Tag Archives: white

Grove of Slender Aspens, Autumn

Grove of Slender Aspens, Autumn
An eastern Sierra grove of slender aspens with a hint of fall color remaining

Grove of Slender Aspens, Autumn. Eastern Sierra Nevada, California. October 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

An eastern Sierra grove of slender aspens with a hint of fall color remaining

There are interesting subtleties to the autumn transition of aspen color in the eastern Sierra. Unlike forests in some other areas, where the trees are more similar across wide areas, and thus tend to change colors at the same time, in the Sierra the color change has many variations of region, climate, moisture, and elevation. It is quite possible to arrive at a grove to find that almost all of the leaves have fallen… only to visit another grove not too far away where the color change is still getting underway.

This is a somewhat unusual little grove. The trees are very slender and crowded closely tighter. They are also, generally, smaller than those in the more-or-less typical Sierra aspen grove, where trees may be larger but also tend to be bent and even misshapen. These slender trees stand tall and straight, and at the time I made the photograph they had lost nearly all of their leaves, leaving a somewhat ghostly forest of bare trunks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Great Egret, Airborne

Great Egret, Airborne
A great egret flies past, skimming above wetland plants

Great Egret, Airborne. Central Valley, California. January 16, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A great egret flies past, skimming above wetland plants

In some ways these magnificent birds are very accessible, but in other they can be hard to photograph in interesting ways. They are common at the locations where I frequently photograph birds, and when I have decent cover (shooting from a vehicle or similar) I can frequently get relatively close to them without scaring them into flight. The key is a very slow and cautious approach and sensitivity to the body language of the bird — there are often hints when egrets think that I am getting too close. From just outside that boundary the egrets are large enough to fill the frame in good conditions, and I have lots of photographs of them on the ground feeding. Perhaps too many!

That’s the problem. An egret on the ground is interesting, but not often quite as interesting as an egret in the air. (Grounded egrets can be beautiful in the right light and with the right background and so forth.) In flight they are beautiful birds, typically using slow wing motion and often gliding, and they assume impressive poses when taking off and when landing. However, the lift off is sudden and the flight path typically takes the bird away from me. But sometimes I get lucky, as I did with this specimen. I was actually unaware of its presence and, in fact, it may have been unaware of mine. I had stopped to photograph something else when the bird suddenly flew into range from my left and passed in front of me as it made a gentle turn around my position. I’ve learned to react fairly quickly and to get the camera up and tracking, but in the best of circumstances it is still a challenge. The first couple of frames are almost humorously off-target, but then I found my subject and centered it in the frame as it passed by very closely.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Red and White Cars, Fence

Red and White Cars, Fence
Red and white cars parked behind a white-painted metal fence, Venice Beach

Red and White Cars, Fence. Venice, California. April 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Red and white cars parked behind a white-painted metal fence, Venice, California

Just because I made the photograph on April Fools Day doesn’t necessarily mean that it is a joke. Or does it? (Probably not.)

We were in Venice, California for a) our daughter’s birthday and b) a visit to the G2 Gallery, a great gallery space that presents a lot of work that I/we can relate to — work by Jack Dykinga, among others, was there when we visited. Once we finished in the gallery it was time to look for coffee and food, so we wandered off down the street. As usual, I lagged behind making photographs of various bits and pieces of the urban landscape. This was an odd little place. It appears to have originally been a church, but is now some sort of office. The entire building is painted start white, including the metal fence across the front. Inside were a bunch of white cars (!), but with one bright red one. A photograph was called for…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Great Egret

Great Egret
A great egret in flight against cloudy sky

Great Egret. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A great egret in flight against cloudy sky

This particular egret and I shared a few brief seconds of photography as the bird suddenly emerged, already in flight, from a brushy area along the edge of a pond at a Sacramento Valley wildlife refuge. In most ways, the egrets are at their most graceful while in flight, but this is when they are also the most difficult to photograph. Usually they take off and fly away from the photographer, and they are soon too far away to photograph. This one, however, flew parallel to my position and gave me a good side view. I only had a brief interval to raise my camera, find the egret in the viewfinder, and track it as I squeezed of a sequence of photographs.

I shared another one a few days ago. I interpreted that one in black and white, so I thought I’d work this one out in color. There was a great deal of softness in the original image — while parts of the wings are in focus, the large aperture and motion of the bird left other parts soft. So I decided to go with that soft effect and, in fact, amplify it and to then also go with a bit of a high key treatment, further emphasizing the brightness of the bird against a bright, cloudy sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.