposed to view. The range immediately has an alpine quality that is quite different from the gentle forested slopes of the west side. Yet it, too, is varied. In some places the abrupt and rugged steepness is real — some of the ridges just above Round Valley, for example. But in other locations that “abrupt” escarpment is more subtle, the result of starting at even higher desert elevations (in the 8000′ range in some places) and due to some very large canyons cutting toward the summit of the range. For examples, visit the huge valley that rises above Bishop, or consider these sage and tree covered slopes gradually ascending toward the inevitable granite cliffs in the vicinity of June Lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Storefronts, Reflections

Storefronts, Reflections
Sidewalk shops and window reflections, San Francisco

Storefronts, Reflections. San Francisco, California. May 20. 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Sidewalk shops and window reflections, San Francisco

Near the end of May I did one of my San Francisco walking street photography trips, heading up to The City on the train and then following a large loop through downtown San Francisco. San Francisco is a great walking city, and I’m able to cover a lot of ground and see a lot of diverse urban landscape on these walks — from the waterfront to business districts to industrial areas.

I saw a lot of interesting and possibly unexpected things in this little street side vignette. Oddly, there are no people in the photograph — more typically I line up an urban landscape like this one and then wait for subject to enter the frame. The colors, of the structures and of the shadow light, caught my attention — primarily we’re looking at the greenish awnings and the intense reds found in several places, with everything subject to the blue light of the shadows. And, of course, for this photographer it was frosting on the cake to be able to include the words on the awning in this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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This Is Jess

This Is Jess
Door with graffiti and stickers

This Is Jess. New York City. July 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Door with graffiti and stickers

I truly don’t remember this photograph at all! Sometimes when doing street photograph (in this case at the start of five weeks or what was largely street photography) I photograph quickly and then almost forget quite a few of the photographs as I move on to the next thing, trusting that my ideas about the subject will come back when I see the photograph again as I do my post processing. In this case, no such luck!

I don’t usually photograph graffiti — in fact I used to make it my policy to almost never post graffiti or to disfigure tags that the photographs might contain. But in this case there may be enough in the scene to convince me to let it go. The layers of time and culture in this photograph are easy to overlook, but when you stop to think about it they are quite amazing. I’m sure that this wall and old door have stood for a long time, likely created by and for people who would have little concept of how the surroundings have evolved. The “stuff” on the door includes its own kinds of diversity, ranging from informal scrawls to bits of paper that were created with the intention of affixing them to place like this. And on the left we have the bright colors of  the edge of a sign in (I presume) a Chinese language, itself visually contrasting with yet connecting to the newer writings on the green door.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Forest and Cliffs

Forest and Cliffs
Yosemite forest, with many dead and dying trees, and cliffs near Bridal Veil fall

Forest and Cliffs. Yosemite National Park, California. September 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Yosemite forest, with many dead and dying trees, and cliffs near Bridal Veil fall

In early September, about a week after returning from over a month of international travel — and missing the entire month of August in the Sierra! — I finally got to “go home” to the Yosemite high country for a few days. I camped in Tuolumne Meadows, traveled briefly to the East Side along US 395, and returned home via quick stops in Yosemite Valley, Oakhurst, and a favorite winter bird spot in the Central Valley. It was a quick trip, but just enough to get me back in contact with the mountains. (It also let me take an early look at the upcoming seasonal changes. The signs of fall in the Sierra are clear: corn lily plants dying off and falling over, bilberry reddening meadow edges, little spots of yellow on plants high up on rocky slopes, a few golden willow leaves here and there, and a general sense that everything is slowing after summer’s frantic burst of life.)

I rarely visit Yosemite Valley in the summer, preferring almost any other time to the crowds that go there during the vacation season. Although this was a post-Labor Day visit, and the biggest crowds had departed, there were still lots of people there. After a visit to the Ansel Adams Gallery, where a show celebrating the role of photography in the parks was close to concluding (it included five of my prints), I started to head out of the Valley. As I passed this spot I caught a glimpse of drought-killed trees (with the help of bark beetles), other trees standing tall, and the cliffs around Bridal Veil fall. I noticed it too late to stop… so I took one more loop around the roads of the lower valley and came back to make this photograph in the afternoon light and haze.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.