Tag Archives: valley

Forest, Cliffs, and Snow

Forest, Cliffs, and Snow
A snowy forest leads into the mountains between cliffs and spires

Forest, Cliffs, and Snow. Yosemite Valley, California. February 25, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A snowy forest leads into the mountains between cliffs and spires

The iconic features of Yosemite Valley are famous with good reason, and they continue to impress even after many visits. But over time you discover that these are not the only things to be found here, and that in almost any direction you look it is possible to find something interesting, beautiful, or even stunning.

Winter conditions change everything. In places where it will be warm in a few months and people might float past on the river, during the cold season the view can sometimes take on an arctic or alpine character. I like searching for and photographing little vignettes in the landscape, subjects that only become visible when I pause and take the time to look at the familiar landscape more closely. I used a long lens to photographed this little scene of a snow filled gully between two rocky prominences, leading upward toward higher snow slopes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Cliff Detail

Cliff Detail
A section of a Yosemite Valley cliff

Cliff Detail. Yosemite National Park, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A section of a Yosemite Valley cliff

I was in Yosemite Valley for the weekend, initially for the opening reception for the Yosemite Renaissance 32 exhibit in the Yosemite Museum Gallery next to the Visitor Center. Friday was all about the exhibit — the wonderful reception and then afterwards with my many friends among the artists in the show and others artists who have a connection to the event. This was also the seasonal peak of the annual Horsetail Fall excitement, a phenomenon that brings hordes of people to a couple of small areas… but consequently brings a degree of solitude and quiet to many other parts of the Valley.

In any case, my visit was also an excuse for photography. On my last morning there I was up an out in the 17 degree chill before sunrise. I headed to a nearby clear area from which I had an unobstructed view of some of the mighty cliffs. As I photographed I alternated between subjects that were typical landscape material — trees on ledges, morning light slanting across granite, snow and ice — and more abstract images focusing a sort of disembodied landscape and isolation striking bits of pattern and color high on the cliff walls.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandhill Cranes in Flight, Dawn

Sandhill Cranes in Flight, Dawn
Two sandhill cranes fly in dawn light

Sandhill Cranes in Flight, Dawn. Central Valley, California. January 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two sandhill cranes fly in dawn light

I think that the sandhill cranes may have become my favorite birds in the California Central Valley wetlands. (OK, ask me again later — I may change my mind if I’ve just had a white pelican flyover or discovered a surprise group of tundra swans or photographed a bald eagle, or… ;-) On my first visit to the wetlands, the result of a set of coincidences that I’ve described before, I was completely ignorant about what I was seeing. There were lots of birds, but heck if I knew what they were. Then I became entranced by the Ross’s and snow geese, with the white bodies and black-tipped wings in huge flocks. I photographed this pair in lucky conditions — on a morning that was foggy nearby it cleared enough right here to let the sunrise light strike these birds as they flew above my position.

I saw the cranes, but they seemed on those first visits to be less interesting birds. Their color is less striking. (Though the brilliant red of their heads is attention-getting.) While they flock together, their numbers are typically smaller than those of the geese. But the pump had already been primed for potential interest in the cranes, all the way back in college when I read (but didn’t really fully understand) Aldo Leopold’s Sand County Almanac. The main thing I recalled about that book, for some reason, was the sandhill cranes. (And if this isn’t an example of how a college experience that seemed to mean little at the time planted a seed that sprouted later, I don’t know what is.) In recent years, the more time I spent in the wetlands the more the cranes became central to the experience. In fact, their cries are my primary auditory association with these places, both when heard from birds flying invisibly in the early morning tule fog and the mass returns of these noble birds after sunset.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Geese, Fog, Dawn

Geese, Fog, Dawn
Geese take flight in dawn Central Valley tule fog

Geese, Fog, Dawn. Central Valley, California. January 28, 2017 © Copyright 2017 G Dan Mitchell – all rights reserved.

Geese take flight in dawn Central Valley tule fog

The sensory experience of arriving at a place like this is remarkable. To understand you need to consider how it begins — a wake-up call at 3:00 or 3:30, a very quick cup of coffee, gear tossed into my vehicle, and departure for a two-hour drive in darkness out into California’s Great Central Valley. Most of the drive is on high-speed roads, at least until I get close to my destination, where I frequently encounter very thick winter tule fog — treacherous driving conditions that may force me to drop my speed to 20 mph or slower as I stare into the foggy darkness. Finally I arrive, pass through an entrance gate, and drive to a parking area and turn off the engine.

I open the door. The air is cold and damp. It is still and it would be silent… but for the wild calls of thousands of geese and cranes and other birds, often concealed behind the fog. In an instant I switch from my high-speed world cocooned in my heated vehicle to an entirely different world of fog, cold air, and the birds. Often I can’t help by smile when I hear the wild calls of those birds, and sometimes I almost laugh out loud. On this morning the fog thinned just a bit when I arrived, and it was possible to make out flocks of geese rising from ponds not far away as the first color came to the morning sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.