Tag Archives: wilderness

Morning Shadows and Symmetry

Morning Shadows and Symmetry
“Morning Shadows and Symmetry” — The line between morning light and shadow descends a talus slope toward a lake, revealing mirror image symmetries.

Getting out of your tent before dawn isn’t easy when it is cold and dark outside and you have to leave a warm sleeping bag. But if you don’t rise early you miss some of the most sublime moments of the day in the high country. And, I promise, once you are up and about you’ll be glad that you made the effort.

On this morning it was almost too dark to photograph when I unzipped the tent, and for the first half hour or longer I photographed in the soft blue hour light. Eventually the first direct sunlight touched peaks high above me and gradually worked its way down the steep slopes toward “my” lake. (At about the time I made this photograph, my non-photographer backcountry partners were starting to awaken in their tents on the peninsula at the right.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Evening Light, Trees

Evening Light, Trees
“Evening Light, Trees” — Just before sunset, evening light slants across trees high in the Eastern Sierra.

In late July a group of us camped for two nights at a lake just east of the Sierra Nevada crest. The lake is at about 10,000′ of elevation, and peaks to the west tower almost 3000′ higher. That tall ridge (the Sierra crest) begins to block the direct light remarkably early, in some places an hour and a half or longer before actual sunset. To photograph the “late” light close to this ridge I had to start quite early!

I had a rough plan to start closer to the ridge and catch the last direct light there on this rocky rise, and to then work my way to the east, following that edge of the light. This was one of the first photographs I made, and you can see the alpine terrain beyond these trees growing in this rocky landscape..


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Shoreline in Shadows

Shoreline in Shadows
“Shoreline in Shadows” — An eastern Sierra lake, surrounded by meadows and forest and reflecting talus slopes, in early morning shadows.

While we love to photograph mountain light, sometimes it can be tricky. I photographed this scene in the early morning. I had gone out well before sunrise, planning to spend some time working with the soft light before the direct sunshine arrived. The the sunlight first touched peaks high above the distant talus slope, then began to descend toward the lake. I made this photograph while the directly-lit talus field was just outside the frame, and moments later things were very bright!

This is, at least for me, the kind of scene that I don’t immediately “see” as a photograph. But when I do I intuitively work out some kind of composition, moving forward and backward, left and right, higher and lower, and adjusting focal length until it just seems to come together.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Afternoon Light

Afternoon Light
“Afternoon Light” — Storms build as late afternoon light shines on a Sierra ridge, across the water from a rocky bluff and a patch of snow.

In the backcountry I usually spend the first and last few hours of the day photographing. In the morning I’m up before sunrise and not back in camp for hours. I head out again hours before sunset and usually keep at it until it is nearly dark. I made this photograph near the start of one of those afternoon sessions, as shadows lengthened and clouds from nearby storms added drama to the landscape.

The parallel forms of the very close and very distant ridges caught my attention, along with the beautiful green color of the inclined meadow on the other side of the lake. Technically this was a fairly difficult exposure, due to the difference between the brilliant white of sunlit clouds and the deep shadows in the left foreground exceeded that capabilities of my (or just about any) camera.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.