Night photograph of an old industrial building and a stop sign beneath sky with star trails, Mare Island Naval Ship Yard.
This old building at the historic Mare Island Naval Ship Yard appears to be some sort of warehouse and loading dock, judging by the raised flat area attached to the front of the building and the large doors. I made the photograph from the middle of a large empty parking lot, and in addition to the horizontal form of the yellow corrugated metal building, I wanted to include the green glow through the windows at the far left and the red stop sign. The sky has a bit of a warm glow that is coming from the urban areas of the East Bay – Mare Island is on the fringe of this area.
““Yellow Buildings, Shadows, Moving Clouds” — Night photograph of two large yellow buildings, shadows, and streaks for clouds moving across the sky above the Mare Island Naval Ship Yard, California.
This seems to be the week for photographs involving a combination of preparation and serendipity. I made an unsuccessful attempt to photograph these buildings a year or so ago. I managed to get spooked and learn a little lesson in the process. Most of the time night photography is a quiet, peaceful, and slow experience. There are often very few other people around, and in the darkness you can be entirely alone. Much of the work is done slowly – wandering around looking for compositions in the near darkness first, and then waiting for long exposures to complete. On that first attempt with this subject I had set up in an abandoned parking lot next to these buildings and was standing quietly by my tripod when I heard the sound of a fast-moving car. A sixth sense told me to pay attention… and in seconds a car came speeding around the corner of a nearby building and into the parking lot! I don’t think I’ve ever grabbed my gear and run so fast! (The resulting photo is sort of funny and captures my panicked escape after perhaps 2/3 of the exposure had completed – the image of the buildings is there, but superimposed on it is a wild pattern of light formed as I spun around, carrying the camera without even taking time to close the shutter.)
Since then I wanted to try photographing these buildings again. Late in the evening of this recent shoot I noticed translucent clouds passing overhead. When such clouds are lit from below and have a chance to moving during long exposures they form interesting patterns. I quickly headed toward that same notorious parking lot… and this time found a safer spot on a raised sidewalk, which also gave me a better angle on the buildings. The clouds were moving away and to the right, so I had to work quickly to get set up and start exposures. The first one (not shown here) was a slightly wider shot. Then I thought about the zig-zagging angles and shapes of the buildings roof lines and corners and noticed that the same shapes were mirrored in the shadow cast by a nearby building. With this in mind I decided to try a tighter crop on the buildings, and I ended up with this photograph.
A brick wall with windows and a door is illuminated by garish yellow artificial lighting at Mare Island Naval Ship Yard.
During the final weekend of February I was able to join my friends from The Nocturnes for an “alumni” shoot at the historic Mare Island Naval Ship Yard at Vallejo, California. I photograph at this location a few times every year – most often with The Nocturnes – and each time I go I find something new or else find a new way to photograph something familiar.
This wall is in a little side alley off or one of the main roads through the facility. Although it certainly doesn’t look like it in this photograph, this is a fairly dark area of the island where rows of large factory buildings (mostly abandoned) are lit, for the most part, by a few security lights. Standing there next to me as I made the photograph, this is not what you would have seen. At best, I could make out the shapes and arrangement of the windows and door, recognize that the wall was constructed of bricks, and notice that the light from nearby yellowish artificial lights was diffused and broken up by shining through intervening fences and other stuff.
But, for me at least, one of the goals of night photography is to see what cannot be seen with our own eyes. The whole idea of a “realism” in night photography seems almost crazy to me, at least when shooting such dark subjects as this one. “Reality” is an incredibly dark and dim and barely visible wall. What is more interesting to me is what the camera can see in the near dark. Here it reveals the intense yellow/orange color of the artificial lighting and the uneven patterns of light and shadow.
(It also occurred to me as I worked on this photograph that while I generally am somewhat conservative with color and saturation and all the rest in my photography of natural landscapes… the wild, garish, and intense color and light of this night photography may represent an opposite pole for me.)
Weathered windows below the eaves of a dilapidated yellow building at Mare Island Naval Ship Yard with star trails in the night sky.
This is another building that I have photographed a number of times when I’ve visited the Mare Island Naval Ship Yard to do night photography. Typically I have focused on the lower walls of the building, which are interesting due to the presence of garish yellow sodium vapor lighting, the interesting texture of corrugated metal walls with peeling paint, dilapidated and broken doors and windows, and the odd presence of a UFO-shaped shadow from a lamp hanging on the exterior. (A recent photo I posted featured that oddity.)
Here I wanted to shoot something a bit less complex and graphically simple – so I aimed the camera almost straight up from a position right in front of the building. Though they are difficult to see in this small jpg, the sky is filled with faint star trails from the two-minute exposure, and I like the way its inky blue-black color contrasts with the very warm colors of the yellow walls that are lit by sodium vapor light coming from multiple directions. The terribly weathered window frame, the bit of conduit attached to the wall, and the broken window panes break up the wall.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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