Recently I have noticed that American visitors to Europe are surprised by the amount of graffiti (aka “street art”) in some cities. There is a lot of it, but I’m not sure if there is more of it than in the US. Perhaps they/we just end up in places where it is found more often when traveling, or maybe we are so used to it at home that we no longer “see” it. Another possibility: In the US I think there are efforts to control graffiti in places that tourists go, but in at least some parts of Europe that seems to be less the case. (This is not to suggest that graffiti isn’t a problem, as some recent stories about cretins writing and carving on antiquities has shown.)
One of the European cities where I first started to notice this is Bologna, Italy. Almost a decade ago we spent one night there during a drive from Germany to Tuscany — and I have this strong memory of walking through unlit streets with tons of graffiti at dusk. (After our recent trip, when walks in the same area at the same time of day included quite a few people, I’m beginning to distrust that early memory.) This photograph comes from a side-street in Bologna, where it was one of many examples. This one fascinated me, with its top layer of glued-on paper deteriorating to reveal layers of earlier marks and its interesting palette of colors.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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