Tag Archives: water

Photographs: Central California, Photographs: Nature

Islands, Fog

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Islands, Fog
“Islands, Fog” — Two small reed-covered wetlands islands in thick winter tule fog.

At times I like to make photographs that contain as little detail as possible, photographs that might suggest more than they tell. The most distinct feature in this scene is the darker island at the left. Beyond that we see (barely) one more island and then nothing. Any further detail is masked by the thick Central Valley tule fog.

It was a remarkably foggy day. I drove over there from my home about two hours away, and the last half hour or so of the drive was in fog so thick I could barely see the roadway. I had initially hoped that I might get a bit of sunrise color and then a late-morning clearing, but neither happened. If anything, the fog got thicker after noon!

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Manley Lake, First Light

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“Manly Lake, First Light” — Early morning light on the Panamint Range reflected in Manly Lake, Death Valley.

Death Valley National Park is so large that it is often hard to fathom the its scale. Lake Manly, the temporary body of water occupying a section of the Valley near Badwater, is small by comparison to the valley as a whole. The mountains in this photograph are many tens of miles away. (A couple of roads reach that ridge, and it would take 1 1/2 or 2 hours of driving to reach their high points from the shore of Lake Manly.)

In the daytime most of this desert landscape is not particularly colorful. In fact, in flat light and haze it can sometimes seem almost monochromatic. But early in the morning and then again in the evening, the sunrise and sunset light paint the scenes with vivid colors that contrast with the hazy blues of the shadows.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Chicago, Photographs: Travel

River Walk

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River Walk
“River Walk” — Pedestrians on the Chicago River Walk on a cold November morning.

This scene caught my attention as we crossed the bridge on Michigan Ave, heading toward Chicago’s “Magnificent Mile.” Here the river bends slightly before heading deeper into downtown Chicago near “The Loop.” Nearby tall buildings reflected the morning sun into the scenery from different directions. It was early enough that only a small number of people were out walking along the river.

Until this morning we had spent most of our visit inside The Loop, located south of the Chicago River. Now we joined the throngs of people (not visible in the photo, obviously) heading south on Michigan Avenue to the “Magnificent Mile,” where a nighttime holiday parade would take place later on.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Wading Lake Manly

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Wading Lake Manly
“Wading Lake Manly” — A person wades in the shallow water of Lake Manly, with early morning Death Valley mountains reflected in the water.

Even after photographing for decades, I’m still often astonished by how the presence of a small human figure can crystallize and focus a scene. (To understand this, use your finger to cover the person and note how different the photograph feels.) I’m not sure if it is simply due to adding a focal point or something about how our brains respond to the presence of other people.

Since I was photographing the reflections of the Panamint Mountains in Lake Manly, at first I was mildly annoyed that this person was wandering around in the scene. However, I was able to shoot around her with little difficulty — and after a while I realized that she could be the central element of a photograph suggesting our relationship to this desert landscape.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.