By now, those of you who follow my posts have figured out that I made quite a few photographs of Lake Manly on this partly cloudy morning. I hope you’ll forgive me, but the appearance of this lake is not an everyday event, and I wanted to take advantage of this opportunity. (Not only did I photograph it a lot on this trip, but I also photographed it two months earlier at the end of December.)
Continue reading Morning Reflections, Lake Manly Shoreline
This photograph comes from my second-to-last trip of the season to photograph migratory birds in California’s Central Valley. (See ya’ next year, geese!) Early in the season I try to time my visits for the best bird photography weather — a bit of morning fog, clearing later in the morning, and interesting clouds for sunset. But at this point, merely weeks before the geese would depart, I could not be as choosy!
Continue reading Stilts and Geese
Salt Creek is a remarkable place, a perpetually flowing creek in the middle of the hottest place on earth and the home to thousands of endangered pupfish. But I’ve also found it to be a pretty difficult place to photograph. Light is challenging, especially late in the day, when tall mountains block the light. But I return and keep working at it!
I made this photograph as the first direct light was arriving. Just beyond the area accessible via a winding boardwalk, the creek flows in many branches through this eroded terrain. From here (behind my camera position) it passes through the area where pupfish are found, and shortly after that it flows out into the salt flats.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
Fog can make photography wonderful… or difficult when I photograph migratory birds in California’s Central Valley. There are practical issues, such as driving on roads that are dangerously obscured, or not being able to see the birds in the murk. It is cold and damp. But I love the atmosphere that tule fog brings to this landscape, and that’s why I keep going back.
I also like the way that it lets me “minimize” the landscape. Fog blanks out any subjects that are not close to the camera position. On a clear day you would see trees, possibly utility lines and poles, a sky with clouds, and who knows what else. But when the fog is thick all of those distractions disappear and I can work with the most minimal of materials.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.