Tag Archives: winter

Photographs: Central California, Photographs: Nature

Tule Marsh, Fog

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Tule Marsh, Fog
A Central Valley tule marsh on a foggy winter day.

Tule Marsh, Fog. © Copyright 2022.G Dan Mitchell.

A Central Valley tule marsh on a foggy winter day.

My winter exploits photographing migratory birds often place me in beautiful landscape under spectacular skies and in the presence of remarkable flocks of thousands of geese and cranes. But that does not capture the totality of this experience. (News flash: the photographs we share most likely focus on best moments rather than typical moments.) On a cold, foggy Central Valley morning things can be gray and still, though it is rare that the sound of birds isn’t part of the experience.

I have an extensive background in music, and this has taught me something that can be missing from photography at times, namely that there are many kinds of beauty, and that not all of them yell at us for attention. Some are quiet and some, at least at first, may not even seem beautiful at all. I won’t try to explain what I find in this photographs — you’ll just have to trust me that it is there.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Ridges, Morning Haze II

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Desert Ridges, Morning Haze II
Desert ridges disappear into distant morning haze.

Desert Ridges, Morning Haze II. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert ridges disappear into distant morning haze.

While the light of the very early morning and the very late afternoon is the most obviously appealing, there are ways to photograph at almost any time of the day. Because the distances in the Death Valley landscape are often so immense, there is almost always some amount of haze in the air. Not only does it obscure distant features, but it also shifts the color balance toward blue. In all honestly, sometimes this doesn’t make for the most appealing landscape photography, especially when distant features are included. But it is also possible to make the blue haze your friend, especially where it can enhance the sense of distance and scale.

I had finished up my sunrise photography at a different location on this morning of my early 2022 visit to Death Valley. My daily routine is usually to bet up very early — well before sunrise — and head to a first location, arriving well before the good light appears. You may have noticed that I didn’t mention things like coffee. Or breakfast. I usually skip them and get right to work. Later, after finishing with that first subject of the day, it would be easy to give in to the call of breakfast, but I usually continue on to a second location that holds some promise in later light. So on this morning I headed up into the hills to find a spot with a broad, long-distance view. From here I photographed across rows of intervening ridges as the haze gradually hid the landscape details to the point that haze and light and land merged in the distance.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Ridges, Morning Haze

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Desert Ridges, Morning Haze
Desert ridges disappear into distant morning haze.

Desert Ridges, Morning Haze. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert ridges disappear into distant morning haze.

There is a series of lessons I have learned about photography in Death Valley National Park. They including things like seasonal timing, observations about the light at various times of day, the number of locations and subjects that are a bit off the beaten track, and the importance of spending time “poking around” looking for them. One important element sits at the nexus between the immense scale of the place and the qualities of its atmosphere and light: learning to love blue haze in the atmosphere.

As a photographer who has done a lot of work in places where clear air is common — for example, among high peaks of the Sierra Nevada — the bluish haze that is often visible across the immense distances of Death Valley was initially a challenge. (It still can be at times.) Dealing with this required me to learn some lessons about timing… and that I learn to see the haze as a potential asset rather than just a problem. On this morning I had finished photographing a location in the clear sunrise light. I headed to a elevated location with broader views… and lots of the blue haze obscuring distant features. The intent of this photograph was to work with rather than against that condition, and let it help reveal the scale of the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Breakfast, Manhattan, December 2021

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Breakfast, Manhattan, December 2021
Breakfast on the window sill, Manhattan, December 2021.

Breakfast, Manhattan, December 2021. © Copyright 2022 G Dan Mitchell – all rights reserved.

Breakfast on the window sill, Manhattan, December 2021.

On one level this is a photograph of a half-eaten breakfast roll on the paper bag it was packed in, sitting on the window sill of a Manhattan hotel room on a cloudy winter morning. We can look at it as a little still life, I suppose, though perhaps a less appealing one than the traditional images of fruit and such. But there’s a story behind it.

For us a typical Manhattan breakfast might be coffee and pastry picked up somewhere on the street or, if we had the time and inclination, a “real breakfast” with eggs and more in a restaurant somewhere. (We follow a “two-and-a-half-meals-per-day plan when traveling, where the half meal could be morning or midday and is usually espresso plus something small.) But this visit was during the start of the Manhattan holiday omicron surge — what a strange description! — and those crowded little restaurants and shops were not so appealing. Fortunately, the Mille-Feuille Bakery was on the ground level of our hotel, so we’d head down there, pick something up, and return to our room… where the morning ritual was to start the covid rapid test, then sip coffee and eat pastry while the 15 minutes passed.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.