Tag Archives: white

Great Egret, Airborne

Great Egret, Airborne
A great egret flies past, skimming above wetland plants

Great Egret, Airborne. Central Valley, California. January 16, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A great egret flies past, skimming above wetland plants

In some ways these magnificent birds are very accessible, but in other they can be hard to photograph in interesting ways. They are common at the locations where I frequently photograph birds, and when I have decent cover (shooting from a vehicle or similar) I can frequently get relatively close to them without scaring them into flight. The key is a very slow and cautious approach and sensitivity to the body language of the bird — there are often hints when egrets think that I am getting too close. From just outside that boundary the egrets are large enough to fill the frame in good conditions, and I have lots of photographs of them on the ground feeding. Perhaps too many!

That’s the problem. An egret on the ground is interesting, but not often quite as interesting as an egret in the air. (Grounded egrets can be beautiful in the right light and with the right background and so forth.) In flight they are beautiful birds, typically using slow wing motion and often gliding, and they assume impressive poses when taking off and when landing. However, the lift off is sudden and the flight path typically takes the bird away from me. But sometimes I get lucky, as I did with this specimen. I was actually unaware of its presence and, in fact, it may have been unaware of mine. I had stopped to photograph something else when the bird suddenly flew into range from my left and passed in front of me as it made a gentle turn around my position. I’ve learned to react fairly quickly and to get the camera up and tracking, but in the best of circumstances it is still a challenge. The first couple of frames are almost humorously off-target, but then I found my subject and centered it in the frame as it passed by very closely.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Red and White Cars, Fence

Red and White Cars, Fence
Red and white cars parked behind a white-painted metal fence, Venice Beach

Red and White Cars, Fence. Venice, California. April 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Red and white cars parked behind a white-painted metal fence, Venice, California

Just because I made the photograph on April Fools Day doesn’t necessarily mean that it is a joke. Or does it? (Probably not.)

We were in Venice, California for a) our daughter’s birthday and b) a visit to the G2 Gallery, a great gallery space that presents a lot of work that I/we can relate to — work by Jack Dykinga, among others, was there when we visited. Once we finished in the gallery it was time to look for coffee and food, so we wandered off down the street. As usual, I lagged behind making photographs of various bits and pieces of the urban landscape. This was an odd little place. It appears to have originally been a church, but is now some sort of office. The entire building is painted start white, including the metal fence across the front. Inside were a bunch of white cars (!), but with one bright red one. A photograph was called for…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Great Egret

Great Egret
A great egret in flight against cloudy sky

Great Egret. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A great egret in flight against cloudy sky

This particular egret and I shared a few brief seconds of photography as the bird suddenly emerged, already in flight, from a brushy area along the edge of a pond at a Sacramento Valley wildlife refuge. In most ways, the egrets are at their most graceful while in flight, but this is when they are also the most difficult to photograph. Usually they take off and fly away from the photographer, and they are soon too far away to photograph. This one, however, flew parallel to my position and gave me a good side view. I only had a brief interval to raise my camera, find the egret in the viewfinder, and track it as I squeezed of a sequence of photographs.

I shared another one a few days ago. I interpreted that one in black and white, so I thought I’d work this one out in color. There was a great deal of softness in the original image — while parts of the wings are in focus, the large aperture and motion of the bird left other parts soft. So I decided to go with that soft effect and, in fact, amplify it and to then also go with a bit of a high key treatment, further emphasizing the brightness of the bird against a bright, cloudy sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Great Egret

Great Egret
Great egret in flight above winter landscape, Sacramento Valley

Great Egret. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Great egret in flight above winter landscape, Sacramento Valley

I photographed this great egret in flight at a refuge in the Sacrament Valley recently. Despite being quite common birds, they are not quite easy to photograph as one might think, at least not when in flight. If you are, as I was on this occasion, approaching very slowly in a vehicle, the birds will often let you get quite close. Then they either stay on the ground, perhaps walking away, and providing a less interesting photographic subject, or they suddenly take flight and most often quickly move away from you. And the backsides of egrets in flight are, while not entirely uninteresting, not nearly as interesting as frontal or side views.

This one emerged from some brush along the refuge’s perimeter roadway and flew past my position. I managed to bring the camera up fairly quickly, but it is not an easy thing to go from (slowly) driving a car to stopping the vehicle, raising a camera equipped with a long lens, and almost instantly trying to track and photograph the bird. This is my way of explaining that in a series of perhaps 10-12 rapid images of the bird, only a few provided an appealing combination of the bird in an interesting position, bird in the frame (!), and a background that worked. As I worked on the photograph I felt that it was softer than I had hoped for, but then I realized that I could work with that softness rather than against it, and I came up with a somewhat abstracted view of the beautiful and grace flight of this bird against an amorphous background of distant clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.