“Illuminated Wall Panel” — The patterns of an illuminated and woven wall in a New York City Chinese restaurant
We had arrived in New York earlier this afternoon, taking the subway in to Manhattan from Kennedy to get to our hotel on Canal Street. The plan was to get settled there — where we would stay for the next week — and then meet up with family and friends and walk to the Chinatown district for dinner. Christmas Eve, New York City, meeting friends and family, Chinese food – what could be better?
We found the restaurant and some of our party were already there. In a city like New York I almost always carry a camera and, yes, I took one to dinner with me. Most of the photographs are of people in our group – and I won’t likely post those here. But as we sat down, across the table was a very interesting wall — wide panels of some material that looked like very thin wood were woven together and lit from behind. I thought that the pattern might make an interesting photograph, so I made a single exposure… and went back to paying attention to the party!
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A small tree growing in a crack in a granite wall above the reflecting surface of a Sierra Nevada lake, Kings Canyon National Park
I have begun to return to the photographs from the September 2013 9-day backcountry trip into the eastern Sierra of Kings Canyon National Park. Four photographers traveled over two nearly-12,000′ passes to reach a basin full of lakes at 11,000′, where we set up camp and photographed for the better part of a week. By staying in one location we were able to come to know the surrounding wilderness intimately, frequently returning to locations at different times of day and in different weather conditions. Of course, even a week in one valley like this one is not sufficient to truly know it – a lifetime might be necessary for that!
When I return from a shoot like this one I’m always anxious to dig into my photographs and see what I came back with. In the field, while I’m complete focused on each photograph as I make it, I quickly move on to the next thing, and after a week of shooting I certain do not recall every shot. The initial pass through the image files always reveals some photographs that speak to me, and others that seem to have potential. I might work them over for a week or two, but then I tend to put them aside and move on to other things. But I’m not done. Some photographs do not reveal themselves to me as quickly as others, and I’ve learned that when I go back to the original files months or even years later I often “discover” photographs that were there all along, but which somehow escaped my attention. This is one of those, though in this case I think I have some ideas about how it ended up waiting for me to revisit it months later. First, when I made the photograph I knew there was something about these patterns that was photographable – but at the time I recall being a bit challenged by making a composition out of it that did not include some distracting materials above the elements you see here. At the same time, another photograph of a similar subject turned out to be one of those that worked right away, and I think that encouraged me to move on past this one. This week I began to revisit these files and when I saw this one it was almost immediately obvious to me that it would work with his wider crop, which solved the problem of the “distracting materials” that I mentioned above. I like several things about this photograph: its subtle color palette, the strong abstract patterns of cracked rock and green-gray lichen, the very small tree growing in the crack in the rocks.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
“Paint on Metal Wall” — Colorful patches of spray paint on a metal wall, Brooklyn, New York
While wandering around in the DUMBO area of Brooklyn, between a walk in one direction on the Brooklyn Bridge and a walk back in the other direction on the Manhattan Bridge, we walked up some streets under the flyover at the Brooklyn end of the Manhattan Bridge. This is not what you might think of as a “special” area, being beneath a bridge and containing at least some of the expected forms of urban decay. Surprisingly though there were some interesting things to see here – nice light on this day and some urban/street subjects.
As we walked up one narrow street we passed, as I recall it, some storage yards and similar that were fenced off from the roadway and sidewalks. I think this was part of a section of metal fencing along the sidewalk. I remember looking at this very bizarre pattern of colorful paint and wondering how it got there. There were no signs on the wall at this point, but it looked like someone must have spray-painted some objects in front of the wall, and done so more than once and with a wild variety of colors – blue, hot pink, fluorescent green, several shades of hello, orange, black, and more. This accidental art seems to be the result of the creation of something else that was nowhere to be found.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
The curving driveway at the Cloisters Museum, New York City
We were in New York City during the final week of 2013, visiting family and doing the usual New York things – which, for me, always includes visiting museums and making photographs. We had visited The Cloisters, now part of the Metropolitan Museum of Art but far uptown, on a previous visit – but having not planned very well we arrived on a day when the place was closed! So we only were able to wander around the grounds outside and the surrounding park lands and then down into town below. This time we checked more carefully, and found that not only was it open but that we could use our Metropolitan of Art passes that we used the previous day.
It was a cold day, and when we got off of the long subway ride up from lower Manhattan we were a bit surprised by the wind blowing at Fort Tryon and we didn’t waste too much time in heading over to the museum. I recalled this curving, cobble stone driveway from our previous visit, when we walked up it to get to the front entrance. This time we came from the side and saw it from the top, curving away and toward the barren trees around the museum and cold scene of the city down below the hill in the distance.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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