Tag Archives: white

Window, San Francisco

Window, San Francisco
A window covered with security bars

Window, San Francisco. © Copyright 2019 G Dan Mitchell – all rights reserved.

A window covered with security bars.

If this were my window — on this particular street, in this particular position, in this particular city — I suppose that I would install a security system like this, too. (It isn’t exactly a “bad” area, but it is one where many thousands of people walk past daily, and the window is right along the sidewalk.)

But that’s not really why I made the photograph. I thought the gently suffused lighting was attractive, and I liked the combination of colors, shapes, and light and shadow. Aside from whatever intrinsic value or meaning this photograph may (or may not) have, it is another example of the fact that there are things to see everywhere, and that, in my view, photographing them is a useful way to “tune up” your ability to see things that not everyone might notice.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Clouds, Evening Sky

Clouds, Evening Sky
Sunset clouds above the Sierra Nevada crest, John Muir Wilderness

Clouds, Evening Sky. © Copyright 2019 G Dan Mitchell – all rights reserved.

Sunset clouds above the Sierra Nevada crest, John Muir Wilderness.

Sierra skies will please or distress you, depending upon your relationship to them and to light. Many visitors absolutely love the days-long stretches of perfect blue skies that occur here, frequently uninterrupted by any clouds at all. (These conditions are among those that give rise to the “Range of Light” designation for these mountains.) On the other hand, photographs often find these “perfect” conditions to be boring, and you might be surprised to hear us complain about too much blue sky!

Our late-August arrival at this location was accompanied by rain during the afternoon on the day we hiked in — no downpours, but enough to gently soak everything and persuade us to put on parkas and set up tents. On the second day we had a few more clouds… but that was pretty much it. The rest of our stay (with the exception of our walk back out, when it did rain again) featured — you guessed it — one of those “days-long stretches of perfect blue skies.” So, after days of such aggravatingly perfect weather, we were absolutely thrilled when these lovely sunset clouds drifted over our valley in the evening on our last full day, glowing with gentle color against the deepening blue of the evening sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

In Tatters

In Tatters
Remnants of street posters, Paris

In Tatters. © Copyright 2019 G Dan Mitchell – all rights reserved.

Remnants of street posters, Paris.

One thing I look for when photographing in cities is examples of street art and posters and similar that have been up long enough to have been weathered and otherwise distressed. In some cases they reveal many layers of imagery and text — some painted, some in ink, and some pasted to walls and on top of previous materials.

Beyond being in Paris I no longer recall the specific location or larger context for this splash of color. I just recall that the bright colors, abstracted from their original context by being torn to pieces, caught my attention as we walked by, and that the background white field almost reminded me of paper product wrapping. There’s just enough form to the colors that I might imagine that I could figure out what was there originally…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Center

The Center
The center of a white flower surrounded by darker petals

The Center. © Copyright 2019 G Dan Mitchell – all rights reserved.

The center of a white flower surrounded by darker petals.

Previously I’ve pointed out that I’m not the primary flower and foliage photographer in our household — that honor belongs to Patty Emerson Mitchell. Sometimes I accompany her on excursions to photograph this subject, and I made this photograph on one of those occasions when we spend the morning at a beautiful formal garden not too far from where we live.

I usually photograph flowers in color — in many cases color is the point! But every so often monochrome seems like the way to go, either because the particular flower’s color is not striking or because of the way that black and white may allow us to push and pull the image in ways that would not likely work in color. I’m often a bit surprised that some people seem to regard black and white as more “real” or true to the original subject. in truth, perhaps because we give up the possibility of an “accurate” rendition of a color subject when we work in black and white, we actually have far more room to modify and tweak the image to produce the result we have in mind — and often these modifications are far from subtle.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.