Tag Archives: yellow

Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting
Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Numerous sources of artificial light illuminate an industrial building from outside and inside

I like night photography for a number of reasons. I enjoy the very slow work, finding subjects and compositions in near darkness and then waiting patiently for long exposures to complete. “Normal” photography can be a slow and meditative process, but night photography must be. Given so much time to stand and wait, I cannot help but notice the stillness and quiet of the night, and to feel the cool and damp air. In fact, as a person who does night photography, these things are almost as much part of the experience as the visual elements.

In the visual context, there are a few things about the appeal of night photography that might not occur to a person who has not done it. When photographing in very low light, what we photograph is often very different from what we actually see. Often the subject is quite dark, even when lit by the moon or nearby lights, but the camera doesn’t care—a long enough exposure can collect more light that our eyes can, and a dim and drab subject can become bright. Also, the illusion that the camera stops time is not quite so strong when photographing at night. Over the course of a many minutes long exposure stars move, lights of cars appear and pass, clouds blur into soft streaks, and the edges of shadows from moonlight blur. In industrial areas such as this one, the lighting is a mixture of things glowing from within and lit from without, and the diversity of lighting—tungsten, fluorescent, sodium vapor, LED, mercury vapor, moonlight—paints the nightscape with wild colors. This building is an excellent example. The upper windows emanate a glow from yellow interior light. Relatively colorless light hits the upper walls, but the light takes on an odd blue/pink tone on the lower building, and the shadows head toward blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ship Yard Crane, Night Sky

Ship Yard Crane, Night Sky
Ship Yard Crane, Night Sky

Ship Yard Crane, Night Sky. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A gigantic ship yard crane extends high into the night sky, Mare Island Naval Ship Yard, Vallejo, California

For many of us, these gigantic cranes, towering above the historic ship yard buildings and docks, are the iconic structures of the Mare Island Naval Ship Yard near Vallejo, California. The facility has been here since the 1800s, when it was the first naval ship yard on the west coast of the United States, and its history is quite remarkable. I won’t even begin to try to recount it here since a) it is so extensive and b) I’m far from an expert! In the 1990s it was decommissioned and since that time parts of the facility have fallen into ruin, others have been maintained in more or less their condition at that time, and some have been converted to other uses ranging from industrial to housing.

I have photographed here at night for about a decade. It used to be that these towering structures were mostly just parked in somewhat inaccessible locations behind fences along the waterfront. (The folks I photograph with here have a policy of not going into areas that are off-limits, and this had led to generally very good relations with the folks who oversee the place.) More recently the dry dock facility has been put back to use to dismantle very old ships from the “mothball fleet” that had been moored nearby, and now when I visit I often find the cranes have moved and may even be in more accessible locations. The first thing that struck me on this night’s visit was the effect of the security lights playing over the structure—and the fact that the lights are still the older and very colorful lights rather than the newer, more energy-efficient, and very boring LED lighting!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Building 237, Early Evening

Building 237, Early Evening
Building 237, Early Evening

Building 237, Early Evening. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Early evening light on the face of Building 237, Mare Island Naval Shipyard, Vallejo, California

This is one of the rarest of photographs from me—a daytime photo from Mare Island! Although I have photographed here for quite a few years, virtually all of my photographs from this location have been made at night, when the industrial environment of the place is transferred by darkness and artificial light into something mysterious.

By day, many of the subjects that I find so interesting and even colorful at night are often quite bland and boring. Building 237 is the subject of one of my favorite photographs from Mare Island, “Yellow Buildings, Shadows, Moving Clouds.” In that photograph, these buildings glow with an intensely yellow light from nearby artificial lightning, and the motion of clouds during the long exposure creates an aura in the dark sky above them. But during the daytime, the color of the buildings is a somewhat faded and drab sort of yellow-tan shade, and this is even more washed out in typical daytime light. On this visit, largely because the sun sets later by the clock during daylight savings time, we found ourselves ready to photograph well before it was dare, so I decided to go out and look for golden hour light as the day ended. Here that light subtly colors the front face of building 237, whose color contrasts with the cold, blue tones of the next-door building that is already in full shadow.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Kelp and Stone

Kelp and Stone
“Kelp and Stone” — Kelp washed up on sandstone rocks at Weston Beach, California

I met a group of photographer friends at Point Lobos on this mid-February day, where we spent the entire morning photographing before taking a midday break, followed by a quick visit to another location a bit further down the Pacific Coast Highway, and then a return to Point Lobos in the early evening. Perhaps to no one’s surprise, we started shooting near Weston Beach – but perhaps to everyone’s surprise, we were still shooting there when lunchtime rolled around! Fortunately, the light was somewhat cooperative, with some high clouds muting the sun that would otherwise have been too intense by that time of day.

We did not limit ourselves entirely to Weston Beach, and we wandered a bit north and south along bluff and rocks at times, photographing the huge winter surf. Eventually I ended up back at the “beach” (which seems not very beach-like at all, being mostly layered rock and big gravelly rocks) where I always like to look around slowly for interesting arrangements of whatever the sea throws up here. In one spot I found a pair of marble-round rocks, one pink and the other deep blue. Here I found a beautifully twisted and curved bit of kelp sitting on top of deeply patterned rocks not far from the edge of the water. In fact, it was so close to the water’s edge that I was only able to make a couple of exposures before a wave came far enough up on the beach to wash this kelp back out into the sea.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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