Tag Archives: walls

Canyon Walls, Light and Dark

Canyon Walls, Light and Dark
Contrasting light and dark walls in a narrow canyon, Death Valley National Park.

Canyon Walls, Light and Dark. © Copyright 2022 G Dan Mitchell.

Contrasting light and dark walls in a narrow canyon, Death Valley National Park.

This is a Death Valley canyon that I have visited on numerous occasions, and this particular narrow bend is one I recall from my first visit. Because the foreground section is so narrow and angled away from the light, the contrast with the more luminous wall beyond is striking. That wall receives more light due to its angle as the canyon bends, and the warm-toned light contrasts with the blue toes in the deeply shaded foreground section.

I find this contrast between shadow and brighter light to be a wonderful generator of color contrasts in these canyons. The first such canyons I photographed were in the desert Southwest, where the light picks up the color of the reddish sandstone. But the canyons of Death Valley do not typically have such colorful rocks, and much of the color potential comes from the quality of the light itself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cherry Pickers

Cherry Pickers
A line of cherry pickers along a San Francisco street.

Cherry Pickers. © Copyright 2021 G Dan Mitchell – all rights reserved.

A line of cherry pickers along a San Francisco street.

Since the previous photograph I posted featured cranes (of a different sort!) I suppose that you could, from a certain perspective, regard this as part of a series. Well, these are sort of cranes, right? I encountered them along a San Francisco street a couple of years ago, in an area under extensive construction as part of the underground expansion of the City’s transit system. I can’t explain why there would be quite so many cherry pickers lined up in a row, but they certainly caught my attention.

I think this photograph my be an example of how the act of carrying a camera can change how you see. I know it changes how I see. Normally, I might give this sight no more than a moment’s notice before moving on: “Interesting. Cherry pickers parked along the road.” But with a camera in hand I start to ask visual and other questions: Who thought to segregate them by color? Do they always store them this way or did someone carefully extend them so their angles nearly matched? Am I the only person who thought they looked like gigantic anthropomorphic figures marching to the right?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Entering the Narrows

Entering the Narrows
Light reflected in the water of the Virgin River as it emerges from a narrow section of the canyon.

Entering the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Light reflected in the water of the Virgin River as it emerges from a narrow section of the canyon.

We visited this popular area of Zion Canyon twice on this particular day. The first was very early in the morning after we caught almost the first shuttle bus into the valley and arrived during blue hour light. We walked slowly up to just about to the actual beginning of the narrows and back again, taking lots of photographic detours along the way. This trail is a bit of an odd one on which to photograph. Early in the morning there is a nearly unbroken procession of people heading to the narrows. But step off the trail a bit and you can be almost entirely alone. As we walked, I made mental notes about spots that might be interesting to photograph much later in the day.

Indeed, we went back late in the day, knowing that the sun would now come from the opposite direction, light the upper canyon walls, and reflect warm-colored and soft light down into the bottom of the canyon. We were not disappointed. The effect of that reddish reflected light shining softly on sandstone walls is spectacular in a quiet sort of way, and there was a lot of photography to be done! This photograph looks up the canyon toward one of the sunlit walls, and the reflection colors the surface of the Virgin River as it passes between the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Streamside Cottonwood Trees

Streamsiode Cottonwood Trees
Streamside cottonwood trees along the Virgin River begin to change to autumn colors.

Streamside Cottonwood Trees. © Copyright 2021 G Dan Mitchell – all rights reserved.

Streamside cottonwood trees along the Virgin River begin to change to autumn colors.

This photograph comes from a very busy place in Zion National Park, along the trail to one of the more popular destinations in Zion Canyon. Fortunately, as is almost always the case in well-known national parks, you can usually step even a little ways off the main trails and put some distance between yourself and the hordes. That’s more or less what I did here — I just walked a little ways away from the main hiking thoroughfare to where the trees were overhanging the river a bit. (However, a warning: When there are so many people around, sometimes a critical mass of them may see you making photographs and decide to follow. Unfortunately, that happened here to some extent. On some occasions I’ve been known to go to some lengths to obscure my visits to such places!)

Once again, I was really mostly attracted by the reflected canyon light — that special light that reflects from sunlit red rock walls and then gently fills in shadows with softly-directional, warm light. (One challenge: if there is a breeze it can be hard to deal with the motion of the leaves in this low light.) I chose the portrait orientation for this photograph so that I could include a bit of the stream and the boulder along with a bit of the canyon wall above and beyond the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.