Tag Archives: water

Panamint Sky

Panamint Sky
“Panamint Sky” — Morning winter sky above the Panamint Range and Lake Manly.

Lake Manly, the ephemeral lake that appears in Death Valley’s Badwater Basin in unusually wet seasons, is gradually shrinking once again. It was very large in early 2025, and again quite large early this year. It is starting to dry out and it will likely begone soon. For now though, it is still impressive, especially if you stand at its edge early in the morning, and doubly so when clouds fill the sky.

I chose black and white for this photograph of the lake because monochromegives me a great deal of interpretive freedom, in many way s more so than with color. As a starting point, black and white never can claim to be an accurate representation of the world of colors, and this frees us from notions that a photograph must always aspire to look like what we saw. In this case, monochrome allows me to draw attention to this remarkable winter desert sky.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Blue Hour Sky, Lake Manly

Blue Hour Sky, Lake Manly
“Blue Hour Sky, Lake Manly” — A cloud-filled blue hour morning sky above Lake Manly.

When I go out to photograph I often have ideas about what my subject will be and even how it may look. On this morning I was thinking of colorful dawn light, perhaps illuminating some early morning clouds, and the first direct light striking the peaks of the distant Panamint Range mountains. Instead, the cloud deck was thicker than expected, and instead of sunrise colors I had something more like morning blue hour light.

When photographing landscape, there is a lot that is out of our control — the light, the clouds, and more. We have to be ready to work with the conditions that we are given. So on this morning I decided to “go with the blue” rather than hoping for warm colors that were not going to appear.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Lake Manly, Winter Sky

Lake Manly, Winter Sky
“Lake Manly, Winter Sky” — Winter sky and its reflection in Lake Manly.

Yes, this is a desert! We are back from our second recent visit to Death Valley. On the first we experienced cool temperatures and rain at the end of December. Since the prospects looked good for wildflowers in the months ahead we booked a late-February return visit. There’s always a lot to photograph in Death Valley but, as a friend pointed out, the stars of the show right now are the wildflowers and Lake Manly. I photographed both, but I’ll start with Lake Manly.

For those who may not know, Lake Manly forms in the Badwater Basin during exceptionally wet years. It was deeper and larger last year, but it is still there and covers a lot of the salt flats. We visited early in the morning this time. The clouds suppressed any brilliant sunrise colors, but as a counterpoint they produced beautiful patterns in the sky which were reflected in the waters of Lake Manly.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Mountains, Sky, and Water

Mountains, Sky, and Water
“Mountains, Sky, and Water” — Desert mountains and hazy light above Lake Manly, Death Valley.

Many of my Lake Manly photographs look out into Badwater Basin, across the lake, and towards the Panamint Range rising in the west. For this photograph I found a camera position a bit north of the “usual spot” and pointed the camera south to including the sequence of desert mountain slopes beyond the lake. This view includes the interrupted reflections of those slopes along with salt flats along the edge of the lake.

This photograph is related to another I shared recently that also featured layers of desert mountains extending into the far distance. Both feature “atmospheric recession,” in which haze lightens more distant features and obscures their details. In addition to elements such as converging perspective lines, this effect also can suggest depth and distance.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.