Tag Archives: yellow

Photographer, Sabrina Basin

Photographer, Sabrina Basin" — A photographer working the autumn colors from a ridge in Sabrina Basin, Sierra Nevada, as an early fall storm comes in.
“Photographer, Sabrina Basin” — A photographer working the autumn colors from a ridge in Sabrina Basin, Sierra Nevada, as an early fall storm comes in.

I wandered out onto this ridge above Sabrina Basin, a spot that I know for its unobstructed view of the valley and the peaks of the Sierra crest above Sabrina Lake, far up the canyon. I had my eyes on some rocky benches that run along the top of the ridge As I approached I saw that I wasn’t the only photographer with this idea. As I crossed the rocks toward the overlook, he was working my intended camera position, so I decided to sit back and let him finish. (The ridge wasn’t wide enough for both of us to work together there.)

As I waited, I thought there was something interesting about his position above the valley, his concentration on shooting, his all-blue outfit (shirt and jeans, on a cold and rainy day!), and that wide brimmed hat. So I decided to make a few photographs of him. We barely talked at all. I hoped to get his name, but that didn’t happen. The best I was able to do was give him a card, and offer him a copy of the photo if he contacted me. Never heard from him…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Sunrise, Piute Crags

Autumn Sunrise, Piute Crags
Autumn Sunrise, Piute Crags

Autumn Sunrise, Piute Crags. Sierra Nevada, California. October 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

Autumn morning light on Piute Crags, reflected in the shoreline waters of a Sierra Nevada lake.

I made a lot of photographs during the past few months, traveling to the Sierra and a number of other places frequently. I often go through the photographs from the most recent shoot and post images soon after, but when I’m on to the next adventure fairly quickly I don’t always have time to get to everything in one batch before I shoot the next one. Inevitably, some images get “left behind.” Things have slowed down just a bit, and now I’m finding time to go back through some of that earlier work and pull out a few more images that I like. This is one of them.

Folks who photograph in the eastern Sierra will likely recognize this location. The long, rugged ridge of Piute Crags is striking, especially in the morning light, more so in the fall when the aspens change color, and double-especially on such a fall morning when clouds are moving in and out of the scene. I’m not going to say much more about the location beyond telling a little story. As I made this photograph there were perhaps 50 photographers set up more or less tripod-to-tripod a ways away shooting the same general subject from the place where almost everyone shoots. Their location is, indeed, a beautiful spot and I’ve shot there myself. (Heck, I shot there later on this same trip, though at a time of day when the workshops had gone elsewhere.) But there is more than one way to photograph a scene, and with a bit of thought and some wandering around it is usually possible to find a perspective that isn’t quite the same as the familiar one.

(If you know where I stood, please resist the temptation to say too much. This precise spot could not withstand the stress of dozens of photographers. Thanks!)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Trees in Morning Light, Ahwahnee Meadow, Autumn

Trees in Morning Light, Ahwahnee Meadow, Autumn

Trees in Morning Light, Ahwahnee Meadow, Autumn
Trees in Morning Light, Ahwahnee Meadow, Autumn

Trees in Morning Light, Ahwahnee Meadow, Autumn. Yosemite Valley, California. October 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

Morning light on trees in and around Ahwahnee Meadow, Yosemite Valley.

This little grove of trees might be one of the best known groves in Yosemite Valley. It sits apart from other trees out in Ahwahnee Meadow, and it can be an appealing site at various times of the year – in spring when the new leaves are bright green, in winter when the meadow and the trees may be snow-covered, and in fall. I made this photograph at the very end of October when the leaves had begun to change to fall colors and the meadow grasses had gone dormant. I had arrived here very early – before sun rise – and shot for a good hour or more in ground fog conditions. As the morning wore on the layer of fog thinned and finally disappeared completely just before I made this photograph. At about the same time, higher clouds around the rim of the Valley that had blocked the earlier light began to thin and the stronger light hit the meadow and the trees.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Oak Trees, Evening, El Capitan Meadow

Oak Trees, Evening, El Capitan Meadow
Oak Trees, Evening, El Capitan Meadow

Oak Trees, Evening, El Capitan Meadow. Yosemite Valley, California. October 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

A grove of oak trees in El Capitan Meadow illuminated by late afternoon light.

What Yosemite photographer hasn’t photographed these oaks, especially the four in the foreground? I know I can’t resist, and I’ve photographed them in every season and in conditions ranging from warm afternoons to winter mornings with snow on the ground. Here I photographed them during the last few minutes of direct light, just before the sun dropped behind ridges to the west, and after the light had already left the meadow, the forest and the Valley walls beyond.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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