Tag Archives: walls

Two Towers, Aljafería Palace

Two Towers, Aljafería Palace
“Two Towers, Aljafería Palace” — Two round towers along the walls of the Aljafería Palace, Zaragoza, Spain.

When we were in Zaragoza, Spain last December, we understood that the Aljafería Palace was not to be missed. Its history is complicated and long, so I won’t make an attempt to relate the details, but it was originally established close to 1000 years ago, and it remains one of Spain’s most important examples of Islamic architecture. Over the centuries it was adapted by successive users, including royalty and later for more mundane purposes. It fell into disrepair, but was restored in the 1900s.

We walked over — a slightly long walk — from our accommodations in the old part of Zaragoza. This impressive structure sits on expansive grounds and is surrounded by a deep moat. Because much of it was reconstructed it doesn’t have the same worn look of many other old palaces. The photograph shows two towers along the outer walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Curve in the Canyon

Curve in the Canyon
“Curve in the Canyon” — A gravel wash curves through narrows in a Death Valley canyon.

The sensations upon entering one of these canyons after walking in desert heat and sun are striking. It is suddenly much darker and much quieter, and often the air is still. At this bend in the canyon, the walls and edges conspired to create a sort of spiral shape with everything centering on the bigger and warmer-toned section in the upper center of the photograph.

Hiking these canyons they ofcanten start to feel like a steady progression back and forth — a turn to the right is soon followed by one to the left, and so forth. In some canyons this leads to a somewhat humorous “just one more”situation. I might check my watch and note that it is about my turn-around time. I tell myself, “First, just hike to the next curve.” Getting there I tell myself, “You can take a look at what is beyond this section.” So I round the bend and see the canyon continues… and, of course, I just have to continue on to the next bend… and then next… and the one after that.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Paris Reflections

Paris Reflections — an "invisible" building.
“Paris Reflections” — Reflective walls around a construction produce an imagined urban landscape.

Approaching this structure was an odd experience. At first I think I didn’t even quite notice it. And then when I first did become aware of “it,”I thought I was looking at a street lined with tall buildings. But it quickly became apparent that it was an illusion, produced by a huge cube of mirror panels reflecting the surrounding neighborhood.

It wasn’t quite clear what the structure was about when we saw it. We eventually determined that it isn’t an actual “real” building, but instead was some sort of wall that cuts off the view of construction work happening inside. What in this entire photograph is “real?” The foreground asphalt and roadway, but that’s it. The rest is entirely reflections of other things in the surrounding area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon Narrows Light

Canyon Narrows Light, Death Valley
“Canyon Narrows Light” — Soft, filtered light illuminates the walls of a Death Valley slot canyon.

Desert canyon light is remarkable. A canyon like this one is a huge contrast with the world outside — the intense, harsh desert light gives way to soft, gentle light and shade. The temperature drops. The color of the ight changes, too. Deep in the canyon it often shifts to ward blue, especially when the canyon walls are black or gray. There are also changes and contrasts where different softs of light come together — as in this photograph where the deeply shaded blue tones contrast with the warmer tones of the higher walls.

I walked quickly to get to these narrows, but once I arrived I stopped, took out my tripod, attached my camera, and ambled slowly while searching for photographs. New possibilities appeared at every bend in the canyon, and my progress stalled to a near standstill as I stopped every few feet to look at a new composition.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.