Tag Archives: willow

Autumn Color Transition

Autumn Color Transition
Brush and aspens undergoing the autumn color transition in the eastern Sierra Nevada

Autumn Color Transition. Eastern Sierra Nevada, California. October 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Brush and aspens undergoing the autumn color transition in the eastern Sierra Nevada

When we think of fall color in the Sierra Nevada, for many the first (and perhaps only?) thoughts are of the aspens. The aspens are beautiful — more about them in a moment — but they aren’t the whole show. For example, where the high desert environment meets the mountain environment there can be a lot of spectacularly colorful brush, and the dried grasses contribute their own golden brown tones. Willows can become quite yellow, and even some ferns can glow in the right light. I suppose that this photograph is largely about aspens, but it chose to include some of those other color sources, too.

The aspen color transition is not a sudden thing. In fact, if you start with the earliest oddball individual yellow leaves, often seen by mid September and sometimes earlier, and look all the way out until late October when the last leaves finally fall, you can be looking at a period of as long as six weeks. (To be clear, the core of the season is still the first half of October plus a little.) Even in individual locations the color rarely changes all at once, and brilliantly colorful trees may stand next to trees that are still green. This location along the eastern base of the range is a fine example. Obviously some of the trees are approaching peak color. But if you look closely you may spot a few trees that are already bare. And the great or almost-entirely green trees area still several days to a week before their best color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Large Cottonwood Tree, Side Canyon

Large Cottonwood Tree, Side Canyon
“Large Cottonwood Tree, Side Canyon” — A large cottonwood tree with fall colors in front of sandstone walls and a side canyon

During a bit of hard drive housekeeping this week I found a folder full of files from a Utah visit in 2012. Because I have a hard drive that is about to fill, I’ve been looking for unused and unneeded files that invariably get left behind after work on various projects — you know, the files that I “just might want to keep around, just in case.” I think that the batch in this folder were transferred from my laptop, and they are most likely files that I worked on quickly in the field and planned to update on my desktop computer later. My first thought was that I’d just delete the folder, but then I looked more closely and found several files that I want to keep.

This is one of the keepers. Although I hadn’t thought if it for quite a while, I now recall this little canyon junction quite distinctly, a place were a smaller side canyon dropped down into the larger canyon through which we walked. Scale is hard to judge against this landscape, but the old cottonwood is very large, especially for one in the base of a narrow canyon. This photograph reminds me of something else, too — I need to get back to these canyons!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Autumn Shoreline

Autumn Shoreline
Autumn colors arrive along the shoreline of an Eastern Sierra lake

Autumn Shoreline. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Autumn colors arrive along the shoreline of an Eastern Sierra lake

This photograph represents a bit of a step back from the more intense Sierra Nevada colors of some of my other fall color photographs. Here many of the colors are muted, and the light is soft. The upper trees have already lost their leaves — early, as a result of the drought — and the foreground plants lining the lakeside marsh have largely gone dormant. A few conifers and some sagebrush appear around the edges of the frame.

This lake in the Eastern Sierra is the location of some spectacular fall color, too. In fact, this photograph intentionally looks away from some peak colors that were occurring nearby on this morning. After photographing so much intense color for several weeks, I think I was enjoying the muted quality of autumn storm light as it began to rain and eventually rain on this beautiful and quiet October morning.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Eastern Sierra Pack Station, Fall Colors

Eastern Sierra Pack Station, Fall Colors
Autumn cottonwood and willow color at the McGee Creek pack station at the base of McGee Canyon

Eastern Sierra Pack Station, Fall Colors. McGee Canyon, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Autumn cottonwood and willow color at the McGee Creek pack station at the base of McGee Canyon

These eastern Sierra Nevada canyons have long fascinated me. My initial orientation to the range came from decades of approaching the mountains from the west, where they rise gradually, beginning almost imperceptibly with small irregularities and hills far out in the eastern portions of the Great Central Valley and then build slowly over many miles to eventually reach the Sierra crest. I “discovered” the east side of the range decades later, and was amazed by the contrast. Rather than beginning in the gentle west side grassland and agricultural areas, the base of the east side is frequently high desert, a spare and dry land of sage and open vistas. The Sierra begins abruptly, and in some cases you can stand at the actual base of the escarpment and look almost straight up to peaks that are many thousands of feet above you. The east side is cut by many short but deep canyons, where steep creeks drain a terrain originally cut by glaciers. In a very short distance — often traversed in a single day — one can move from high desert to the alpine zone.

In addition to focusing on that landscape, this photograph includes an element representing another component of life on the east side, a trailhead pack station. Here, too, my experience was such that I only recognized the role of these outfits more recently. For decades I was primarily oriented to the range as a backpacker and, to be honest, I regarded those using pack animals as representing an intrusion in the wilderness experience that I sought. (On the other hand, I recall many years ago seeing the occasional individual backpacker leading a single donkey along the trail, something you almost never see any more.) A few years ago I began to work with photographic colleagues who use pack trains once each year to get into the back country to photograph in ways that are more or less impossible when traveling on foot, and before long I had my first real experience with packers. I’m less certain of my old disdain for those who rely on pack animals, and I’m now much more aware of the long history of these pack outfits in the eastern Sierra. My perspective has changed. While I think that their place must evolve, I also have come to think of them as an intrinsic part of what makes the Sierra the Sierra, and I have acquired a real respect for the wranglers and the work they do.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.