Tag Archives: white

Strolling Couple

Strolling Couple
A couple walks past a white-painted brick wall

Strolling Couple. © Copyright 2017 G Dan Mitchell – all rights reserved.

A couple walks past a white-painted brick wall

This photograph is a bit more “in your face” than most of my street photography. I’m generally not one of those “stick the camera in someone’s face” sort of photographers, preferring to be a bit less invasive of people’s space. (However, I can’t deny that photographing people who did not go out into the urban environment intending to be my subjects is, almost by definition, always at least a little bit invasive and aggressive.)

I’m hard pressed now to recall even making the photograph, which means it was most likely made very quickly and probably while I was walking. I could not have predicted the woman’s remarkable yawn — or perhaps she is singing? ;-)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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One Goose From The Flock

One Goose From The Flock
A goose takes flight along with the rest of the flock

One Goose From The Flock. San © Copyright 2018 G Dan Mitchell – all rights reserved.

A goose takes flight along with the rest of the flock

Some birds are most often photographed as individuals, usually because that is how they live. Examples include egrets, eagles, hawks, and many other hunting birds. To simplify a bit, a major challenge is to get close enough (physically and/or with a big lens) so that an individual is large enough in the frame to produce a photograph and so that distinguishing characteristics of the bird (along with some aspect of its environment) are visible. I rarely do that with geese snow geese, Ross’s geese, and other wild geese. These are, by their nature, birds that live in communities. I most often see and photograph them in groups which may range in size from a few individuals up to many thousands.

Some of the other members of the flock are partially visible in this photograph, so the image isn’t entirely of a lone bird. However, because the others are shown only in part and out of focus, my attention here is drawn to the largest, central bird with wings outstretched as it ascends. I made the photograph on a day when I found myself unusually close to a large flock for a good amount of time — they were spread across a dirt access road I was using. Eventually, as always happens with geese, some of the birds began to get ideas about going elsewhere, and this time I was very close to their lift-off.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

On Alert

On Alert
A flock of Ross’s geese raises their heads in response to a distraction

On Alert. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of geese raises their heads in response to a distraction

We started 2018 with a New Year’s Day visit to wetlands to photograph migratory birds and engage in a few other fun activities. Among these were: arising hours before dawn, driving long distances in pre-dawn darkness, sharing a champagne toast to the New Year well before noon, and much more. To be honest, I’ve had been photography days out there at this time of year… but I haven’t had a better time.

This photograph shows a behavior that I’ve learned to watch for when photographing geese. Much of the time when they are settled in they are fairly passive, perhaps with their heads down to feed. But when anything worthy of attention happens — a raptor flies over, a plane passes by too low, someone gets too close or starts a vehicle engine — the flock’s sound changes and all of the heads rise with necks vertical. If the threat passes or is deemed unimportant the heads quickly drop. But if it is seen as serious, this might be an indication that the entire flock is about to dramatically take flight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

White Pelicans, Evening Sky

White Pelicans, Evening Sky
A flock of white pelicans curves below winter evening clouds

White Pelicans, Evening Sky. San Joaquin Valley, California. January 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A flock of white pelicans curves below winter evening clouds

When photographing out in the San Joaquin Valley on late-autumn or winter early mornings and evenings, we are usually very attuned to the sky and cloud conditions. It isn’t always obvious. On some evenings the sky can be quite hazy, even dismal. But that thick haze can work like a scrim on a theatrical set, and when the light appears behind and above it, the sky beyond can be magically revealed.

On the spectrum of skies from drab to flamboyant, this one might best be described as subtle. It was not the kind of neon sky that is almost unbelievable in its intensity and brightness, but there were many layers running in various directions, and subtle effects of color did appear. At just this moment when the sun was just below the horizon, too low to cast direct light on us but still lighting the bottoms of the clouds, a curving ling of white pelicans passed overhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.