Tag Archives: white

Man in White, Mosco Street

Man in White, Mosco Street
“Man in White, Mosco Street” — A man dressed in white takes a break outside of a Mosco Street kitchen, New York

Christmas Eve in New York City.Earlier in the day we had wandered around in midtown, making photographs in cloudy and occasionally drizzly conditions. Eventually we made it up to near Central Park to join our younger son and his future wife at a place where he proposed to her earlier this year. Then we wandered down along the park and across to join the mob scene on Fifth Avenue until the crowds become overwhelming.

Time for dinner, so we head to Chinatown, where there is a restaurant at which we’ve eaten with our sons on a few previous Christmas visits. It is supposed to be — and it was — a place that is good but not necessarily widely known. We arrive and find that the wait is “at least an hour and a half.” As someone later said, “The cat is out of the bag.” We quickly figure out that most of the other nearby restaurants are nearly as crowded, so we decide to walk a few blocks to a Vietnamese place. As we walk down Mosco Street a cook takes a break on the sidewalk, lit by the light spilling out of the door to the kitchen.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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White Pelicans

White Pelicans
A flock of white pelicans wheels overhead

White Pelicans. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A flock of white pelicans wheels overhead

I’m sure I’ve mentioned this before, but I’m a late-comer to the whole bird thing — and I’m still more of a bird appreciator and photographer than an actual “birder,” in the sense of being able to precisely identify many birds or of building a life list. I have long been aware of the brown pelicans that are found along our California coastline, and I’ve watched and photographed them for years. However, until just a few years ago I was unaware that we had white pelicans right here in California. I first “discovered” them on one of my Central Valley goose photography forays when I spotted some large white birds with big bills off in the distance. It was a late discovery for me, but I’m glad I found them.

Each of the birds that I know from the Valley has its own mode of behavior and of flight. The geese generally fly fast, make a lot of noise, can frequently be approached fairly closely, and tend to flap a lot when flying. Ibises, to me at least, somehow have a mosquito-like appearance in flight. Cranes seem purposeful, often flying in low, straight lines, but swerving so as to avoid flying directly above people. The white pelicans often have a very smooth mode of flight, seeming to coast in without a lot of wing action — much like their brown cousins along the coastline. They do flock, but in much smaller numbers here, generally measured in dozens rather than hundreds or thousands. And when they land they typically seem to keep their distance from humans and their traces. This group, however, put on quite a close-up show. The arrived from out across the ponds, but then began to circle above and around my position, where they remained in flight for quite some time. A bit of backlight shining through their wing feathers compensates for the usual difficulty of photographing the undersides of birds against the bright sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Grove of Bare Aspen Trees

Grove of Bare Aspen Trees
A few autumn leaves linger on a grove of bare aspen trees, eastern Sierra Nevada

Grove of Bare Aspen Trees. Eastern Sierra Nevada, California. October 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A few autumn leaves linger on a grove of bare aspen trees, eastern Sierra Nevada

No, I’m still not done with my photographs from autumn 2015 in the Sierra Nevada! This year I first photographed this grove in late September, much earlier than would normally be the case. Even then many of the trees had already lost their leaves, seemingly in response to the fourth serious drought year in the Sierra. The drought affected trees in a variety of ways, ranging from early color change to simply dropping leaves without a color change to seemingly going dormant. (Other trees that were less stressed seemed to change later than usual, perhaps in response to later warm temperatures resulting from climate change.) I was less than satisfied with those first late-September photographs of these trees, so I thought more about them after returning home and made a plan to return the following week and refine my ideas.

And that’s just what I did. I made this photograph one week after those first images. This time I spent less time at the grove since I already had a fairly clear idea of what I was trying to produce. Given how few leaves there had been the week before, I was somewhat surprised to find any color still left here — but I was also happy that there was some! Bare and near bare late-season aspen trees seem compelling to me, for reasons I cannot quite put my finger on. Is it that they signal the fine, incontrovertible end of the warm season? Or is it that they signal the certain arrival of the beauties of winter? Perhaps there is something about these bare trees standing in groups and their promise of new life the following spring? When there are still just a few colorful leaves remaining, as in this scene, somehow the effect seems even stronger.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Man In White Pants

Man In White Pants
A man walks into the sun on a San Francisco sidewalk

Man In White Pants. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A man walks into the sun on a San Francisco sidewalk

After more than a month filled with colorful photographs of autumn foliage in the Eastern Sierra Nevada, I’m going to cleanse my palate a bit… with a black and white street photograph. I know it seems odd and even inexplicable to some that someone who photographs the natural world and likes to spend time there would also be attracted to photographing the constructed world of urban streets — but I do. In some ways I think of this other universe as more of an extension of the same way of seeing that attracts me to natural landscapes. These are simply urban landscapes and they are populated by people rather than animals. The same light falls on the city and on the mountains. In addition, photographing street tunes up my visual sense, forcing me to quickly see and respond to compositions, light, and subjects.

On a couple of occasions this past summer I joined a small group of like-minded photographers to wander around parts of San Francisco making photographs at night. We generally assembled in the late afternoon, photographed first in the daylight late in the day, grabbed a bite to eat, and then headed back out into the evening to photograph street scenes under ambient and artificial light. Here I headed up a street into the late afternoon light, focusing initially on the backlit subjects and the lengthening shadows, and then this fellow walked into the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.