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Sand and Shadow

Sand and Shadow
Patterns of light and shadow on desert sand dunes

Sand and Shadow. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of light and shadow on desert sand dunes

This was just about the last photograph I made during this year’s spring photography trip to Death Valley National Park. Our plan was to get up and be on the road to the Los Angeles area in the morning, but I couldn’t resist one more early awakening, so I was up and down the road before sunrise, parking my vehicle a half hour away from a location I had been thinking about for some time. I headed out across the flats in the pre-dawn semi-darkness and hiked toward low dunes as the sky began to lighten. It was very quiet and the air was still as I arrived and climbed up onto low sand hills and dunes.

I was surprised to find the wind blowing stiffly in the dunes, and as I photographed the foot or so above the sand was filled with blowing sand, occasionally muting the otherwise distinct patterns of rippling sand. I began by photographing some longer views across ranks of dunes rising toward the east, but I gradually shifted my attention to closer and smaller subjects, looking for interesting patterns and conjunctions. This deep shadow fell across a low spot in the sand, and contrasted starkly with the higher dunes that were already in full sun, creating a sort of yin-yang pattern. A few more minutes of photography, and then I packed up, walked back the way I had come, returned to our lodgings, and soon we were on the road once again.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Exposed Playa, Dunes

Exposed Playa, Dunes
Old playa surface exposed among sand dunes

Exposed Playa, Dunes. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Old playa surface exposed among sand dunes

I recall being fascinated by these old (how old I do not know) bits of old playa surface that poke out from under shifting dunes in Death Valley from the first time I wandered in the sand dunes. Walking toward the dunes from the roadway, the route almost invariably passed among these features. (I usually try to step between or around them, as many of them are quite fragile.) Although they appear now in places where it seems very unlikely that we will find water, the cracked mud surface betrays the fact that it was here once.

This example was a bit of a surprise. We had photographed around the periphery of the dunes at sunrise, and then walked up the sand to photograph their textures, forms and colors. Mostly I look for juxtapositions of the curving shapes of dunes, and contrasts between sunlit and shadowed areas, especially where the wind has created fine rippling pattern. Wandering a bit further into the dunes I came over a sand ridge and saw a group of potential photographs, with this outcropping sticking out from under the sand at the bottom of a low spot surrounded by higher dunes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Creosote Bush, Dunes, Morning

Creosote Bush, Dunes, Morning
“Creosote Bush, Dunes, Morning” — A creosote bush among sand dunes, morning

When I go to Death Valley I usually have a long list of places I want visit — ridges, canyons, playas, trails, and more. Even when I am there for a week, I usually run out of time before I run out of places. Perhaps for this reason I have sometimes not given enough of my time to the dunes. I have photographed them quite a few times, but they often end up being one thing on the agenda that is full of other subjects. However, on this recent trip I visited the dunes much more, walking out into them on three occasions and photographing them from greater distances, too. I photographed them at more or less all times of the day, and in conditions ranging from clear sky to clearing storms and even blowing dust.

I made this photograph on a morning when a weather front was moving past, leaving some clouds in its wake above the Amargosa range along the east side of the valley. We began photographing before dawn, and worked through the rapidly changing light as the sun rose above the mountains. Clouds periodically interrupted the light, but this meant that from moment to moment almost any kind of light was possible — full direct sun, light muted by thin clouds, the soft light from overcast — and that different light often appeared at different locations in the scene. When I saw and composed this photograph the light was initially very soft, but by the time I made this last exposure the sun was beginning to come out from behind clouds and highlight the textures, curves, and lines of the sand, and the play of light and shadow.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Evening Rain and Sandstorm

Evening Rain and Sandstorm
Evening rain and sandstorm as sun illuminates the Grapevine Mountains

Evening Rain and Sandstorm. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening rain and sandstorm as sun illuminates the Grapevine Mountains

During the spring season in Death Valley National Park almost anything can happen. It can be 90 degrees or higher, or it might snow. Days may be pleasant to sunny, or it could be overcast with huge winds and dust storms or rain. We just spent the better part of five days there, and I think I saw as great a range of conditions as I’ve encountered before. The second evening was particularly remarkable. We were up in Panamint Mountains when we first noticed the tell-tale haze of dust storms, and by the time we returned to the Valley it was so windy that there was nothing to do but hunker down and wait it out. Near sunset the winds began to abate a bit and we ventured outside. I heard a few claps of thunder and it began to rain huge drops. Later we discovered that it had snowed on the highest peaks.

A few days later the conditions were supposed to be more benign. We spend early morning hours photographing out on the dunes, then did a midday and afternoon hike up a beautiful canyon. Exiting the canyon we were surprised to see dust beginning to rise again, since the forecast had called for very light winds. By the time we got back to Stovepipe Wells the winds were howling, light rain was falling, and dust filled the atmosphere. A bit later things calmed down and I decided to make a quick evening trip to a nearby high point from which I could get an overview of the valley. Arriving there I could see a wild combination of dramatic light on up-valley mountains, rain falling on their summits, and the dust storm growing below. Within minutes of making this photograph the wind began to howl and the dust enveloped my position and I retreated once more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.