Tag Archives: waterfront

Photographs: Scotland, Photographs: Travel

Oban Waterfront, Dusk

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Oban Waterfront, Dusk
“Oban Waterfront, Dusk” — Waterfront buildings reflected in smooth water at dusk, Oban, Scotland.

Our recent visit to Scotland included jet lag adjustment time before our Great Glen Way walk. It did not seem wise to get off our 11-hour flight, eight time zones away from home and immediately start walking! We spent our first night near the airport in Glasgow, then took a train to Oban for a couple of nights before heading to our trailhead in Fort William. Oban was a wonderful surprise — a lovely, walkable town on the waterfront. And, of course, the Oban Whisky distillery is in town. And, yes, we visited!

We stayed at a B&B about ten minutes from the center of town. As we walked back from dinner we came upon this lovely dusk light over the waterfront. I had not thought much about it before the trip, but Scotland is so far north (the northern tip is about as far north as Juneau, Alaska) that the daylight lasted until nearly 10:00pm.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: San Francisco

South Beach Harbor, Morning

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South Beach Harbor, Morning
Morning light on South Beach Harbor and buildings of downtown San Francisco

South Beach Harbor, Morning. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on South Beach Harbor and buildings of downtown San Francisco

On this late-January morning I was up — you know the drill… “hours before dawn” — to catch a train up the Peninsula to San Francisco for a morning of street photographer and a visit to the San Francisco Museum of Modern Art, where an extensive show of Walker Evans photography was nearing the end of its run. (At some point I should write a bit about my response to the show. A quick summary: great show, some brilliant work, some work I identify with personally, some work that makes me wonder why it is on the wall.) For these trips I’m usually up around 4:00 AM, giving me a half hour for coffee and a quick breakfast before I walk to catch a bus to the train station, where I catch one of the “baby bullet” express trains that has me in San Francisco an hour later.

The weather was in flux, and when by the time I arrived it was clear that a dome of solid high clouds was over San Francisco. However, as I left the train just before sunrise I was able to see some light on the underside of the clouds that was apparently coming from a gap in the cloud cover across the Bay to the east. I quickly headed over to the nearest shoreline location and ended up at the South Beach Harbor. I found some unusual light here as the sun rise. The light was coming through a narrow gap between the western edge of the cloud shield and the low, East Bay hills. Meanwhile, the clouds over and to the north of San Francisco kept the sky there somewhat dark. As the light hit the shoreline area where I had gone, the foreground boats and buildings and so forth were lit by this lovely filtered light and set off against that darker sky. The conditions did not last long — soon the sun rose above that cloud gap and the light soon became gray and flat.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Night, Photographs: San Francisco, Photographs: Urban/Street

Restaurant, Evening

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Restaurant, Evening
Evening diners in a San Francisco restaurant

Restaurant, Evening. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening diners in a San Francisco restaurant

Earlier this month I spent an evening photographing at night in San Francisco, this time with my fellow Studio Nocturne SF photographers. That got me thinking about other night photography that I’ve done this year in The City, so I went back to the raw files from this spring visit when I joined another group of friends for dinner and then to photograph along the waterfront, in the same general area where I photographed earlier this week.

I’m often intrigued by shops and restaurants at night, partly perhaps because they often provide a source of light, some of which can spill into the surroundings, but also for the slightly voyeuristic experience if looking through the windows and observing patrons. It was a warm evening when I walked past this place and many windows were open. If you look closer you might see what I see — each window providing a separate and somewhat independent image, almost like paintings hung along the wall in a gallery.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Barred Window

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Barred Window
Reflections and shaded interior beyond a barred window, San Francisco

Barred Window. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Reflections and shaded interior beyond a barred window, San Francisco

Walking along the waterfront near the South Beach Harbor I noticed a walkway going out to the end of a pier than I had not noticed before. This time a gate was open, so I walked out onto the pier and passed many small temporary (or so they seemed) businesses and shops that were set up behind the sliding metal doors, now open for the day. My goal was the end of the pier, where I figured I might be a good, clear view straight into the morning light coming across the bay or possibly back across the boats tied up in the harbor.

Passing one small metal-sided building, I noticed the odd combination of objects — a bird cage behind a sort of “human cage” of the barred windows. The right window provided a visual and subjective contrast with these objects, since it reflected the open blue sky and the upper portions of the masts of the nearby sailboats.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.