Tag Archives: wetlands

Islands, Clearing Fog

“Islands, Clearing Fog” — Morning sun on reed-covered islands and wetland pond.

Sometimes landscape photography is slow and contemplative — the landscape stands almost still and there is time to pause and consider. But sometimes the landscape changes as quickly as any other subject, and transient conditions only last a moment. This was one of the latter moments. Thick tule fog had blanketed my position, but it quickly cleared above this pond, and brilliant light struck the little grass-covered islands.

Fog can fundamentally alter a landscape. Sometimes it simply mutes more distant subjects and allows foreground elements to stand out. It can also lend a sense of quiet mystery to otherwise mundane scenes. It may just sit there, changing little for long periods of time. And then, suddenly, the sunlight begins to break through and all kinds of beautiful effects of light may appear.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Marsh, Dawn Fog

“Marsh, Dawn Fog” — Winter trees silhouetted against the dawn on high clouds above a wetlands marsh shrouded in tule fog.

Bird photography is my excuse for going to this place in the winter. But the truth is that when the birds aren’t around I am happy to photograph this quiet and mysterious landscape, especially when morning tule fog drifts in and out. On this morning there were birds, but they weren’t where I was. So I paused in this spot and others like it and photographed the subtle light and colors of the early morning foggy landscape.

A bit more about the bird photography: I’m not sure how people imagine the process of photographing migratory birds, but I suspect that they might be surprised at how it actually works. Believe me, it is not a case of spending hours clicking off perfect exposures of astonishing wildlife. That happens, but there’s a lot of “slow time” between those moments, when the experience is more about the quiet and the slowing of time and about the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSkyEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Tree, Clearing Fog, Dawn

“Tree, Clearing Fog, Dawn” — An old winter tree sillouetted against the dawn sky as tule fog clears.

Certain subjects keep drawing me back. I don’t mean just general types of subjects, but very specific things, places, objects, and so forth. This tree, at this time of day, in these conditions, is one of those subjects. It is at a place where I frequently photograph in the winter months, and I usually try to be there on mornings when the fog will clear at or after dawn — a morning just like this one.

There is something to be said for seeking out new and unusual subjects. But I think there is also great value in returning to the same subjects and getting to know them more deeply. Beyond that, there is a wonderful sense of being “grounded” in a familiar landscape, one that you know from long acquaintance, to the point that the surprises happen against a backdrop of deep familiarity.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSkyEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Wetlands Pond, Morning Light

“Wetlands Pond, Morning Light” — Morning sun on a wetlands pond as winter tule fog clears.

The experience of photographing these Central Valley winter landscapes is full of magical instants — combinations of scene, atmosphere, and light that appear and disappear so quickly that they are easily missed. In one direction thick fog might obliterate the view, while in another direction the sunlight may be emerging and bathing the scene in warm light. This was one of those moments — a distant fog bank almost obscures trees, while the reed-covered islands are bathed in direct morning sunlight.

From what I hear, the residents of California’s Great Central Valley are not exactly thrilled by tule fog. When the conditions are right it can last for days or even weeks, holding temperatures to the 30s and 40s and remaining gray and damp. But I love those conditions for photography, and a forecast of fog is often enough to persuade me to drive four hours round-trip to be there.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSkyEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.