Tag Archives: wash

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Hills and Wash

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Hills and Wash
A desert wash winds through colorful hills at the base of the Black Mountains in soft evening light.

Hills and Wash. © Copyright 2019 G Dan Mitchell – all rights reserved.

A desert wash winds through colorful hills at the base of the Black Mountains in soft evening light.

I am a bit surprised that I never really noticed this feature before. This wash twists its way up through a series of very colorful hills that are plainly visible from a road that I have travelled many times. I suppose that the explanation may be that I have often passed by on my way to some other specific location, and thus my attention hasn’t been on my immediate surroundings as much as it should have been.

This was a very cloudy evening, but there were brief intervals of light, often filtered by high clouds and in gaps between thicker clouds and a high mountain ridge to the west. It was extremely windy and the light was in a constant state of flux, so when I saw this scene I worked very quickly, deciding that using a tripod wouldn’t help much in the strong gusty winds and that getting the photograph quickly before the light changed was the most important thing. Sure enough, within seconds after making a small number of exposures this light was gone.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Canyon, Evening Light

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Desert Canyon, Evening Light
Evening light shines into a very rugged and colorful desert canyon.

Desert Canyon, Evening Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Evening light shines into a very rugged and colorful desert canyon.

Late in the afternoon the light was dying quickly. Clouds were coming in from the north and creating a lid across most of the sky. We saw a bit of sunlight on the desert floor to the south, so we drove in that direction, hoping to get there before that light also was lost. Unfortunately, as we got closer that light also began to be cut off by the clouds and by the mountains to the west, as the lowering sun reached the summit ridge.

Looking up at those mountains, it appeared that there was a thin spot in the clouds a bit north of our position, so we took one more chance and now headed back to the north. The potential was there for a few moments of light as the sun emerged from behind those clouds, shining through the thinner clods, and casting soft but directional light on this area of colorful geology. Sure enough, as soon as we arrived in this area that soft sunlight appeared. We knew we had only a short time to work before the sun dropped behind the mountains again, and the wind was blowing like crazy, so simply made a few careful handheld exposures as the light shining into this colorful canyon peaked.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Death Valley, Panamint Foothills, Morning

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Death Valley, Panamint Foothills, Morning
Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains

Death Valley, Panamint Foothills, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains.

One’s orientation to “landscape” may manifest in many ways — a focus on the large or the small, an approach that implies objective realism or one that embraces subjectivity, the discovery of new landscapes or the deeper exploration of those already known, an interest in ostensibly “untouched” subjects or attention to those affected by the human presence, and more. Death Valley is diverse enough for any of these, but I often find myself focusing on the largest scale subjects. The place is huge, and at the right hours, in the right seasons, and in the right places the park is a place of deep silence and immense stillness.

This was the last morning of my most recent visit, and I went out alone very early, heading to a place that afforded a somewhat elevated perspective. As I traveled there I was not optimistic about the prospects for the morning — the sky was mostly overcast, there was a bluish haze in the air, and even the earliest light was blocked by clouds to the east. But one thing I relearn nearly every time I go out is that if you go out enough and are persistent enough, things happen, and sometimes they happen at the least likely times. As this morning wore on, some time after the first light that could have been colorful, the sun began to break through the clouds, and areas of light and shadow moved across this immense landscape. As I made this photograph the light was shining on the foothills of the Panamint Range, many miles away and on the far side of Death Valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Hikers, Desert Canyon

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Hikers, Desert Canyon
Two hikers entering the narrows of Titus Canyon

Hikers, Desert Canyon. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two hikers entering the narrows of Titus Canyon.

The stream beds of desert washes often seem to me to be the “freeways” of the desert. They can (but not always!) provide relatively easy walking through rougher terrain. The periodic flow of water, along with the mud and rocks caught in its flow, both clears the washes of vegetation and leaves a relatively flat surface of small stones and dried sediment. Over millennia the water flowing through the washes does the hard word of trail building, wearing down obstructions and leveling out the rough places. (OK, there are exceptions — those chock stones that fall into canyons and block them, along with the periodic “dry falls” that may be unsurmountable.)

This canyon is often used by motor vehicle traffic, but following heavy rains that made the route impassable to vehicles it turned into a much more pleasant place to hike, and a group of us walked up through the spectacular narrows in its lower reaches. Lower in the canyon it is sometimes quite narrow, though in this location it begins to broaden a bit. To understand the scale of the terrain look closely and you’ll be able to spot a couple of hikers.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.