Tag Archives: weathered

Abandoned Mill

Abandoned Mill
The ruins of an abandoned mill in the desert backcountry

Abandoned Mill. Desert Mountains, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The ruins of an abandoned mill in the California desert backcountry

During the nearly twenty years since I first “discovered” California deserts, my experience with them has changed. To be honest, as a person largely focused on the coast and the Sierra, when I was younger I didn’t really know much about these wild places, and I wasn’t really attracted to them. It wasn’t until the late 1990s that I actually made a serious visit and began to “get it” about the things that make these areas so marvelous. At first, like almost anyone else, I focused on some of the most obvious and iconic places. But eventually as I returned to these places, especially to Death Valley National Park, I began to push out my boundaries bit by bit. As I did so I discovered many more interesting things about these places, both the natural wilderness and the human history. One of the first experiences that connected me to the human history was an accident. One evening I wandered away from a camp and just sat down on a boulder in an elevated location on an alluvial fan. I happened to look down to see an unusual rock. I picked it up and quickly realized that it was a cutting implement left their by the earliest people to make their lives here — and my notions of the depth and variety of human experience in the desert was profoundly altered.

That human influence has many facets. Certainly the experience of the people we now refer to as “native Americans” is central. (I like Canada’s term: “first people.”) Later settlers showed up for a range of reasons — pioneers passing through, prospectors chasing the dream of the big strike, folks looking for a job, people not well suited to living in the civilized world, and other. They all left traces. The prospectors and miners left lots of them all over the desert landscape, and you can’t travel around these places without running into it. The photograph is a detail from one amazing structure high on a desert ridge, abandoned only recently in the context of the larger scale of history, but still putting us in touch with an era that is mostly gone now from these places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wall, Window, Shadows

Wall, Window, Shadows
Shadows fall across a window and weathered wall in Heidelberg, Germany

Wall, Window, Shadows. Heidelberg, Germany. August 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Shadows fall across a window and weathered wall in Heidelberg, Germany

We have relatives living in Heidelberg, so when we go to Europe the city almost seems like “home” at this point. We often stay not far from the old town area — far enough away to not be in the middle of it all time, but close enough that a short walk over the Philosophenweg and across a bridge gets us there quickly.

Wandering around the streets of the town there are plenty of photographic subjects. At the moment I cannot recall precisely where I made this photograph, but I can recall being attracted by the forms and colors of the wall, the weathered and peeling paint, and the shadows produced by the sunlight glancing across its surface.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Weathered Sandstone Wall

Weathered Sandstone Wall
A weathered and cracked sandstone wall in Utah canyon country

Weathered Sandstone Wall. Grand Staircase-Escalante National Monument, Utah. October 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A weathered and cracked sandstone wall in Utah canyon country

It has been about four-and-a-half years since I visited this spot and made this photograph, but I remember it distinctly. We had followed the twisting course of a small stream down a canyon as it wound back and forth between the tall sandstone walls. Eventually we perhaps began to think it was time to turn around, but it was hard to resist finding out what was around “one more bend” — until we had passed through quite a few more of them! I remember three things about this particular wall. It was huge — a monumental expanse of nearly solid granite broken in a few spots where giant flakes of rock had fallen. The stream passed right along the base of the wall. And there were odd circular patterns inscribed into its surface — so regular in shape that I first thought they must have been made by humans.

This spot is in Grand Staircase-Escalante National Monument, a place that we might have believed to be safely protected for future generations. But these days, when America has been turned upside-down, things we took for granted are now threatened. And, yes, there are forces in the state of Utah that are working to take land out of this incredible monument and turn it over to extractive industries to dig it up and take out shale oil, uranium, and whatever else they can get their hands on. There are many things we can do about this. One very important step is to get the attention of the people of the state of Utah and remind them that one of their greatest assets is the beautiful system of parks, monuments, national forests, and other lands that draws visitors from all over the world — visitors who support a thriving tourism and recreation economy in the state. Since their legislators don’t seem to respond to reason or shame, perhaps they will respond to economic pressure. This week a consortium of outdoor manufacturers announced that they are moving their annual convention out of Utah. Lots of us are vowing to not visit the state until they stop trying to destroy it — and we won’t be staying in their motels, eating in their restaurants, buying gas there, or anything else.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wall, Shutters, Window With Heart

Wall, Shutters, Window With Heart
A window in an old building in the Heidelberg area, Germany

Wall, Shutters, Window With Heart. Heidelberg, Germany. August 14, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A window in an old building in the Heidelberg area, Germany

Yes, I still have more photographs from this past summer’s visits to New York, London, and several European locations — lots more! After London and Paris we headed to Germany, and returned to Heidelberg, which almost seems like a home base for us. Patty’s brother and his wife live there, and in the middle of five weeks of travel it was wonderful to spend time in their Heidelberg home.

This time we hopped on a boat and travelled up the river a ways to a more distant suburb (?) of Heidelberg, where things feel a bit more rustic, at least to this first-time visitor to that particular spot. When we got there we spent some time simply wandering around, walking up narrow and hilly streets. I spotted this window in a weathered wall along the shaded side of one of the buildings we passed — so on this one week anniversary of the American election you get a heart in a window.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.